Category: Home & Hearth

Vintage Beauty & Cosmetic Tips Explain Vanity Collectible Conditions

More things for collectors to learn from that 1940’s Hint Hunt booklet — this time the tips could explain some condition issues you find with vintage vanity collectibles.  These vintage beauty and cosmetic tips explain why you might just spot pinholes in powder boxes and find beads in perfume bottles.

For me, such pin pricks and beads are the tangible evidence of the intimacy of these old items… Clues to the connections between decades, even centuries, of women who desire both beauty and practicality.

Ephemera Collector Saves Baby & Bathwater From Being Tossed Out

Ephemera collector Dick Sheaff shares this 1875 carte de visite (CDV) photograph by William Shaw Warren of Boston which seems to be the source for The Pond’s Extract Company’s trade card advertising.

The Fab Four For Your Legs

This pair of vintage Beatles stockings was made in England by Ballito Mills for Scott-Centenaire Ltd.; the packaging features the face and signatures of the Fab Four.

The individual stockings were packed in pairs, but they also were packaged in standard blue Ballito boxes.

Beatles nylon stockings may be rare, but there were many variations in packaging, stocking design, and even makers.

Ballito Mills alone had multiple varies in packaging and stocking design; this pair features Fab Four and a 45 RPM record on the packaging and the nylon stockings themselves have the Fab Four on the welt.

The Powerhouse Museum, which has Beatles stockings in their Beecher-Moore Stocking Collection, describes a pair of 1966 Ballito Beatles stockings in greater detail:

The faces are printed in blue, pink and white above each band member’s signature. The faces are repeated as a pattern woven through the legs of both stockings.

This pair of Ballito stockings dates to 1964 features not only The Beatles on the welt, but the textured mesh nylon stockings have a clearly repeated design of faces and guitars.

Other Beatles stockings were made in Holland and sold by Vroom and Dreesmann for the Dutch market. According to the seller:

Unlike the vintage UK “Carefree” and “Ballito” Beatles Nylons these do not have any decorations or Beatles imagery in the stockings themselves. There are no identifying marks on the stockings.

While the above seem clearly to be licensed products, these four 1960s packages “Kinder Mini Hose” of pantyhose for children, appear to be unlicensed.

I wonder how many kids were disappointed in those stockings?

And I wonder how many more vintage Beatles stocking styles and manufacturers were made — and still out there for collectors to find!

Image Credits:

Vintage Ballito Beatles stockings from sg4beatles.

Image of two pairs of Ballito Beatles stockings with Ballito box via iCollector.

Ballito package with record and photo of stocking welt from 20th Century Collectibles.

Vintage Beatles textured patterned Ballito stockings from 991.

The vintage Vroom and Dreesmann Beatles stockings photos via haze54.

Kinder Mini Hose photo via iCollector.

Bedroom Inspiration From Vintage Photo

All I really know about this image is that the lady is Mrs. Louis Bromfield, that the photo was taken by Alfred Eisenstaedt in 1942 — and that I love that headboard!

The headboard appears to be hand painted or, if fabric, embroidered with the titles of her husband’s books. What a lovely idea! …If not your book titles, why not the names of your children, special dates, etc.?

Dating Old Newspaper Clippings (And Some Telephone Number History)

As an ephemera collector, I find lots of old clippings inside my vintage magazines, retro catalogs, and even in my antique books. While the acidic old paper may be a threat to already fragile old paper, I am delighted by what I find. It’s somehow comforting to know that we humans have always clipped and tucked away little bits and bobs in publications, either to save them as related materials or as a bookmark in a pinch.

The trouble is trying to discover the age of the clipping itself, because, then as now, we humans don’t exactly tuck only ephemera from the same year as the publication itself.

Now for some, the year of the clipping is irrelevant; but I am an admitted obsessive, remember? So it matters to me.

When I found these old bits of paper in a recently purchased vintage copy of Watkins Household Hints, I wanted to post them to my vintage home ec site, Things Your Grandmother Knew — but I wanted to properly document them as accurately as possible. While the date on the old handwritten partial tip on whitening clothes would be nearly impossible to know, I felt compelled to do better with the newspaper clippings.

Neither vintage newspaper clipping has any masthead or anything to indicate the newspaper name or location, but I figured I could at least get a date or time period for them.

The first one, the larger one with the list of household tips, was easy. There was the complete short story of the resignation of Marvin L. McLain. No, I’m no expert on US assistant secretaries of agriculture; but Google helped nail that date to October 27, 1960. (Give or take a day, I suppose.)

The other clipping however…

The only clue I had to help me with this clipped and saved tip on brightening furniture was the ad on the back. An advertisement with an unusual phone number.

Now I’m familiar with telephone numbers with letters in them; prior to 1958, phone numbers used exchange name dialing or letter prefixes. (And, in fact, it wasn’t until sometime in the mid-1980s that exchange name dialing gave way to all-number calling or ANC.) However, the phone number in this ad, “1597-J,” doesn’t have a letter prefix, it has a letter suffix.

This I was not familiar with.

I knew it was a phone number, not some blind box number; the ad reads “Phone 1597-J.” Was it possible this was just a more fashionable way to write a phone number? It certainly wasn’t a pragmatic or effective way because the exchange would need to be dialed or given to the phone operator first. It just didn’t seem to make sense.

I tried to do some online research, but I didn’t find much to help me. I knew I was putting the wrong words or terms into search engines and data bases. Knowing I was at a wall, I decided to look up the “J” and see where it might least me…

According to the The Telephone EXchange searchable database, the letter — if a telephone exchange, belonged to San Diego. So I contacted the San Diego History Center. While I waited for a response, I also contacted the Library Of Congress, telephone book collector Gwillim Law, and Ammon Shea, author of The Phone Book: The Curious History of the Book That Everyone Uses But No One Reads.

Not content to just sit back and wait for returned calls and emails, I turned to the only other clue I had: the name of the person can business mentioned in the old ad: Arnold Kholmetz, Auctioneer and Realtor. That turned up some old articles in the Milwaukee Journal – Sentinel Archives. This made sense because the first clipping seemed to be from a Wisconsin newspaper and the old household tips book itself was purchased in that state.

So, naturally, I then did what any true obsessive does and called the Journal Sentinel to speak to their archivist. Sadly, Mr. King hadn’t any idea himself regarding the phone number, but he suggested a few other places to try.

The first was AT&T, which does have a telephone history page, has no means of connecting you to anyone but customer service. (I’m not sure you’d call it “irony”: it was simply pure frustration to have their operator inform you that they outside of customer service they only have a list of names and extensions, no departments, etc.) I did manage to get to the voice mail of “Investor Relations” but no one has returned my call and I don’t expect anyone ever will. Note to collectors and historians: Don’t bother contacting AT&T; not by phone anyway.

The second place Mr. King suggested was the Milwaukee Public Library; they couldn’t help me, but stated I was welcome to come in and look through all their old phone books to see if I could find the research I needed.

Well, I wasn’t going to do that — at least not right now; but I wasn’t going to give up either. Like a dog with a bone, and fueled with the rationalization of helping other collectors by writing a great “how to” article, I wasn’t ready to give up.  I could call the Watertown Public Library (because that’s where those old Journal Sentinel archive clippings said Mr. Kohlmetz was from) or I could try to research the partial radio show listings showing there at left of the clipping…

But then Jane Kenealy, Archivist at the San Diego History Center, called me back.

I explained to her that I no longer believed I had an old San Diego phone number, but did she have any idea what the “J” could be at the end of a phone number?

She said she didn’t know, but went to get the 1931 San Diego City Directory — the first city directory which listed phone numbers. I listened to her as she read numbers that ended in “J” and a few other letters, but it was clear, she said, that these letters were suffixes; that they were not exchanges because each page or section of the listings began with the exchange, then listed the phone numbers. We were both puzzled…

“All the phone numbers which end in letters end in either a ‘J,’ ‘M,’ ‘R,’ or ‘W’… But no place in the book is there an explanation…” said Kenealy with the excitement of a researcher enjoying her clues. “Let me go look for another book and I’ll call you back.”

Somewhere in the back of my brain those four letters meant something; I just couldn’t access it. Not yet. So I searched for “telephone J M R W” and found this:

A Restored Notchless Dial Plate with the letters J M R W in red, which are explained at that site as follows:

J M R W were suffixes used on the station numbers on certain manual (non-dial) common battery exchanges that had 10000 line switchboards with 4 subscribers on each line. In metropolitan areas where there was a mixture of dial and manual telephones because the transformation from manual to dial service was in progress and still had not been completed, the DIAL phones were provided with dials with these letters so they could call the MANUAL subscribers who did not yet have dial telephones. The conversion from manual to dial often extended over several years. Washington, DC for example started this conversion with its first dial exchange which was cut into service on May 3, 1930. But this conversion did not complete until the last manual exchange was converted to automatic dial operation on April 23, 1949 – some 19 years later. Chicago started its conversion in the early 20s, but it did not complete until 1957.

Upon seeing that vintage telephone dial plate, and this Western Electric Candlestick Telephone, I not only remembered the old party lines but knew that I just should have picked up my modern cell phone and called my parents about this old phone number; they likely would have known all of this and saved me a lot of work.

And then my cell phone rang and Ms. Kenealy was excitedly telling me that the “J” was referencing a party line. She had found this bit of telephone number history:

line numbers could be one to four digits long; multi-party lines had a letter tacked onto each station on parties sharing the line. All parties on the same line shared the same numericals however. 2-party lines differentiated each other with W & J 4-party lines used J, M, R, W

I felt embarrassed that I’d sent her on such a long wild goose chase, but Ms. Kenealy was more than kind — she was excited. “Thank you for helping me find out something I didn’t know! I’ve never had the excuse to look this up,” she said. And then we ended up talking a bit about how this party line information hadn’t been published in any of the directories or phone books because people then “just knew what it was.” Which, leads to a larger issue of why history and indeed collecting with an obsessive streak are so important — including our documentation of it all these years later.

And that brings us back to the date of this old newspaper clipping…

I did contact the Watertown Public Library, but they had no records regarding the end of party lines.  But for me, this is where the research ends.

I’m satisfied at this point narrowing it down to somewhere between the 1930s and the early 1950s… Likely the mid 40’s, based on all the little clues, such as dates on the newspaper clippings (and ads without such patyline references), the fact that the clipping mentions using silk (and after WWII, nylon was more in vogue and use than silk).

It’s not pinpoint accuracy, but I think I’ve accomplished helping other collectors learn how to date the clippings they have, assisted in documenting a part of history — and been reminded that one’s own parents are still an excellent resource, no matter what kind of help you need.

1949 Court Of Jewels Promotional Photo

This vintage wire photo was sent out to news outlets to promote the Harry Winston “The Court of Jewels” tour, which traveled to major American cities during 1949-1953. The traveling jewels tour showcased the Hope Diamond.

From the back of the photo:

New York: Lovely Margaret Wallace is just displaying her own charm enhanced by a few gadgets worth only $2,500,000. The jewels owned by Harry Winston Inc, rare jewels of the world, are on display at the American National retail Jewelers……8-15-1949

Photo from soxphotos.

Vintage Watches Of The Future

For you watch collectors out there, another scan from that 1954 issue of People Today:

What Time Is It?

Revolutionary Watches of the Future Indicate It’s Later Than You Think

Watch at left shows time, date — and radioactivity level. Elgin watches (l. below) are experiments in plastic. “Capsule watch (r.) switches from finger to pin, pendant or bracelet. Another not-yet-purchasable marvel at Manhattan jewelry show: watch to tell time every 5 seconds — thanks to a tiny built-in FM radio gives weather report too.

While I want to giggle at the old-fashioned notion of a wrist watch to alert you to the dangers or radiation levels, such things are back in fashion again — like this cell phone app which alerts you to the radiation levels from cell phones. Ironic? Hey, some old watches emit radiation too.

And how annoying would anything that talks every five minutes be?

Anyone have any of these now-vintage wrist watches?

A Tip On Dating Your Vintage Television Set

In the September 22, 1954 issue of People Today magazine (which has some additionally fascinating television history), a clue for those who collect vintage TV sets. According to this snippet from the vintage magazine’s “The Goldmine”,” this bit of news on TV set changes:

Many manufacturers are locating control knobs at the top or high on the side of new models. They found that viewers don’t like bending over to reach low-level knobs.

This may not only help you date your vintage television set, but is also proof of the laziness of Americans — and the need for the ultimate invention of the remote control. *wink*

Mortuary Blood Jars and Other Collectibles To Die For.

Pick & Grin from Antiquips brings you bizarre finds.

Part of the joy in collecting or selling antiques and collectibles is the people you meet. Sharing the stories of the hunt, the success in finding a super item at a great price or selling one for a king’s ransom. Mistakes are forgotten, and the next great find is only a matter of time.

“What do you collect?”, can start an hour of conversation.  So it is when we stop at a consignment shop called DJ’s Antique’s in Greenfield, Wisconsin and engage in a bit of chit-chat with Don the owner and Trisha, whose claim to fame is properly displaying the latest “must haves”. Her own passion in collecting is rather unusual, funeral or death related items. Now any old collector/seller has something in that category or at least Pick had some large ornate casket handles, a casket plate and some cabinet photos of funerals.

Pick: I purchased the handles in the last century to be used as a towel bar, but!!!

Grin: I know that “but”, I just never got around to getting them up.

Pick: That better be the only thing you don’t get up.

Grin: I know!!

Pick: I decided to offer that stuff to Trisha for her collection. That’s why your recent purchase of blood jars came as a surprise. I couldn’t tell if you were a serious bidder when the pair of red amber mortuary bleeding jars came up for auction at our last visit to Bailey’s Honor Auctions held in Wisconsin.

Grin: I had looked at them during preview when auctioneer Carol Miller was explaining that they came from an estate and were called “mortuary bleeding jars.” Their cone shape, and old rusty wire hangers drew my attention. I spotted the pair and considered the shape to be unusual even without the provenance. The color was also unique. They first appeared amber, but holding them up, the color looked redder. The only markings are on the rim and it reads “Klip Kup, Patn. Applied For.”  And on the flattened bottom end, it has the initials MP.

Pick: I can’t find one single item or any reference to these two glass containers on line or in books.

Grin: Nor can I. But when the bidding was still within reason and the other bidder dropped out I was the owner of two used blood bowls.

We had discussed our strategy before the auction trying to curb our enthusiasm for only the most unusual items to fill our antique mall case and on-line stores. Now what could be more interesting than mortuary jars?

Pick: The Jaguar Hearse used in the movie Harold & Maude.

Grin: You’ve got me there.

Vintage Fan Collection Is Really Cool

When I saw this photograph of Wink, the vintage fashion collector and seller, the first thing I thought was, “Wow, vintage fans really blow her skirts up!” The second thing I thought was, “What a ‘cool’ thing to collect!”

And then, nearly out of puns (“She has created her own ‘Fan Club!'”), I realized I wanted to be a bit more serious and talk to her about her collection of vintage fans.

Wink, describe your fan collection. What do you look for in a fan? Is there a time period, manufacturer, size, color or other specific thing you look for?

My “fan club” consists of seven electric fans of varying vintage. I’m a graphic designer by trade, so I tend to notice the brand badges in addition to the industrial design of the fan.

For collecting purposes, I don’t pay much attention to the brand, or color, or period… I just go for whatever catches my eye. That being said, I’ve been a fan of the “atomic future” shapes of the 1950s for about as long as I can remember, and I suspect that most of my fans date to that general time frame.

Do the fans have to work? Do you repair them? If so, do you do it yourself, or pay a professional? (Or, option three, make a spouse do it lol)

Six of the fans work, although the oscillating fan no longer oscillates. One that had been a catalog stylist’s prop and was gifted to me has a cut cord, and I’ve never bothered to splice a new plug on. I could, though! If the motor is blown, though, that’s beyond my own skill set. I might pass it off to a mechanically-inclined friend and bat my eyelashes, but it’s really not important to me that one isn’t working.

When buying, though, I’ll do a function test on-site if it’s possible. Which is kind of funny, really, because I never use any of them for their intended purpose!

Aside from your personal budget, do you pay attention to the monetary or book value of fans?

None whatsoever.

I buy what I like, and the most I’ve spent is $20 so I decided that was my personal, if random, limit. I could easily go higher, and I know that I’ve been very lucky both with my own finds and with the friends who have given me a few as gifts.

When my collection was younger and smaller I tried looking up the value of what I then had, but it was a cursory search and really. I just buy them because they look cool. It’s not an investment thing, like clocks or rugs would be.

What made you become a fan of fans — decide to collect fans?

I bought my first fan for $1 at a garage sale. (Well, the seller was asking 75¢ and tried to give me 25¢ change but I told her to keep it.) That was a blue Coronado, and I bought it because I loved the shape.

Then I bought a second at an antiques mall, and my third (the non-oscillating one) at a flea market. That was when I came up with, “Two is a coincidence. Three is a collection.” Talk about a rationalization!

How many fans are in your collection?

A mere seven, but they take up space!

How do you display your fan collection?

I used to have them up on wall-mounted shelves in the living room, but a few years ago I bought an “entertainment center” that has six cubbies which are perfect for displaying items approximately fan-sized. The seventh fan sits on top of the TV. If/when I get more, there’s a shelf that’s supposed to go along the top which can hold perhaps five or six similarly-sized fans.

Fans are larger and their shape makes them less efficiently organized than say books or some other collectible… Does their size limit your collection?

Most definitely. I had to set an artificially low budget for myself so that I won’t obsess over searching for them, or my house would fill up. They’re definitely out there if you’re looking!

Instead, I made an Etsy treasury of electric fans for other people, and tried for a while to replace listings as they sold. As the treasury got older, it wasn’t getting new views so I stopped updating it. I can’t bear to take it down, though, so perhaps it’s time to refresh it!

Do fans have many fans? lol In other words, when you are at auctions, flea markets, do you find yourself competing with many other collectors for the fans?

There do seem to be a few collectors out there, but since I go for looks/price and not book value, I don’t know if we’re hunting for the same things. Shipping expenses will often blow my budget out of the water, so I tend to look locally. I’ve never had anyone try to pry a fan out of my hands at the antiques mall! LOL!

How do people react to your collection of vintage fans?

The fans are clearly on display in my living room, which is the first room in the house. People who know me are used to seeing them (the collection started somewhere around 10 years ago), but new friends notice them right away and usually let out with a “Oooh, I like your fans!” They’re like sculptures for the common man!

Do you collect brochures, advertisements, packaging etc., or just the fans themselves?

Just the fans, although I wouldn’t be opposed to buying printed ephemera if the price was right and it had some display value.

Do you collect anything that you’d consider related to fans — other small appliances or some such?

I’m a clutterbug. Is that a word? It is now. I collect, actively or passively, a lot of things. Fans are the only electric appliances, though!

Given your youthful appearance, I gather the fans are much older than you are and so they do not carry a sense of real life nostalgia for you… Is there anything you’d like to say about your affection for their “atomic” appeal?

Why, thank you! Yes, I imagine all of the fans are older than I am. However, I grew up in a family of thrifty folks who typically didn’t throw away or replace anything that was still useful, so this is the kind of fan that my grandmother or great aunt would have had in their houses.

My dad had an industrial-strength window fan in his home office that was probably similar in style, although I don’t quite remember its looks as much as I remember its ability to wreak havoc with his paperwork if we accidentally shut his office door! As a family, we spent many weekends watching ’50s sci-fi and film noir flicks on the television, so I’m sure I grew accustomed to this style in that way as well.

Then again, I’m still grumpy that the Dodgers moved to L.A., even though Ebbets Field was torn down before I was ever born! It’s difficult to explain some of the things I’m sentimental about.

Isn’t that true for some many of us.

You can keep up with Wink at her blog, Shoes and Pie, and become a “fan” of her Etsy store at FaceBook.

Photographs of Wink with her Fan Club taken by Candy Apple Photography. (Caution: Candy Apple Photography website plays music — so don’t try to sneak in at work, unless you’ve got your sound off!)

Julia Marlowe, Selling Stuff From Head To Toe

My mom has listed these pair of Julia Marlowe boots.

Julia Marlowe (August 17, 1865 – November 12, 1950) was a famous stage actress.

But why would a famous Shakespearean actress lend her name to a shoe? Was she just a heel? *wink*

The best I can do share the following tantalizing tidbits…

One, as for the shoes specifically, in 1903 Marlowe was a big hit in Ingomar, prompting The New York Sun to say, “There is not a woman player in America or in England that is – attractively considered – fit to unlace her shoe.”

A lovely compliment bestowed to Marlowe that no doubt had Milwaukee’s Rich Shoe Company thinking Marlowe was a shoe-in for sales and that they’d make a lovely pair.

Two, then, as now, celebrities liked to make money by endorsing products. In Testimonial Advertising Using Movie Stars in the 1910s: How Billie Burke Came to Sell Pond’s Vanishing Cream in 1917, Leslie Midkiff DeBauche writes:

A survey of the advertising in the Ladies’ Home Journal shows that in the 1890s spokespersons were usually woman, mainly in their thirties or forties. They included actresses, like Julia Marlowe who was in her thirties and had gained prominence performing in respectable Shakespearean repertoire. She endorsed a shirt waist made by Schlesinger & Mayer (Advertisement 1898, 36), Freeman’s Face Powder (Advertisement 1900, 37), a book entitled “A Bride and a Brindle,” with its attendant engravings (Advertisement 1903, 43) and both “Julia Marlowe” shoes and oxfords made by the Rich Shoe Company of Milwaukee, Wisconsin, (Advertisement 1897, 42).

(I so want that vintage face powder to add to my collection!)

So it’s one, two, sell that shoe!

If you’re as fascinated as I am, look for more Julia Marlowe collectibles!

Image Credits:

Photos of Julia Marlowe shoes via No Egrets Antiques (my parents).

Julia Marlowe Eureka Craddock’s Medicated Blue Soap Playing Card, circa 1903, via Things & Other Stuff.

Julia Marlowe shoe ad, 1897 Sear’s catalog, via Funky Boutique.

Other antique photos of Julia Marlowe from NYPL Digital Gallery.

A Guide To Collecting Vintage Fashions & Lingerie

Four collectors of vintage fashions and lingerie share their tips on what to look for when collecting vintage fashions.

The experts are:

Vintage lingerie collector Layla L’obatti, who is the designer behind Between The Sheets Lingerie.

Theda Bara of Theda Bara’s Vintage Lingerie, a shop that specializes in selling vintage lingerie from the 30’s, 40’s, 50’s, 60’s and 70’s. (She also has a blog, Theda Bara Vintage.)

Wink of Tiddleywink Vintage, a shop which contains mostly clothing focused on the late ’40s through early ’60s, but also dabbles in the occasional later-era clothing. (She also blogs at Shoes and Pie.)

The conversation is led by Slip of a Girl, a self-described “lingerie nut,” who runs, A Slip Of A Girl, a blog devoted to all things lingerie, especially vintage lingerie.

Slip: Collecting means different things to different people… Not only does everyone have a unique reason for collecting, a different aesthetic, and, therefore, a collection specialized to their own tastes, but when it comes to vintage garments, many of us also wear what we collect — or, in cases of the talented, like Layla, use the pieces as inspiration for our fashion designs.

In fact, many of us do not even call ourselves “collectors” — we’re just vintage fashion lovers!

Layla: What you are looking for in vintage clothing depends on your purpose. If you are a crafter or designer who loves to take inspiration from sewing techniques, vintage pieces are a wealth of knowledge… But if you’re a model, photographer, or vintage lover who wishes to wear these pieces, you’re looking for wearable conditions.

Slip: In any case, you’re going to want to know it’s authentic vintage; so, let’s start there.

Theda: When shopping for vintage lingerie, make sure it is genuinely vintage by following some of these tips:

Fabrics. Rayon satins and silks where mainly used before 1941; after-wards, the use of nylon and nylon blends became very popular.

Registered Number (RN). Starting in 1959 and still currently in use. If your garment has no RN number, it most likely is made before 1959.

Care of garment labels. In 1971, the FTC required that textile manufacturers list the garment care instructions on labels. The labels must have washing, drying, bleaching, ironing, and/or dry cleaning instructions. If your garment has care instructions it is most likely created after 1971.

Placement of the label. Most labels will be on the side seam. During the 80’s, they started placing the labels on the inside of the neckline.

Union label. Union labels are often datable by union history. Among the many different unions, ILGWU, the International Ladies’ Garment Workers’ Union, was one of the most prevalent and powerful, and the first major union to have mostly women members. Here’s an excellent guide to union labels, with photos of the labels.

Layla: Look for labels. When there’s a label, a label tells you where and very often when a piece is from. Be careful of fraudulent vintage with labels that look too new — unless it’s new old stock, but even then if its “designer” be careful.

However, if you are in the Midwest don’t be surprised by the prevalence of designer labels! Often times these pieces stay hidden in thrift shops and second hand stores in the Midwest, whereas on the west and east coasts these stores are a lot more picked through and finding these pieces at reasonable prices is rare.

Wink: Of course, not everything has a label, so…

Study. If you’re willing to spend the money regardless of the era, that’s fine. But if you’re going to be embarrassed when you show off your “bombshell vintage 40s/50s” swimsuit to your gal pals and one whispers to you that it’s actually more likely from the late ’60s, you have only yourself (and a mistaken or unscrupulous vendor) to blame.

Read. While this can fall under the category of Study, it can be a lot more fun! I have a large stash of vintage magazines that I love to reference, for the period photography, the articles, and the ads. You can learn not only what fashions were in style precisely when, but also how to set your hair, what nail polish colors were popular, and amusing dating tips! Which Hollywood star was dating who? How can you use up leftover luncheon loaf? How can you wash your gloves to get them sparkling white? Some tips are still relevant, and some are just fun to look at from a modern perspective.

Slip: Let’s talk about some of the flaws to look for…

Layla: Look for New Old Stock (NOS). These are pieces that for some reason were not sold, or hid in the back of a store or closet, and are in unused and unworn condition.

Slip: These often have paper sales tags still attached. But if there are no tags, if the item is not in the original sales package, what flaws should you be looking for? Which ones can be fixed?

Layla: I’d say that if you are buying for inspiration then the flaws are part of the detail; they show you how a piece has worn and how durable certain details are in the wear and tear of life. (Good to know when figuring out what will wear &/or age well.)

If you are buying to wear, show, exhibit then know that rips in fabric or lace are not easily repaired without revealing the patchwork.

If it were denim or tweed you could use iron on interfacing to keep the tear from opening more and, in some cases, this can completely hide behind the fabric (like the time I accidentally merrowed a hole in my finished term garment at the Fashion Institute of Technology… horror, then solution!) But this technique would not work on a sheer or lightweight fabric as well because the interfacing could be seen.

Lace can be hand stitched into place, but thread color, lighting, and quality of stitching could stand out — so the success of this technique depends on your ability to find a matching color, stitch properly so that it blends in, and the integrity of the remaining fabric you are reapplying the lace to.

If the fabric is shredded and fibers worn away too much the thread will not hold for long, and it will really not be suitable for wearing.

Popped seams can be mended from the inside pretty easily, but again if you are looking to “blend” the fix with the original piece you’ll need to have the proper machinery and thread; but these would be the easiest to fix barring major fabric ripping around the affected area.

Slip: This is why so many vintage fashion collectors also collect vintage sewing notions, thread, bits of lace etc. *wink* What else should we be looking for?

Layla: This is a good time to mention that when buying online you can never know things such as smell, flaws, discoloration, even odors such as smoke from the seller’s home. Make sure to look at seller’s ratings, the price, and ask for additional information or images if you are not sure.

Slip: And what things should we be looking for and asking about?

Silk and cotton are natural fibers and so they are more susceptible to absorbing our natural odors; you would be surprised how much you sweat while you sleep! That sweat and shedding of skin cells accumulates heavily in these two natural fibers, so worn items are very difficult to recover to like new condition.

Dry cleaning can help but also jeopardizes the integrity of the garment, as natural fibers deteriorate quickly when these methods of cleaning are employed. (If you do need to clean something take it to a cleaner you trust and who uses “green” cleaning methods, these tend to be less harsh and stringent on the fibers.)

Slip: You don’t have to watch Mad Men to know that people used to do a lot of smoking in the past; so look items over for cigarette burns and holes. Oh, the number of vintage chiffon gowns and peignoirs which have been ruined by pinkie-tip sized holes with charred edges! Look carefully in the voluminous folds and use your fingers to feel for blemishes.

If there’s a flaw or two, and this is for your own personal use, I recommend using appliques &/or dying the garment to disguise them. If you are intending to resell vintage or invest in the garment, do not do this; pass on the item. If you are a crafty person who likes to save such things and sell them, clearly state how the vintage garment has been upcycled.

Layla: Vintage furs are generally quite valuable; people would rather buy vintage fur than new fur (my personal feelings on this are quite mixed).

If you do decide to buy a vintage fur piece, peel back the fur to see the condition of the skin beneath. This is really important because real fur dries, and when it is compromised it will deteriorate quickly and begin to shed.

Another issue is mold and smell, but this you should avoid in all purchases — it’s more work than it is worth.

Slip: Now for the matter of fit…

Wink: Size. This seems obvious, but I became a reseller in part because I had a closet full of beautiful vintage that was too big, and that I realized I’d never “get around” to having taken in!

(Secret: I still have at least two dresses that I will make fit, one way or another. Someday.)

Layla: A skirt can be shortened, a jacket fitted, and small issues repaired; however…

If you are looking to wear bias pieces the fit cannot be altered easily; this is very difficult to do without creating puckering and killing a garments original drape and beauty. I would actually highly discourage trying to alter a piece on the bias.

I would also discourage fitting any shapewear, girdle, brassiere, or corset pieces — again the seaming can be complicated and the surface detail can be distorted when taking seams in. Unless you are a seamstress and are not concerned about the original integrity of the piece, then I’d say leave it be.

Slip: Any parting thoughts?

Theda: Vintage lingerie is something that is desired by many women today. Today’s lingerie can’t hold a candle to the soft and subtle materials of the eras gone by. Try to find soft nylon satins and rayon in your local store — they aren’t there!

Wink: Look for flattering cuts. “Just because it zips, doesn’t mean it fits.” Know your figure, and know what works for you. Women have come in all shapes and sizes for all time, and you can find “your” best look within any era. Really!

Layla: Trust your instinct, buy what you think is beautiful! In giving these pieces a second life you will be bringing back a little piece of history!

Slip: I couldn’t agree more!

Thanks to all for participating!

This post is © Slip of a Girl.

Image Credits (in order of appearance):

Vintage peach silk full slip dress, circa 1920s, from Theda Bara Vintage.

Vintage Union Label, 1955-1963, from poprocksnsodapopvintage; via the Union Label History Guide.

Vintage blue and white swimsuit by Robby Len Swimfashions, circa 1960’s, from TiddleyWink Vintage.

Vintage nightgown and bed jacket from the vintage lingerie collector Layla L’obatti, the designer behind Between The Sheets Lingerie.

Close-up of delicate chiffon and stitching on Between The Sheets lingerie to illustrate fine details in stitches and delicate fabrics, courtesy of designer Layla L’obatti.

Upcycled hand-dyed pink vintage Vanity Fair nylon full-slip via Theda Bara Vintage.

Vintage princess pink silk party dress from the 1950’s via TiddleyWink Vintage.

Vintage Figural 8-Ball Lighter

I’m a sucker for kitsch, so when I spotted this plastic 8-ball on a green stand, I had to pick it up. The top lifts off, showing a lighter inside it, making it a rockin’ display piece for the rec room or bar, even if you don’t have a pool table or don’t collect tobacciana; so I put it up for sale in my case at the Moorhead Antique Mall.

These vintage 8-ball lighters can be refilled; the flints and wicks likely are replaceable too.

This this one has “Don’t Get Behind Me!” stamped onto the green base.

Others are clearly more commercial, with promotional tag lines advertising companies and products.

This one has a faux marble base with “Keep Out From Behind With Wabeno Bottling Works, Beer and Soda, Phone Wabeno 55 — Clarence G. Adams” printed on it.

This one has printing on both sides of the base: “You’ll never be behind the 8-Ball when you buy your advertising” on one side, “1929 20th Business Anniversary 1949 Representing” on the other.

(Given that the printed text is so poorly positioned right under the plastic pool ball and nearly nonsensical, I suspect it’s a vintage display piece or salesman’s tool for selling the printed novelty items.)

None of these vintage 8-ball lighters seem to have maker marks or marks for where they were made; the rumor is they were made in Japan.

But in any case, they are cool!

Additional Image Credits:

Wabena Bottling Words (Wabena, Wisconsin) lighter photo via Whatnot Collectibles.

Vintage 8-ball lighter with printing on both sides of the base from Gathered Goods and Curiosities.

Collecting Children’s Spoons

While interviewing the charming and delightful artisan behind I Sew Cute and As Luck Would Have It, I naturally had to ask her if she was a collector too…

Someone told me that if you have three of anything, then you have a collection. If that’s true, then I have dozens of collections!

I guess if there’s one thing I collect — by seeking it out & keeping track of the items I already have, it would be my collection of vintage and antique children’s spoons.

Some of the pieces I have are from my own childhood & the collection just grew over the years. I love that they’re a warm fuzzy reminder of the joy of childhood, as well as being functional for every day use. My kids use them, so they don’t just sit in a drawer getting dusty. I keep them in a jelly jar right in the kitchen where we can grab one in a pinch.

When did you start collecting them – or admit to yourself you were collecting them?

During my college years I started really seeking out new old spoons. I’m still a big kid at heart & don’t have fine china. We have Warner Brother’s Fiesta ware that I pull out for really special occasions & holidays. Good thing I married a guy who’s young at heart too!

You said you track them… How so?

I have a list in a moleskine sketchbook which I keep in my bag, just in case I stumble upon some at a flea market or online.

How many do you have in total?

Gosh, I’ve never counted them! Ballpark guesstimate? Around 20-25 and growing, of course.

Are they silver, or “just” metal?

I believe most of the larger ones are just silver plate or stainless steel, but a few of the wee baby spoons I have are silver.

Do you look for certain makers, characters? What makes you add a spoon to your collection — what must a spoon do to charm you?

I am not concerned at all about the manufacturers. If a spoon has a fun, whimsical, cartoony character and is in relatively decent condition, I’m going to pull out the list. The most recent ones I added were a Donald Duck and a Mickey Mouse found in a vintage shop on Etsy.

Aside from the “Can I afford this?” do you pay any attention to the monetary value of spoons?

No, I’m not collecting them because of their monetary value.

Do you have a favorite spoon?

My Snoopy and SpaghettiOs spoons are my two favorites because I’ve had them since I was a child — and I still remember how special I felt to have them. I knew someone bought them for me because they loved me. Kind of silly or sappy isn’t it? But it’s how I felt and still feel when I look at those two spoons!

It doesn’t sound silly at all — and I think “sappy” is one of the best reasons to collect.

You can keep up with June the spoon collector at her blogs: I Sew Cute and As Luck Would Have It.

American Restoration

The collectibles spin-off show I’ve been waiting for is here: American Restoration.

You may have heard about it, sometimes promoted or promised under other names such as Rick’s Restorations and Rusty Nuts (I prefer the title Rusty Nuts, but with the success of American Pickers, I guess the corporate guys figured American Restoration was more bankable).  This latest show to join the History Channel’s Monday night lineup for collectors follows the work of Rick’s Restorations, the Las Vegas business owned by Rick Dale.

You’ll remember Dale’s appearances on Pawn Stars; he’s the guy who’s restored such things as old gas pumps and soda machines.

Dale and his staff focus mainly on the classic restoration of vintage and antique mechanical Americana. I think I may have just made that category of collectibles up, so if you don’t know what I mean, it’s vintage appliances, motorcycles, radios, pedal cars, railroad memorabilia, candy dispensers, pinball machines, jukeboxes, barber chairs, bicycles, and all sorts of things made in the American Rust Belt — you know, back when we made stuff in the USA.

(Not that their work is limited to made in the USA only; but you will see a lot of what America once manufactured, both for retail as well as to sell items at retail, i.e. advertising, service tools, and salesmen’s stuff.)

Rick and his staff are a colorful bunch of personalities (something I’ve admitted I love about Pawn Stars), however it’s clear that they not only know what they are doing, technically speaking, but they know the importance of what they do: they are reclaiming the history of objects, both in terms of an owner’s personal nostalgia and the workmanship of yesteryear.

While it is made quite clear that what Dale and his team mainly do is classic restorations, restoring antique and vintage items to their former glory keeping the item’s integrity by keeping the item as original as possible using parts specific to the object, viewers of Pawn Stars will recall that Dale himself has pointed out that some items can and should be modified or customized to make them more usable.

The example that leaps most vividly to my mind was a Coke machine which Dale made more useful by modifying the old machine to dispense modern bottles. I recall being surprised because I’m so used to being told not to ruin a patina, let alone update such vintage things, especially if you want to resell the item. But when Dale explained, I totally understood it. This is exactly the sort of thing I want to learn more about, and why I’ve been looking forward to the show!

Along with seeing so many old things once made by hand &/or manufactured with pride, Dale does a nice job of informing us about the item, its purpose, and who made it. (You know I’m a sucker for such context!)

Dale also tells you the cost of what he and his team have done, as well as the retail value it now has; especially useful if you are considering or justifying the restoration of something you own.

But perhaps the biggest thrills (and bulk of the show) revolve around the actual restoration process of antiques and vintage collectibles.

If you aren’t the handy DIY restorative type, you’ll gain a better understanding of just how much work and man hours go into classic restoration.  Because the majority of the items are metal, there’s the removal of rust and old paint (do you use  sand blasting, walnut blasting or sodium pressure washing?), general body work, painting, recreating or replacing graphics and logos — and that’s not even getting to the mechanical parts!

This is what Rick Dale calls the “grunt work.” But there’s still the time and money spent searching for authentic missing parts. (And what can’t be found might have to be recreated too.)  Whew!

The amount of work shown in American Restoration may not inspire you to restore your own antiques and collectibles, but it will help you as a collector of mechanical Americana.  You’ll learn more about the collectibles you covet and how to appraise their condition; you learn to understand the price tags on restored collectibles and antiques as well as appreciate the fees charged by professional restoration companies.

If nothing else, collectors will enjoy seeing such classic and iconic Americana.

From Bull Cook To Bull Crap With George Leonard Herter

At an estate sale on Friday I grabbed this book, thinking it would have some interesting recipes and tips for my vintage home ec blog. It was $5, which I’ll admit is a bit more than I typically pay for a book I know nothing about… Oddly, there was no table of contents to assist me in my evaluation, but the title was intriguing: Bull Cook and Authentic Historical Recipes and Practices.

Turns out, it was a fabulous find!

Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter, is the first of a number of books by Geoerge Leonard Herter (some available as modern reprints). In fact, Bull Cook and Authentic Historical Recipes and Practices itself would later have three volumes; something I discovered via a trip later that day to a local antique mall, where all three volumes could be found (even later editions, in golden boards; each at $19.95).

While I haven’t tested any of the recipes (and there’s more than a few I will probably never ever try!), I can personally attest to the incredible array of topics covered in this vintage book.

Along with recipes for corning liquid, Norwegian Fried Ham, and Fish Tongues Scandinavian, Herter gives you the real history of the Martini, informs you which foods the Virgin Mary was fond of (creamed spinach), instructs you on how to dress a turtle and broil tiger’s feet, and tells you what you must know in case of a hydrogen bomb attack. It’s rather as the author promises right on the first page:

I will start with meats, fish, eggs, soups and sauces, sandwiches, vegetables, the art of French frying, desserts, how to dress game, how to properly sharpen a knife, how to make wines and beer, how to make French soap and also what to do in case of hydrogen or cobalt bomb attack, keeping as much in alphabetical order as possible.

But what makes this book so engaging — or, as Paul Collins calls it in The New York Times, “one of the greatest oddball masterpieces in this or any other language” — is its author. Collins describes George Leonard Herter as “a  surly sage, gun-toting Minnesotan and All-American crank” –which translates easily enough to “old coot,” a breed I am particularly fond of.

Herter was the heir to Herter’s, Inc., an outdoor sporting goods business founded in 1893 located in Waseca, Minnesota. (The company closed decades ago; but the brand lives on via Cabela’s — and hunters and sportsmen are avoid collectors of vintage Herter’s items.)

It’s not quite clear if Herter’s authorship was simply a genius marketing move, or if he just had more he was desperate to say — even after writing thousands of product descriptions and essays for the company’s catalogs, like this 1974 “How to Buy an Outdoor Knife” essay, whi to promote Herter’s Improved Bowie Knife:

An outdoor knife must be made for service–not show. Your life may depend on it. Real outdoor people realize that so-called sportsmen or outdoor knives have long been made for sale, not for use. The movies and television show their characters wearing fancy sheath knives. Knife makers advertised them and drugstore outdoorsmen bought them. [insert a picture that looks something like a Marble Woodcraft or an old Western fixed blade here] Nothing marks a man to be a tenderfoot more than these showy useless knives.

Ahh, classic Herter.

But whatever the case, savvy marketing or the need to “talk,” Herter was prolific and opinionated in his writings.

Most of Herter’s books were, at least in title, based upon the sporting goods business and the outdoorsman’s life — even with a few giant steps into the domestic world.  However, his book How To Live With A Bitch is not — I repeat NOT, about a female hunting dog. (If you cannot find a copy listed among Herter’s works at eBay, check Amazon for this elusive gem.)

So, what begins with a $5 bargain (for a hardcover copy of a 1961 third printing), leads to more fascinating fun than I can barely stand — but wait! There’s more!

I found this book on Friday morning at an estate sale, spotted the three volumes at an antique mall later that afternoon,  and then I even managed to snatch another copy (1963, sixth printing) for $6 at an auction on Saturday! This makes me very hopeful that more Herter books will fall into my hands — and I’m thrilled to do more of the collector’s kind of hunting.

Further reading:

A review of Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter at Neglected Books.

Reminiscing about Herter’s at Topix.

Image credits:

Photo of George Herter, by Peter Marcus (1966) via the NY Times article by Paul Collins.

Vintage photo of Herter’s Inc. via Waseca Alums.

THE UNEXPECTED COLLECTIONS: PICK & GRIN FIND AT HOME

Grin: I decided to clean out some desk drawers and filing cabinets. Trash collection is tomorrow and I can’t seem to close some of my drawers anymore.

Pick: You never could keep your drawers closed.

Grin: I resemble that remark, and blame you for my condition. But to the point, I have trashed some stuff I know should have gone to recycle years ago, mostly paper receipts, bills, catalogs and correspondence. Lots of old price lists, that makes me cringe when I think of the great stuff I should have bought at those prices.

Pick: Was that back when you were making two bucks an hour, and all the fries you could eat?

Grin: OK!! Ruin a dream, but you were the one that married me for my money.

Pick: I married you because your mother promised to pay off your bar tab.

Grin: And your father offered me fifty bucks and a tank of gas if I wanted to escape.

Pick: So, what’s the problem, do you need help carrying your junk to the curb?

Grin: What I really need is a sanity check, I have found stuff. Things that have accumulated into what can only be described as unexpected collections. And since you are an expert on collections, I need your advice on whether to toss them out, or save them with the intent of someday offering them for sale.

Pick: Well, if they’re your collections, some items are probably antique already.

Grin: I should have taken the fifty bucks.

Pick: So let’s see what can be tossed or saved.

The collection of business cards, mostly industrial companies from the upper mid west, lots of big name companies, many manufacturers now gone or moved.

Our old expired credit cards.

Plastic and heavy paper faux credit cards pasted on letters telling me my credit was so good I needed another card.

Pick: Goes to show, you can fool some of the banks all the time and all of the banks some of the time.

Rubber stampers, mostly shipping room types, some are address or date stamps.

Old industrial catalogs, some dating back to the 1920s.

Connection cables from computers and electronic devices.

Pick: Well, let’s analyze each to see their potential for a future sale, with the understanding you’re going to toss out the useless collections. First, your collection of fake credit cards, that’s an easy toss. You have so many the same and all from big companies, the collection will never be sellable in your lifetime. I’ll bet these were send out by the billions.

On the expired credit cards, I just don’t like having our name out there on old cards. This one is a tough decision as I have sold old credit cards before, but like the fake ones, none of yours are from old, out of business companies like Gimbels Department Store, a bank or an oil company thats no longer in business. Those would be worth hanging on to.

As for old electrical cables, why not save one of each style and recycle any duplication of the ones that are from old technology.

The rubber stampers, ink and pads are strictly useable, none are old enough to call collectable but still useable.  Keep any that can be used for our antique business and sell or donate the rest.  I would think with the stamping craze still strong, some might be sellable, like the fragile or first class stamps.

I have been surprised at the number of ephemera collectors we have encountered, look at our recent sales on Ebay, especially luggage labels, industrial catalogs, industrial employee magazines and bus passes. I would suggest any of those items are worth saving, as long as they’re older than 1980..

Grin: That’s pretty new. I have socks older than that.

Pick: 1980 is thirty years ago. That’s not the only thing in your drawers that’s old.

Pick & Grin On Vacation

Pick & Grin On Vacation

While it’s great to be back, vacations are a time to relax and enjoy some good times with good friends and see new sights. Our recent trip to North Carolina, included a visit into Charleston, South Carolina and a grand tour of many of the city’s historic sites, with the magnificent architecture of very early America.

None of our vacation trips are ever complete without antique shopping and we planned to spend one full day in the Myrtle Beach area and several mornings on the coastline around our vacation condo in Calabash, NC. Our routine before leaving is a check on the net for antique shops in the area of our vacation, then call to confirm hours of operation. This is to insure we are not headed to some place on the one day of the week they are closed.

With disappointment, the North Carolina coastal area and the South Carolina border where we were staying proved to be completely devoid of antiques, even if the word “Antique” is on their signage. Since our adventures had brought us to the Myrtle Beach area in the past, we knew fitting a day trip into our week was a necessity.

Vintage Druggist Pill Crusher from Cottage Antiques

Heading south on Hwy. 17 we spotted an open sign at Cottage Antiques at 1315-C Highway 17 North in North Myrtle Beach,

Phone (843) 249-7563.  Looking like a small storefront shop, our first surprise was the depth and width of the physical layout and the scope of the antiques inside. Pick was immediately drawn to the jewelry displays and quickly secured several pieces for her collection. We found lots to buy and a great deal of things to admire, but when you’re flying instead of on a driving vacation, size matters. Several sad irons caught my attention and we were intrigued with a soap bottle in red glass, but left them there for your next visit. Melinda runs the shop and knows her antiques and gave us some hints on other places to visit after she saw the type of items we were interested in purchasing.

Weblos Scout Badges From Fox & Hounds

Passing several more shops further down on Hwy. 17 that Melinda mentioned but felt they normally didn’t have the type of stock that would interest us, we went to one more location on her short list, and it turned out to be worth the jaunt to the Fox & Hounds Antique Mall at 160A Rodeo Drive, Myrtle Beach (843) 236-1027, off Hwy. 501.  They had lots of small items we could fit in a suitcase for the trip home located in front cases as we walked in. Next time we’ll drive when we vacation to that area and will empty the whole place, including great items in most booths that just would not fit into our suitcases.

We mention these two with the hope you will have as good a shopping experience as we found.If you have an exceptional antique store in your area, and feel our readers should hear about them, give us a reply back. We will continue to feature places we stop at that may interest you in your search for vintage and antique items.

Just a note!!

Our ideal shop or mall is one that meets these guidelines:

The owner / dealers have a well-stocked selection of antiques and vintage items and keep out reproductions and new items. The best places have age limits on the items sold. The store aisles, booths and cases are clean and free of clutter, items are nicely displayed, identified, priced and conditions are noted.

A clear consistent sale or discount policy is in place.

I also like to converse with people that are collectors, and understand our passion in searching for antiques. A helpful staff or owner can make the experience doubly enjoyable.

Cufflinks From Cottage Antiques

Lingerie Collecting: No Drawers For Your Vintage Drawers

Often when a new collector finds unworn lingerie in a box clearly not its original, they shy away from the purchase, concerned the lingerie is not authentic vintage. While there are unscrupulous sellers, finding panties in a slip box is not uncommon; on the contrary, it is quite common.

Those who collect vintage lingerie — and who do so not only bidding at online auctions, but by attending estate sales — know that ladies used to store their delicates in boxes. Lingerie boxes, pretty satin and other fabric covered boxes to fit inside drawers or be displayed on top of dressers and vanities as well as cardboard boxes from maker or retailer (as well as lingerie bags), were used to spare delicate garments from potential snags from wooden drawers and their metal hardware. But more than this, the original cardboard boxes the lingerie itself came in were used for storage.

Ladies didn’t put all their lingerie pieces in one place and paw through it for their daily selection; several pieces, enough for a week or so, would be in the rotation, with the rest waiting their tour of duty. New purchases and gifts of lingerie would be kept in their original sales box, or placed in one of the emptied and saved boxes, and then taken to closets, where they’d sit on the shelves, waiting their turn to be unpackaged and sent to the lingerie boxes and drawers.

Since boxes from previous lingerie purchases and gifts would be saved to store future under garments, panties would be placed in slip boxes, bras would be found in girdle boxes, etc., and even girdles found in girdle boxes may not be the same brand, size, etc..

Stocking boxes are the most commonly found of the vintage lingerie boxes. This is due in part to the fact that stockings continued to be sold in boxes (usually as sets of multiple pairs) far longer than other forms of lingerie; slips, nightgowns, and foundation garments were displayed on hangers in stores, and packaged at the retail wrap desk in paper and ribbons at the time of purchase.

While stockings can often be found still in their original boxes, they may not be in unworn condition. Once one stocking was too worn to be of good service, that stocking would be removed from the stocking rotation (either tossed out, put in the old scraps bag for crafts, or otherwise recycled) — but its still-serviceable mate would continue on. It might be removed temporarily from circulation, placed into a box and put back into the closet again, but a satisfactory used mate would arrive soon enough as ladies often purchased stockings in multiple pairs of the same maker, shade, and size.

Perhaps the most delightful part of all this, is the plethora of pretty vintage and even antique lingerie boxes left for collectors.

Like any other are of collecting, vintage lingerie boxes are collected for nearly as many reasons as there are collectors.

Some collect for the pretty illustrations and stunning graphics; others for the historical preservation of a particular brands logos and marketing over time. There are the cross-collectible cases of advertising collectors, pinup collectors, collectors of individual artists, etc. And I know one collector who just collects blondes — a vintage blonde printed on an old lingerie box will sit pretty with her collection of blonde figurines, dolls, postcards, etc.

Sometimes the boxes are deceptive… Plain outsides often hide their goodies inside, like this beautiful antique bloomer box.



Sometimes the insides of plain boxes are just as plain as the outsides, but you never know just what you might find inside… Lingerie, lovely vintage tissue paper, old store tags &/or receipts, love letters — who knows?  Always inspect the insides of the boxes — and the folds of any lingerie contents — for such goodies.

However, there are times the box itself is far more amusing than what you find inside. *wink*


The saddest thing about collecting vintage lingerie and boxes, though, is to find the most beautiful lingerie that was set aside and never worn…

It’s difficult not to imagine that like too many women today, yesteryear’s woman set such lovely pieces aside for a “some day” that never came — or worse, she just didn’t think she was worthy of such fragile, delicate beauty.

…Then again, maybe she just intended to re-gift?

In any case, such finds are a collector’s dream. But it’s also a reminder that we can’t take it with us, so we should enjoy what we have today.

Or, at the very least, save it for someone who will — no matter how many decades later they find it.

Image credits, in order they appear:

Vintage days of the week Super Fit Garment panties in a Honey Girl Slip box, via designofthetime.

Vintage Berkshire Stockings box with embossed paper lining, via mountaincoveantiques.

Vintage Munsing Wear hosiery box, via VanityTreasures.com.

Antique box for Blossom Bloomers, Worn the World Over, Pat. Nov 15, 1927, box, via JRs Estate and Antique Gallery.

Vintage novelty joke, Quickies: The Panty For Busy Women, via roseyreddog boutique.

Vintage Vanity Fair lingerie box with original slip, label and price tag, via unbuttoned4u.

More from the Antiquips: Bringing Things Home

Pick: That was such a fun auction we went to the other night! Lots of variety, friendly crowd, and it moved along quickly too. My favorite thing was the treasure we got, almost a piece of your family heritage!

Grin: I started my inspection of the items going up for auction at the far end of the hall, and had found several pieces that were of interest. When I finally got to the second last table, there were the three items from the old Gridley Dairy that my grandfather had worked at during the (first) Great Depression.

Pick: You showed me the paper sign, amber-colored milk bottle and the mini-milk can and I could tell you were excited by them. You turned the can around to show the company’s name and location and even the date of “1935.” I asked if your grandpa would have worked there then and you exclaimed “Yes.”

Grin: Over the years, I have bought a couple of bottles with Gridley on them and some paper advertising in the form of recipe books. Nothing expensive, nor rare or too exciting. They are in our Depression-era farm and advertising collection, resting on our antique oak ice box.

Pick: This was a large auction and had numerous items for sale. But we were relieved to see those items brought up front early for bidding. The paper sign was first and I asked if I should bid for it.

Grin: When bidding started, I contemplated trying to get the sign, but the price soon escalated past what I considered to be reasonable. Paper is pretty delicate and not easily displayed when not framed.

Pick: When the runner held up the can and the bottle, I was “at the ready” to bid, asking you how high I should go. They were offering “choice of the two”, meaning we could get one or the other for the bid-price. The bidding was pretty active with three of us in early, then down to two. Our price came and went and I still bid a few more times, but alas, we realized we could not get the can. But to our surprise, the bidder took the bottle and they re-opened bidding. We got it for half what our top bid would have been.

Grin: Part of my interest in this milk can was its size. It can easily be displayed inside the house and not stuck in the garden or on the driveway where some of our other milk cans have been placed. I am not sure what the contents of this can might have been but have a suspicion that it was used In a commercial setting. It have been used to deliver heavy-cream to a bakery or restaurant.

Pick: Well, you know how we love to send things back home! That is the ultimate recycling. We have shipped collectibles back to their original owners quite a few times and that just tickles us. Remember the Ruby Farms thermometer?

Grin: That one went back to the granddaughter of the original owner. And how often do we send advertising items found on our travels back to the city of their origination? Many times!

These are going to collectors that have an interest in preserving part of their town’s history.

Pick: Another thing we sold that brought fond memories to a buyer was the calendar from the dairy near Madison, Wisconsin. The winner kindly shared with us that he had worked that very farm in the 1960s, alongside his favorite cousin.

Grin: Didn’t you just tell me about another treasure that you sent back home?

Pick: Oh, you mean the ashtray. It was from the Golden Zither Restaurant in Milwaukee. The winner was so happy to get it. He got engaged to his wife in that very restaurant many years back. They are close to their 40th anniversary and he is planning to give it to her as part of their gift. Oh, how romantic!

Grin: We’ll have to share other ‘recyling’ stories down the road. I just read about a nearby auction…