How eBay Is Helping Collectors Get What They Want For The Holidays

In this economy, finding the perfect gift may be easier than affording it; but eBay has good news for those who collect antiques and vintage collectibles — and those who buy antiques and vintage collectibles as holiday gifts.

Ebay now has two new announcements to help making afford gifts more possible.

The first is eBay Group Gifts (Beta). This new program allows you, your friends, your family, &/or your coworkers, to “chip-in” on gifts. To set up a Group Gift, all you need is an eBay and PayPal account -– then anyone with a credit card can chip in. You can even use FaceBook to coordinate the group gift.

If group purchases aren’t your thing (or at least not for every gift), eBay now offers Bill Me Later through PayPal — which, if used between now and November 30, 2010, will get you n$10 back on your first Bill Me Later purchase on eBay.

You can even combine the two, participating in Group Gift and using Bill Me Later for your part of the gift payment!

News For Silent Film Fans & Collectors

Silent film collector Mary Ann Cade has been contacted by a researcher who is working on a BBC documentary for UK television about Hollywood Photography:

As part of the programme, we are recreating 7 important images that tell the history of Movie star photography in Hollywood.

Our first image is the above still of Theda Bara.

After googling around on line, I came across some information that said you have some of the items Theda wore in the photo. Is that so? I’d love to hear more about it. We’re right at the start so I am trying to gather as much information about each of the images. I’d love to hear about your research.

The program is tentatively titled Shooting the Stars: Hollywood Photography; I’m very eager to see what the other six images will be selected and to see the documentary!

Also, because of my 2008 interview with Cade about Annette Kellermann, Cade was contacted by glass lantern slide collector Rob, who shared not only this glass lantern slide promoting Queen of the Sea…

But this bit of news too:

I am currently researching a book on the subject of lantern slides and their use as an advertising medium for motion pictures, and in conjunction with that I am developing a web site (www.starts-thursday.com).

So there’s a new site to keep an eye on — and, hopefully, a new book!

Vintage Paper Dollhouses

My parents will correct me if I’m wrong, but I didn’t have a doll house when I was little.

At my grandma’s house, there was my aunt’s old metal dollhouse… And I had Barbie houses and the like. But I never had a real dollhouse, a real miniature world of my own… Until now.

At an recent auction, there were a number of vintage and antique toys, including two vintage paper dollhouses. I was fascinated because, frankly, I’d never seen a paper doll house.

But I figured both old dollhouses would go for more than I had to spend in total that day, and so the auction viewing was as close as I would get.

However, when the first vintage dollhouse (the one made of pressed paper board, shown on the left in the photo) went cheap, I was hopeful — and managed to win the other!

While I don’t have any dolls or furnishings for my new-to-me old toy, I now had the opportunity to learn more about the history of paper dollhouses.

As you can see, my vintage dollhouse is made of paper — a thick paper, thicker than the usual business card, but thinner than the standard cardboard; as opposed to the thicker pressed paper or fiberboard of the larger house at the auction.

Neither dollhouse had any obvious marking for maker, etc., and as I’m reluctant to handle such fragile things (especially when I can’t imagine I’ll be able to bid on them), I didn’t dare hoist them in the air for a closer inspection. (And so I know nothing about the larger house.) But when I got mine home…

Well, closer inspection brought no further help in terms of maker; so it was research time.

Grasping at straws, I searched for paper dollhouses, Tudor paper dollhouses, etc., and eventually got lucky, finding this 1947 advertisement from the December issue of Children’s Activities for a fiberboard house by Built-Rite of Indiana.

Now that I knew the name of the manufacturer of the vintage chromolithographed cardboard dollhouse, I could really find out more.

The Built-Rite name belongs to Warren Paper Products Company, a company founded in 1921 by Donald M. Warren as a manufacturer of paper boxes for makers of candy, apparel, jewelry, and other items.

By the 1930s, The Great Depression meant the need for cheap toys in the United States and Canada. Not only did paper mean a less expensive toy, but toys made by North American companies would be cheaper than toys shipped from Germany. This created a demand for toys that Warren Paper Products and other companies were happy to fill.

The advances made in color printing in the late 19th century, meant that elaborate architectural details could be depicted on flat surfaces. According to Gunn Historical Musem, “This offered an ideal medium for toy villages. Individual buildings were printed on heavy paper or cardboard that could then be compactly folded for shipping, then assembled by a child.”

As you can see from my vintage paper dollhouse, and the following photos of another vintage Built-Rite dollhouse (sold as a “toy house play set”), assembly was a simply a matter of unfolding the structure, popping out pieces along their perforated edges (mine even has several types of bushes, a cat and a dog!), placing the tabs into the slots, and setting the house up on the bottom of the box it came in.

Warren Paper Products was the leader in this market, presumably, at least in part, due to its patented in 1932. But there were competitors, such as Andrews, Durrel Co., Gables House & Carton Co., Grimm & Leeds Co., Jayline Toys Inc., Marx Toys, McLoughlin Brothers, Sutherland Paper Company, Transogram, and Wayne Paper Products.

By the time World War II began, disrupting the flow of toys from Germany, plastics was becoming the word — but toys made of paper, and toys made of wood, cloth, etc., jazzed-up with colorful printed papers, were still very popular too.

Not only did the demand for paper dollhouses increase, but during the 1940s and 1950s Warren Paper Products began manufacturing paper towns, forts, farms, airports, bridges, trees for toy trains as well as forts, railroads stations, farms and airports

Many of these paper dollhouses by Warren Paper were built as replicas of actual homes and they were marketed though Life Magazine and Time/Life, Inc. as a selling tool for the magazine’s house plans after the war (to house the baby boom). Which rather inspires a whole other bit of investigation.

And here I thought I’d just have to invest in some vintage dolls and dollhouse furniture, etc.; turns out, I’m right back to my vintage magazines again!

Image credits:

All images are my own (and may be used if properly credited), except for the vintage ad, which was via Jennifer McKendry’s antique dollhouse site, and the Vintage Built-Rite Toy House Play Set No 34 photos are via Nine Caroline Antiques.

Practical, Yet Thoughtful, Gifts & Stocking Stuffers For Collectors

It’s that time of the year again, when people ask me, “What gifts can I get the collectors in my life?”

Some say it’s easier to buy gifts for those who collect modern collectibles; you simply run out and purchase the latest release — and boast to everyone else that you got it, they’ll have to come up with something else! For those who weren’t quick enough on the draw of their credit cards to get the latest issue in a collectible series, for those of you who have collectors of antiques and vintage collectibles in your circle, for those of you who know you have collectors to buy holiday gifts for — but you really have no idea what they collect, here are some practical but thoughtful ideas.

Some of these items are inexpensive stocking stuffers, but they certainly can be grouped together to form a larger gift too.

If you know what they collect, the general category of collectibles, or if they have a specific heirloom they cherish…

For collectibles display, storage, cleaning, & protection:

For those who collect small things, such as buttons, beads, pinbacks, sewing notions — and vintage fishing lures, of course — there’s tackle boxes, plastic hardware cabinets and craft containers to store collectibles in. (Tool boxes also work well for over-sized ephemera.)

For the collector of glass, pottery, figurines, plates and other breakables, Quakehold makes Museum Putty and Museum Wax. (These and similar products hold fragile pieces in place even when angry teens and other careless folk slam doors, etc.)

Vintage jewelry collectors have jewelry that needs polishing and cleaning, but the polishing cloths used by most fine jewelers will be too strong or abrasive for vintage costume jewelery — including the metal parts. Sunshine Cloths, however, clean and polish vintage costume jewelery without removing platings, washes, and most coatings. (For those who collect fine vintage and antique jewelry, there’s Sunshine® Polishing Cloth for Sterling Silver, Gold, Brass and Copper Jewelry.)

For collectors of silver, who are not fans of the patina, there’s Hagerty 10120 Silversmiths’ Silver Polishes.

For collectors of Bakelite radios, Lucite purses, buttons & costume jewelry, and other things made of vintage plastics, there’s the Novus Polish Kit, which contains both a scratch remover and a polish.

For ephemera collectors (antique photographs, postcards, vintage trade cards, old documents, etc.), there are supplies to organize, label and store , including archival sleeves and bags.

For collectors of books and bound ephemera, there are materials for archival book & pamphlet collection maintenance.

For those who collect vintage and antique textiles, linens, and fashions, there are specific archival materials too.

And of course there are a wide array of books and guides from publishers who specialize in the needs and interests of collectors (and dealers!), such as Krause Books and Schiffer Books. And don’t forget there are many magazine subscriptions too.

If you know they love to hunt for vintage and antiques, but you don’t know what…

My standard gift suggestions for collectors who enjoy the thrill of the hunt include the basic gear collectors need. If you want to make it look more “gifty,” pack up the gear for a collector in a new purse or tackle box! Even if the collector already has some (or even all) of these items, they won’t mind a spare set.

Publications such as Antique Week, show upcoming auctions and flea markets in your collector’s neck of the woods.

Perhaps your collector doesn’t have cable TV — or is too busy hunting to see the current spade of television shows about collecting; many of them have DVDs available. And if the collector on your list is a fan, perhaps they’d like the DVDs or some merchandise which they can sport while out hunting for their latest find.

Many collectors and dealers enjoy the latest releases from Kovels’, Warman’s, and Schroeder’s which cover general antiques.

American Restoration

The collectibles spin-off show I’ve been waiting for is here: American Restoration.

You may have heard about it, sometimes promoted or promised under other names such as Rick’s Restorations and Rusty Nuts (I prefer the title Rusty Nuts, but with the success of American Pickers, I guess the corporate guys figured American Restoration was more bankable). This latest show to join the History Channel’s Monday night lineup for collectors follows the work of Rick’s Restorations, the Las Vegas business owned by Rick Dale.

You’ll remember Dale’s appearances on Pawn Stars; he’s the guy who’s restored such things as old gas pumps and soda machines.

Dale and his staff focus mainly on the classic restoration of vintage and antique mechanical Americana. I think I may have just made that category of collectibles up, so if you don’t know what I mean, it’s vintage appliances, motorcycles, radios, pedal cars, railroad memorabilia, candy dispensers, pinball machines, jukeboxes, barber chairs, bicycles, and all sorts of things made in the American Rust Belt — you know, back when we made stuff in the USA.

(Not that their work is limited to made in the USA only; but you will see a lot of what America once manufactured, both for retail as well as to sell items at retail, i.e. advertising, service tools, and salesmen’s stuff.)

Rick and his staff are a colorful bunch of personalities (something I’ve admitted I love about Pawn Stars), however it’s clear that they not only know what they are doing, technically speaking, but they know the importance of what they do: they are reclaiming the history of objects, both in terms of an owner’s personal nostalgia and the workmanship of yesteryear.

While it is made quite clear that what Dale and his team mainly do is classic restorations, restoring antique and vintage items to their former glory keeping the item’s integrity by keeping the item as original as possible using parts specific to the object, viewers of Pawn Stars will recall that Dale himself has pointed out that some items can and should be modified or customized to make them more usable.

The example that leaps most vividly to my mind was a Coke machine which Dale made more useful by modifying the old machine to dispense modern bottles. I recall being surprised because I’m so used to being told not to ruin a patina, let alone update such vintage things, especially if you want to resell the item. But when Dale explained, I totally understood it. This is exactly the sort of thing I want to learn more about, and why I’ve been looking forward to the show!

Along with seeing so many old things once made by hand &/or manufactured with pride, Dale does a nice job of informing us about the item, its purpose, and who made it. (You know I’m a sucker for such context!)

Dale also tells you the cost of what he and his team have done, as well as the retail value it now has; especially useful if you are considering or justifying the restoration of something you own.

But perhaps the biggest thrills (and bulk of the show) revolve around the actual restoration process of antiques and vintage collectibles.

If you aren’t the handy DIY restorative type, you’ll gain a better understanding of just how much work and man hours go into classic restoration. Because the majority of the items are metal, there’s the removal of rust and old paint (do you use sand blasting, walnut blasting or sodium pressure washing?), general body work, painting, recreating or replacing graphics and logos — and that’s not even getting to the mechanical parts!

This is what Rick Dale calls the “grunt work.” But there’s still the time and money spent searching for authentic missing parts. (And what can’t be found might have to be recreated too.) Whew!

The amount of work shown in American Restoration may not inspire you to restore your own antiques and collectibles, but it will help you as a collector of mechanical Americana. You’ll learn more about the collectibles you covet and how to appraise their condition; you learn to understand the price tags on restored collectibles and antiques as well as appreciate the fees charged by professional restoration companies.

If nothing else, collectors will enjoy seeing such classic and iconic Americana.

From Bull Cook To Bull Crap With George Leonard Herter

At an estate sale on Friday I grabbed this book, thinking it would have some interesting recipes and tips for my vintage home ec blog. It was $5, which I’ll admit is a bit more than I typically pay for a book I know nothing about… Oddly, there was no table of contents to assist me in my evaluation, but the title was intriguing: Bull Cook and Authentic Historical Recipes and Practices.

Turns out, it was a fabulous find!

Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter, is the first of a number of books by Geoerge Leonard Herter (some available as modern reprints). In fact, Bull Cook and Authentic Historical Recipes and Practices itself would later have three volumes; something I discovered via a trip later that day to a local antique mall, where all three volumes could be found (even later editions, in golden boards; each at $19.95).

While I haven’t tested any of the recipes (and there’s more than a few I will probably never ever try!), I can personally attest to the incredible array of topics covered in this vintage book.

Along with recipes for corning liquid, Norwegian Fried Ham, and Fish Tongues Scandinavian, Herter gives you the real history of the Martini, informs you which foods the Virgin Mary was fond of (creamed spinach), instructs you on how to dress a turtle and broil tiger’s feet, and tells you what you must know in case of a hydrogen bomb attack. It’s rather as the author promises right on the first page:

I will start with meats, fish, eggs, soups and sauces, sandwiches, vegetables, the art of French frying, desserts, how to dress game, how to properly sharpen a knife, how to make wines and beer, how to make French soap and also what to do in case of hydrogen or cobalt bomb attack, keeping as much in alphabetical order as possible.

But what makes this book so engaging — or, as Paul Collins calls it in The New York Times, “one of the greatest oddball masterpieces in this or any other language” — is its author. Collins describes George Leonard Herter as “a surly sage, gun-toting Minnesotan and All-American crank” –which translates easily enough to “old coot,” a breed I am particularly fond of.

Herter was the heir to Herter’s, Inc., an outdoor sporting goods business founded in 1893 located in Waseca, Minnesota. (The company closed decades ago; but the brand lives on via Cabela’s — and hunters and sportsmen are avoid collectors of vintage Herter’s items.)

It’s not quite clear if Herter’s authorship was simply a genius marketing move, or if he just had more he was desperate to say — even after writing thousands of product descriptions and essays for the company’s catalogs, like this 1974 “How to Buy an Outdoor Knife” essay, whi to promote Herter’s Improved Bowie Knife:

An outdoor knife must be made for service–not show. Your life may depend on it. Real outdoor people realize that so-called sportsmen or outdoor knives have long been made for sale, not for use. The movies and television show their characters wearing fancy sheath knives. Knife makers advertised them and drugstore outdoorsmen bought them. [insert a picture that looks something like a Marble Woodcraft or an old Western fixed blade here] Nothing marks a man to be a tenderfoot more than these showy useless knives.

Ahh, classic Herter.

But whatever the case, savvy marketing or the need to “talk,” Herter was prolific and opinionated in his writings.

Most of Herter’s books were, at least in title, based upon the sporting goods business and the outdoorsman’s life — even with a few giant steps into the domestic world. However, his book How To Live With A Bitch is not — I repeat NOT, about a female hunting dog. (If you cannot find a copy listed among Herter’s works at eBay, check Amazon for this elusive gem.)

So, what begins with a $5 bargain (for a hardcover copy of a 1961 third printing), leads to more fascinating fun than I can barely stand — but wait! There’s more!

I found this book on Friday morning at an estate sale, spotted the three volumes at an antique mall later that afternoon, and then I even managed to snatch another copy (1963, sixth printing) for $6 at an auction on Saturday! This makes me very hopeful that more Herter books will fall into my hands — and I’m thrilled to do more of the collector’s kind of hunting.

Further reading:

A review of Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter at Neglected Books.

Reminiscing about Herter’s at Topix.

Image credits:

Photo of George Herter, by Peter Marcus (1966) via the NY Times article by Paul Collins.

Vintage photo of Herter’s Inc. via Waseca Alums.

New Collecting Show: Hollywood Treasure

In what may seem like an unlikely match, the SyFy channel enters into collectibles infotainment with Hollywood Treasure; yet given the nature of the show, it may not seem such a strange match…

Hollywood Treasure follows the activities of Joe Maddalena, the owner of Profiles in History, the world’s largest auctioneer of movie and television props and memorabilia. Since science fiction has given us some of the most iconic films, TV shows, and pop culture reference points, a show about such significant relics is rather suited to the channel. And we certainly can’t ignore that sci-fi has some of the most devoted fans and obsessive collectors!

Hollywood Treasure sure does show incredible pieces of film history — the sort of things that most of us are even afraid to dream about having. For example, on the premiere episodes last night, we saw the Wicked Witch of the West’s hat from The Wizard of Oz. It sold for $200,000 — if I’m recalling correctly; it rather blew my mind!

In this way, Hollywood Treasure is rather like the Lifestyles of the Rich and Famous of the collecting shows; it showcases some of the most rare keepsakes of our culture, with auction prices to match, that end up in private collections. It’s eye candy most of us will never have. Maybe never even see (outside of the show).

But that’s not the only reason the show is worth watching.

As an obsessive collector who dreams of the ability (and staff!) to find and research objects until the answers are found — or at least all options are exhausted, I enjoy watching the means and methods Maddalena and his staff use to authenticate items.

In fact, I wish a bit more time was spent showing the details of such pursuits.

The brief consolidated findings of motion picture and television historian Marc Wanamaker, who stated the suit was indeed worn by Bela Lugosi in White Zombie is authentic even though the jacket had been modified by the studio (he even got a certificate of authenticity from Warner Brothers to prove it!) left me wanting to know more.

And the steps in identifying the old carpet bag found in a Chicago basement as the one used by Julie Andrews in Mary Poppins were so fascinating that the frames seemed to fly by too quickly.

But maybe that’s the sort of hunger that’s never really satiated for the obsessive. *wink* (And I can get that sort of info from History Detectives too.)

Then too there are the moments we collectors can bond over, no matter how deep our pockets, or how rare our collectibles.

The ambiguous anxiety of Sue Palmer, the owner of the Wicked Witch’s hat, as she pondered whether or not to sell was something most of us know (even if our decision to sell doesn’t bring such big bucks). It’s that personal connection to the tangible object versus money; it’s where “Mine!” meets “Maybe it belongs somewhere else — to someone else…” We’ve all been there and wrestled with those decisions.

And my heart broke when horror collector Ron Magid had to stop the bidding on Lugosi’s suit at $95,000 and lose what he coveted… Haven’t we all had to bail on bidding or just walk away and leave what we love behind? Oh, the agony of wallet’s defeat!

But I was nodding and grinning again when Magid explained his reason for putting down his paddle: “I’d spend the rest of the life on the front porch if my wife knew I’d spent $100,000 on a suit.”

So while the collectibles shown in SyFy’s Hollywood Treasure are completely out of my reach, the fundamental aspects of collecting are here: the passion for hunting, preserving, owning, research, buying and selling exist in all levels of collecting.

However, part of the charm of shows like Pawn Stars and American Pickers is the chemistry between the cast (or, if you prefer, the professionals). Since only two episodes of Hollywood Treasure have aired, it’s difficult to say if this sort of fun will emerge on thhe show. Right now, the tone is far more “business professional” which, while perhaps more appropriate for the caliber of collectibles, rather removes that sense of personality. But as I said, time will tell.

Personally, I’m looking forward to more episodes of Hollywood Treasure.

And if the beyond-my-grasp level of grand collectibles makes this show more of a guilty pleasure than an actual informative show, I can live with that.

Learning From Vintage Ephemera About The Condition Of Collectibles

I know folks like to think I rationalize my compulsion for vintage booklets and magazines, but I think there’s gold in them-there old pages!

Today’s example comes from 367 Prize Winning Household Hints From The Armour Radio Show Hint Hunt, circa 1940s, a booklet from the daily CBS radio show. Included in this vintage booklet are some tips on books, magazines and phonograph records which might just be of use to the collector.

The advice regarding magazines is “to have each member of the family initial the cover of a magazine as they finish reading it so you will know when the magazine may be discarded.”

This, my fellow ephemera collectors, might explain the seemingly random multiple initials on vintage magazine covers.

Now for you book collectors; the tip for preventing “library mold” is to sprinkle oil of lavender, sparingly, throughout the book case.

While I doubt the scent would last very long, if persons practiced such things, it might account for oil spots on vintage book covers and pages.

The last tip is regarding records: “Warped phonograph records can be straightened for playing by placing the records on any flat surface in a warm room and weighing them down with heavy books.”

Given the temperature it takes to melt vinyl records — and that this advice was given in the 40s, when records certainly weren’t made of that flimsy vinyl of the 70′ or 80s, I imagine that everyone in the house sat around in their undies sweating while mom or dad un-warped the family’s records. But that’s just me romanticizing the past *wink*

THE UNEXPECTED COLLECTIONS: PICK & GRIN FIND AT HOME

Grin: I decided to clean out some desk drawers and filing cabinets. Trash collection is tomorrow and I can’t seem to close some of my drawers anymore.

Pick: You never could keep your drawers closed.

Grin: I resemble that remark, and blame you for my condition. But to the point, I have trashed some stuff I know should have gone to recycle years ago, mostly paper receipts, bills, catalogs and correspondence. Lots of old price lists, that makes me cringe when I think of the great stuff I should have bought at those prices.

Pick: Was that back when you were making two bucks an hour, and all the fries you could eat?

Grin: OK!! Ruin a dream, but you were the one that married me for my money.

Pick: I married you because your mother promised to pay off your bar tab.

Grin: And your father offered me fifty bucks and a tank of gas if I wanted to escape.

Pick: So, what’s the problem, do you need help carrying your junk to the curb?

Grin: What I really need is a sanity check, I have found stuff. Things that have accumulated into what can only be described as unexpected collections. And since you are an expert on collections, I need your advice on whether to toss them out, or save them with the intent of someday offering them for sale.

Pick: Well, if they’re your collections, some items are probably antique already.

Grin: I should have taken the fifty bucks.

Pick: So let’s see what can be tossed or saved.

The collection of business cards, mostly industrial companies from the upper mid west, lots of big name companies, many manufacturers now gone or moved.

Our old expired credit cards.

Plastic and heavy paper faux credit cards pasted on letters telling me my credit was so good I needed another card.

Pick: Goes to show, you can fool some of the banks all the time and all of the banks some of the time.

Rubber stampers, mostly shipping room types, some are address or date stamps.

Old industrial catalogs, some dating back to the 1920s.

Connection cables from computers and electronic devices.

Pick: Well, let’s analyze each to see their potential for a future sale, with the understanding you’re going to toss out the useless collections. First, your collection of fake credit cards, that’s an easy toss. You have so many the same and all from big companies, the collection will never be sellable in your lifetime. I’ll bet these were send out by the billions.

On the expired credit cards, I just don’t like having our name out there on old cards. This one is a tough decision as I have sold old credit cards before, but like the fake ones, none of yours are from old, out of business companies like Gimbels Department Store, a bank or an oil company thats no longer in business. Those would be worth hanging on to.

As for old electrical cables, why not save one of each style and recycle any duplication of the ones that are from old technology.

The rubber stampers, ink and pads are strictly useable, none are old enough to call collectable but still useable. Keep any that can be used for our antique business and sell or donate the rest. I would think with the stamping craze still strong, some might be sellable, like the fragile or first class stamps.

I have been surprised at the number of ephemera collectors we have encountered, look at our recent sales on Ebay, especially luggage labels, industrial catalogs, industrial employee magazines and bus passes. I would suggest any of those items are worth saving, as long as they’re older than 1980..

Grin: That’s pretty new. I have socks older than that.

Pick: 1980 is thirty years ago. That’s not the only thing in your drawers that’s old.

ANTIQUIPS GETS A REPLY TO OUR BLOG

Our last article mentioned our frustration trying to find good antique shops while on the Carolinas’ coastal area. We drove down to Charleston, SC from North Carolina for sightseeing with our traveling companions with no time left that day for antique shopping. Our first break came in finding the Cottage Antiques in North Myrtle Beach and with the owner Malinda’s directions to other shops, we filled our day with antique shopping and suitcases with collectibles and antiques.

In a response to our article, Clyde from Charleston wrote to explain our great loss by not antiquing in his area. His website is dedicated to the wonderful experience of exploring the shops nearby. We wrote to ask for an interview and here is our correspondence.

Clyde’s inspiration for developing a website dedicated to Charleston’s antique shops was simply a lifelong passion for antiques, his knowledge of shops in the area and the great people involved in the antique business. He decided to become his own web designer, and learn the tricks of design from the bottom up. Clyde is at that point where he has designed for others as well. He also writes for Examiner.com on the topic of antique shopping in Charleston. All the the time and energy needed to publish his website on Charleston’s shops, is his own. From the time it takes to visit each place and photograph the antiques, to rewriting with the latest info, Clyde does it all.

Pick: “When did you start collecting?”

Clyde: “When I was 12, My great aunt took me antiques shopping.”

Grin: “ What’s your major collection?”

Clyde: “I collect mostly furniture. I like old book cases that I can restore and sell.”

Pick: “Where do you find your items?”

Clyde: “ Antique shops, newspaper ads, yard sales, thrift stores, antique shows and garbage piles.”

Grin: Well that sure runs the gambit. Can we come along to your next visit to our favorite, the garbage pile?”

Pick: “Leave me out.”

Grin: “Are there items you wish you had bought, but passed up?

Clyde: “That is a long list. The odd thing about antique shows, if you do not buy it, you can’t go back to get it. It’s just gone.”

Pick: And if you do buy it, odds are you’ll see a cheaper, better example next week.

Grin: Any words of wisdom for our readers?

Clyde: “You often have to have the time and resources to do the research to be sure the item is what you believe it to be.”

Pick: Thanks Clyde for visiting with us. And readers if you have suggestions on great shoppes in your area for antiques, crafts or collectibles, add a reply so others can share your good fortune in hunting while traveling on the road.

Pick & Grin On Vacation

While it’s great to be back, vacations are a time to relax and enjoy some good times with good friends and see new sights. Our recent trip to North Carolina, included a visit into Charleston, South Carolina and a grand tour of many of the city’s historic sites, with the magnificent architecture of very early America.

None of our vacation trips are ever complete without antique shopping and we planned to spend one full day in the Myrtle Beach area and several mornings on the coastline around our vacation condo in Calabash, NC. Our routine before leaving is a check on the net for antique shops in the area of our vacation, then call to confirm hours of operation. This is to insure we are not headed to some place on the one day of the week they are closed.

With disappointment, the North Carolina coastal area and the South Carolina border where we were staying proved to be completely devoid of antiques, even if the word “Antique” is on their signage. Since our adventures had brought us to the Myrtle Beach area in the past, we knew fitting a day trip into our week was a necessity.

Vintage Druggist Pill Crusher from Cottage Antiques

Heading south on Hwy. 17 we spotted an open sign at Cottage Antiques at 1315-C Highway 17 North in North Myrtle Beach,

Phone (843) 249-7563. Looking like a small storefront shop, our first surprise was the depth and width of the physical layout and the scope of the antiques inside. Pick was immediately drawn to the jewelry displays and quickly secured several pieces for her collection. We found lots to buy and a great deal of things to admire, but when you’re flying instead of on a driving vacation, size matters. Several sad irons caught my attention and we were intrigued with a soap bottle in red glass, but left them there for your next visit. Melinda runs the shop and knows her antiques and gave us some hints on other places to visit after she saw the type of items we were interested in purchasing.

Passing several more shops further down on Hwy. 17 that Melinda mentioned but felt they normally didn’t have the type of stock that would interest us, we went to one more location on her short list, and it turned out to be worth the jaunt to the Fox & Hounds Antique Mall at 160A Rodeo Drive, Myrtle Beach (843) 236-1027, off Hwy. 501. They had lots of small items we could fit in a suitcase for the trip home located in front cases as we walked in. Next time we’ll drive when we vacation to that area and will empty the whole place, including great items in most booths that just would not fit into our suitcases.

We mention these two with the hope you will have as good a shopping experience as we found.If you have an exceptional antique store in your area, and feel our readers should hear about them, give us a reply back. We will continue to feature places we stop at that may interest you in your search for vintage and antique items.

Just a note!!

Our ideal shop or mall is one that meets these guidelines:

The owner / dealers have a well-stocked selection of antiques and vintage items and keep out reproductions and new items. The best places have age limits on the items sold. The store aisles, booths and cases are clean and free of clutter, items are nicely displayed, identified, priced and conditions are noted.

A clear consistent sale or discount policy is in place.

I also like to converse with people that are collectors, and understand our passion in searching for antiques. A helpful staff or owner can make the experience doubly enjoyable.

ANTIQUIPS GRIN’S RAMBLINGS WHILE PICKS AWAY

Hello again, Grin here, Pick is out shopping in one of those bedroom communities where the old stores that once housed the local butcher, baker and bookie, now are home to the crafts crowd, crepes kitchen and bobbles and bangles boutique. So I’m left to ponder what’s new in our antique world.

Wait, is “new in our antique world” an oxy moron? Or am I just dumb.

It appears we have turned the corner and sales are up this year over last, and that gives us greater reason to be hunting for antiques and collectibles. Even our success rate at finding items at garage sales has been better.

Our recent travels have taken us to several shops that are new to us, in areas remote to our home. An estate sale in one of the better neighborhoods produced some great finds and a shop in Northern Illinois can keep the lights on and pay the rent from all the items we carted out to the van on our last excursion. I suppose our sightseeing along the Mississippi river was more of a buying trip than it was watching for eagles, but that’s the nature of all our travels.

In case you have not guessed from past posts, Wifey (Pick) has been selling antiques so long, some items she sells now were purchased

new but now qualify as near antiques. Her “on-line” business is about eleven years old and requires lots of stock replenishing. Flea markets in the summer months are for purging items not sold on the net or too inexpensive to justify the time and energy to list. It also works better for selling larger items such as furniture. And flea market selling is lots of fun and provides interaction with customers and fellow sellers that just doesn’t occur with on-line sales.

Now back to the subject of buying. How can she find items to sell and make a profit, especially at antique stores and malls? Well, it’s more work than you would believe. Experience is the main ingredient, knowing what is collectible, at what price. Then the searching begins, at all and every place that sells antiques and selected collectibles. With magnifying glass and magnet in hand, a GPS in the car, it’s off to explore. The American Pickers are amateurs with limited focus on old metal compared to Pick’s picks.

Sealed Deck of Playing Cards with Tax Stamp

Just look at the items from recent jaunts, and you’ll understand the broad range of what her customers are looking to collect. Finding these treasures, means looking for the one item another seller or collector has no interest in and greatly undervalues. The best example? Well, let’s take decks of playing cards, a hot collectible just now. Found everywhere, many decks were giveaway advertising from the local feed store to major airlines. I have seen recent prices range from $3.00 to $15.00 per pack in the same antique mall. And what is hot with collectors? Right now it’s the cute little kitten, lovely lily, a tax stamp still attached to a sealed deck, or the styling on and Ace of Spades. Just don’t place your bet on an airline that flew the world, they must have given out a billion decks to bored boarded passengers.

OH!! NO!! Pick is back from her excursion to latte land, with no new, old things purchased. WOW, how sad.

Lingerie Collecting: No Drawers For Your Vintage Drawers

Often when a new collector finds unworn lingerie in a box clearly not its original, they shy away from the purchase, concerned the lingerie is not authentic vintage. While there are unscrupulous sellers, finding panties in a slip box is not uncommon; on the contrary, it is quite common.

Those who collect vintage lingerie — and who do so not only bidding at online auctions, but by attending estate sales — know that ladies used to store their delicates in boxes. Lingerie boxes, pretty satin and other fabric covered boxes to fit inside drawers or be displayed on top of dressers and vanities as well as cardboard boxes from maker or retailer (as well as lingerie bags), were used to spare delicate garments from potential snags from wooden drawers and their metal hardware. But more than this, the original cardboard boxes the lingerie itself came in were used for storage.

Ladies didn’t put all their lingerie pieces in one place and paw through it for their daily selection; several pieces, enough for a week or so, would be in the rotation, with the rest waiting their tour of duty. New purchases and gifts of lingerie would be kept in their original sales box, or placed in one of the emptied and saved boxes, and then taken to closets, where they’d sit on the shelves, waiting their turn to be unpackaged and sent to the lingerie boxes and drawers.

Since boxes from previous lingerie purchases and gifts would be saved to store future under garments, panties would be placed in slip boxes, bras would be found in girdle boxes, etc., and even girdles found in girdle boxes may not be the same brand, size, etc..

Stocking boxes are the most commonly found of the vintage lingerie boxes. This is due in part to the fact that stockings continued to be sold in boxes (usually as sets of multiple pairs) far longer than other forms of lingerie; slips, nightgowns, and foundation garments were displayed on hangers in stores, and packaged at the retail wrap desk in paper and ribbons at the time of purchase.

While stockings can often be found still in their original boxes, they may not be in unworn condition. Once one stocking was too worn to be of good service, that stocking would be removed from the stocking rotation (either tossed out, put in the old scraps bag for crafts, or otherwise recycled) — but its still-serviceable mate would continue on. It might be removed temporarily from circulation, placed into a box and put back into the closet again, but a satisfactory used mate would arrive soon enough as ladies often purchased stockings in multiple pairs of the same maker, shade, and size.

Perhaps the most delightful part of all this, is the plethora of pretty vintage and even antique lingerie boxes left for collectors.

Like any other are of collecting, vintage lingerie boxes are collected for nearly as many reasons as there are collectors.

Some collect for the pretty illustrations and stunning graphics; others for the historical preservation of a particular brands logos and marketing over time. There are the cross-collectible cases of advertising collectors, pinup collectors, collectors of individual artists, etc. And I know one collector who just collects blondes — a vintage blonde printed on an old lingerie box will sit pretty with her collection of blonde figurines, dolls, postcards, etc.

Sometimes the boxes are deceptive… Plain outsides often hide their goodies inside, like this beautiful antique bloomer box.

Sometimes the insides of plain boxes are just as plain as the outsides, but you never know just what you might find inside… Lingerie, lovely vintage tissue paper, old store tags &/or receipts, love letters — who knows? Always inspect the insides of the boxes — and the folds of any lingerie contents — for such goodies.

However, there are times the box itself is far more amusing than what you find inside. *wink*

The saddest thing about collecting vintage lingerie and boxes, though, is to find the most beautiful lingerie that was set aside and never worn…

It’s difficult not to imagine that like too many women today, yesteryear’s woman set such lovely pieces aside for a “some day” that never came — or worse, she just didn’t think she was worthy of such fragile, delicate beauty.

…Then again, maybe she just intended to re-gift?

In any case, such finds are a collector’s dream. But it’s also a reminder that we can’t take it with us, so we should enjoy what we have today.

Or, at the very least, save it for someone who will — no matter how many decades later they find it.

Image credits, in order they appear:

Vintage days of the week Super Fit Garment panties in a Honey Girl Slip box, via designofthetime.

Vintage Berkshire Stockings box with embossed paper lining, via mountaincoveantiques.

Vintage Munsing Wear hosiery box, via VanityTreasures.com.

Antique box for Blossom Bloomers, Worn the World Over, Pat. Nov 15, 1927, box, via JRs Estate and Antique Gallery.

Vintage novelty joke, Quickies: The Panty For Busy Women, via roseyreddog boutique.

Vintage Vanity Fair lingerie box with original slip, label and price tag, via unbuttoned4u.

Let Sleeping Cats Lie

It’s a fluffy cat that sits asleep in a basket and for some reason it freaks out my 14 year old nephew just as one like it used to freak me out at my Grandmother’s house. Why, I don’t know. It is not a real cat. It is even asleep, or seems to be. It is too small to be a real cat. It never moves, not one eye ever slits open as cats will usually do (when real).

My Grandmother had a cat like this. It was also curled up in a basket, had real fur but her cat was awake. I was always spooked out by that. Yet now I wish I knew where it was. I could have the two cats together. One awake the other asleep. Guardians of the house. No mice or teenagers would dare to mess with us then!

Does anyone know if this is a type of toy or knickknack? Do they go by some kind of name which I could search for and find others of their kind? Or maybe, as my nephew says, they are in fact aliens from another planet just disguised as toy cats to keep us all from getting suspicious.

When the Million Dollar Comic Went for Just a Hundred Bucks

2010 has been the year Superman has smashed records with sales of Action Comics #1 being made on ComicConnect.com of $1 million in February for a copy graded 8.0 by CGC and $1.5 million just a month later for a CGC 8.5. Today I popped into a time machine and read about times when it was just $100 book, and I’m sure condition wasn’t a concern, inside the pages of Newsweek Magazine, February 15, 1965.

In the article titled “Superfans and Batmaniacs” Newsweek notes that the “June 1938 issue of Action Comics, which introduced the immortal Superman to the lists of American folk idols … has since become a $100 collector’s item among the country’s band of first-edition comic-book fanatics.” Now 100 bucks was a lot of cabbage back in ’65, but I don’t think any inflation charts are going to try and sell me that my 100 then is going to net me a cool mill-plus today.

Newsweek spends over a full page discussing this strange breed of collector under their “Life and Leisure” banner likely shocking respectability at the time by comparing the comic collectors to rare stamp collectors. In an article where you can just tell the writer is restraining himself from using words like weirdo or nut-job it’s stated that “the movement has grown so large that last year Jerry Bails, a 31-year-old associate professor of natural science at Wayne State University’s Monteith College in Detroit founded the grandly named Academy of Comic-Book Fans and Collectors (membership: 1,200).”

“Comic-book cultists are fascinated by how the superheroes were born and developed,” Newsweek writes, before going on to spill the origins of Superman, Batman and Captain Marvel, I’d imagine far less universally known origins in 1965 than the folk hero status attached to at least Supes and Bats today. Pointing out the growth in these heroes’ popularity even back in 1965, Superman was then published in 9 different languages throughout 36 countries with a special shout-out given inside this article to Italy where he is called the Nembo Kid and doesn’t wear the red “S” on his chest because of Italy’s continued sensitivity about the concept of Supermen.

The article closes with a section titled “Disillusionment” describing purists worrying about their icons becoming camp. Batman serials from the 1940’s were then being shown “around New York at camp parties, and, in the words of writer Pete Hamill, ‘the clique slaps each other’s thighs in glee.'”

Further clouding the future for the comic collecting purists is the idea that some companies might be playing to this element: “A new hero called Spider-Man is a long-haired teen-ager named Peter Parker who lives with his aunt, keeps his ‘spidey outfit’ hidden in the attic …” Wow, period readers of this article are just under a year away from the appearance of the Batman television series, wonder how the purists of the day initially took to that!

Why I Break Sets

Every so often, to a point approaching more often than not, when I announce that I’ve broke some fantastically rare or even relatively common set of cards I’ll receive a reply via twitter, blog comment, email wondering why I’ve done so. Usually the comment carries just enough flavor to let me know this is certainly the wrong thing to do.

Well, I did it with baseball cards way back when and I do it with movie cards today and I’ll do it with practically anything issued in set form. There’s one big giant obvious reason why I choose to sell items this way: the singles pay-out better over time; but there are several less obvious reasons why I do so, which I believe offer a service to the collector.

Since nearly 100% of what I currently deal with are movie cards this list will be specific to that particular area of collecting.

1) Many people collect only their favorite star. They don’t want an entire set of cards, they only want the Joan Crawford … or Jean Harlow … or Kay Francis … or Elizabeth Allan. Huh, who? I find it very interesting to track over time who does sell and who doesn’t sell. In an worldwide online marketplace you really only need a single collector to prove someone does sell–and you’d be amazed at the quality of classic movie star who doesn’t even have that one!

1936 Ardath Who Is This? Elizabeth Allan — Who is this winsome English beauty? Why Elizabeth Allan of course!

I ran a sale recently on some major leading ladies who never move for me. I thought perhaps I’d priced them too high, so I ran them at 30% off my typical prices. The actresses: Norma Shearer, Jeanette MacDonald, Janet Gaynor. These are huge names in the classic film world so the possibility existed that I’d priced too high based on my own perceptions and I reasoned that knocking 30% off the top should correct that factor. I sold exactly 1 item during the sale … and it was a 1920’s card of obscure silent film actress Katherine MacDonald, a card which had been marked on sale by mistake when I was discounting my Jeanette MacDonald cards!

2) Some people are actually building sets, and if they’re building sets they don’t need another whole set, they need singles. This was much more of a factor during my baseball card days when it seemed half of all collectors were building vintage sets card by card, but it does exist in the non-sports world, typically with the less common sets. These collectors have a need to be fulfilled.

3) Grading is my strength, not a weakness. I grade hard and I grade good. I admit I’m cocky about it, but until my eyes go I feel I have reason to be. It’s a lesson I learned back when I was doing some limited mail order sales through Sports Collectors Digest (SCD) back in the late 80’s/early 90’s. If you over-grade you might feel pretty good sending your item out to the buyer, but you’re going to feel pretty lousy when it returns with a nasty note from them demanding their money back. I sharpened my eye when I was mailing out rookie cards wholesale to other dealers back then, I wanted the entire lot to be accepted as was, with never a doubt of a single card coming back to me. I always got paid.

And I’ve continued getting paid online over the past decade by not only applying a strict grade in more than a single parlance (VG-EX or 4.5/10 for example) but following up with as many details as I can about just what is wrong. Sometimes these details can make an item seem much uglier than it really is, and I’m sure some of my details turn off some potential buyers, but the ones who follow through have been almost universally happy.

My favorite claim when a buyer tries for a larger discount based on a lower grade (after noting that the price would have been higher if it graded higher) is to politely state something to the effect of “My VG is the other guy’s EX+” or “My EX is the other guy’s EX-MT” with the other guy not being anybody specific. I’ve bought enough online to feel pretty confident in that statement and that’s not to indicate that I feel everybody over-grades, it is meant to indicate that I feel I under-grade.

4) Which brings me to my final point, definitely the touchiest subject. This one is by no means universal, but I’ve experienced this more than enough times as a buyer to know it’s a problem. It was a problem when I did baseball cards and beyond the thrill of the chase I fell it was likely the number 2 reason for building a set yourself.

Okay, a set usually comes with a single grade, or sometimes a range of grades, such as ranging between VG and EX, and yes, this can be accurate. From the best dealers you’ll find a set listed with a general condition plus qualifiers, ie: EX with cards # 4,7,29 in G-VG with light creases. I applaud such detail and I return to buy more from such conscientious dealers–if you want sets, it may take some trial and error, but find them.

But how many times have you bought say an EX-MT set of cards to find the 3 or 4 best cards in the set are damaged? I’ve seen it often enough to factor it into the price I’ll pay when dealing with somebody I don’t know. Look for the details, typically grading that seems vague is vague for a reason, sometimes that reason may simply be time limitations, but I’ve noticed occasions where I believe it’s not.

There we go, now I’ve got a post I can send people right over to the next time I’m asked why (or how dare I) break up a complete set. And we’ll exit with a link to a pretty rare set I recently broke up, 1935 Secrets Magazine Film Star singles available right now on eBay.

EBay’s Comic Book Superhero Auction Event

EBay’s Comic Book Superhero Auction Event event, timed to run alongside the box office premiere of Iron Man 2 starring Robert Downey Jr., runs through Sunday May 9th, 2010.

During this event several rare and collectible comic related items — many never before offered for sale on eBay — will be featured. Along with vintage comic books (single issues and complete runs), the auctions include original art, signed prints, memorabilia, and specially designed artwork such as an Iron Man drawing rendered specifically for this promotional eBay event by comics artist Joe Linsner.

Bidding starts at $0.99 for most items; for items valued over $1,000, the bidding starts at $99.99. All items are available as auctions with free shipping and no reserve.

The Charming Face & Feet Of An Antique Horsman Doll

This charming antique composition baby doll has a sawdust stuffed cloth body beneath the original stripped cloth outfit.

One of the Horsman Can’t Break ‘Em character dolls, the head and face of this sweet antique baby doll was sculpted by Helen Fox Trowbridge in 1911 using her own one-year-old son, Mason Jr., as the model.

The first doll in the Horsman Gold Medal Baby series, this doll marks the first time that this mold was used.

Considering that this is a 100 year old doll, there are few condition issues. The jointed legs are still flexible and move nicely, there’s some wear to the head. On the right hand, a few of the fingertips are damaged. All signs that this baby was played with, but gently. And that’s part of the charm.

What charms me the most this doll is that the sawdust-stuffed fabric covered feet show discoloration and some fraying — probably where a young child sucked the toes to comfort him or herself to sleep. Literal sweet feet!

No, I Swear It Really Is All About the Articles, Playboy Magazine Back Issues

Ah yes, Playboy Magazine, I have fond memories, as if that’s a strange recollection for a man my age to have. Actually I do have old Playboy Collecting stories as around the time my Dad was collecting comic books back in the 70’s he was collecting men’s magazines as well. His collection stopped around 1980 and so it was probably around that time, no later than ’81, when I was nine and he had stacks upon stacks of nudie mags spread around the living room … and I entertained myself absorbed in this brand new world until he snapped at me asking what I was doing and I gave the now tired response of just reading the articles.

In the mid-80’s when Dad was looking to sell I took what I felt was the appropriately jaded position of mocking my 8th Grade English Professor when he came to the house as a prospective customer. Well, not to his face, but I still chuckle thinking about it as he tried selling us on the fact that he was mainly interested in the literature inside those skin magazines. Dad eventually unloaded the collection to a fellow baseball card dealer during those card show days I so fondly look back upon, getting $1,000 cash and a few hundred in trade which he kindly passed my way.

But time marches on and suddenly half of my own business is dealing in magazine back issues and what title do I love to stock as much as any other? 1960’s issues of Playboy, and yes, it’s for the literature and the literature alone that I do so!

Just this week I was pleasantly surprised to receive a dozen issues of Playboy from my favorite years, 1965-66, that were in such immaculate condition I felt like I’d just returned from a time machine trip to a Johnson Era newsstand. Forget that the pages are immaculate and the centerfolds are firmly attached, these are so nice that when describing them I’m noting dust-free covers and shiny staples in the binding. Bee-yoo-tees, they are, inside and out, and despite, yes, taking a quick gander at Catherine Deneuve in the buff, circa 1965, I swear, scout’s honor, it’s all about the lit.

Highlights:

Serialized portions of two James Bond stories by Ian Fleming, The Man With the Golden Gun over several 1965 issues; Octopussy in 1966
Serialized fiction by Lolita author Vladimir Nabokov
Fiction by P.G. Wodehouse
Fiction by Henry Miller
A Lee Harvey Oswald article by John Clellon Holmes
Interviews with Bob Dylan, Peter O’Toole, Bond himself, Sean Connery, among others
A wonderful nostalgia article by Jules Feiffer titled The Great Comic Book Heroes: Superman, Batman, Captain Marvel and all the rest of that marvelous crew; whence they came, who created them, and why they occupied a special place apart in the fantasies of our youth.

Plus them pictures. Sure, I may take a gander at Ursula Andress, er, I mean Catherine Deneuve, when paging through and noting contents, but the real meat inside vintage 1960’s issues of Playboy isn’t in the skin, it’s in the lit. I swear!

Liz Taylor’s Vintage Perfume Bottles Are Nothing To Sniff At

Look at all the gorgeous old perfumes in this vintage photo of a young Elizabeth Taylor at a dressing table! Do you recognize any?

Lost and Found – Regrets While Antiquing

Another Blog from Anti-quips – the Collecting Couple

Pick: Have you ever looked back and said “boy, I wish I had bought that!”

Grin: You’d run out of ink in the cartridge before I could print out that list.

P: Oh, really, that many? Give me an example.

G: How about that hotel ice bucket we saw in Chicago. It was silver with the name of the upscale establishment on it. Sure it was way too expensive, but we both really liked it and it sure would impress the guests.

P: Oh, yes, I remember it well. I also recall a Roseville vase that we passed on. It seemed too costly at the time so we drove off, then talked about it and circled the block. When we pulled up in front of the house, we saw a lady carrying it to her car. What were we thinking?

G: I can’t seem to forget a solid brass telescope we saw at a flea market. It was tagged $25, just lying on a table. I have no excuse for not buying that one!

P: Well, I can top that one. How about the guy at the flea market in Kentucky? He had a table filled with jewelry, said it was his late wife’s and he needed to sell it all. I picked through it and found a lapis azuli necklace (which I still have), but we were anxious to view more of the sale and I just moved on. There could have been a treasure trove there, but we were inexperienced and did not spend enough time checking it out. DUH!

G: Well, we have learned better since then. We now know that it is OK to stay put at one booth at the flea market if there is potential. If there are items of interest, we should stick around for as long as it takes. You never know what the next vendor will offer, it could be a lot less quality and the booth you’re at may just be the best game in town.

P: We have left estate sales that had treasures too – we should have known better, but when you are new to the business, you are anxious to “get on to the next.”

G: As long as we are “self-bashing”, I guess we should talk about the things that we should not have bought too.

P: OK, but first let me admit to the biggest faux pas of our history together. The famous “passing of the wrought iron railing.”

G: Oh, dear, I have mentioned that one for over 10 years and hate to let our readers know about it, but since you brought it up. There it sat, in the basement of the crinky antique store in northern Wisconsin. A long, ornate railing, made of wrought iron and (we were told) formerly in a local bank lobby. It was a railing from around the teller’s windows. We stood by it a long time, and I was deciding if it would fit in the van, you were deciding if we had enough money set aside for this “high-level” purchase. The end result is that you told me to step away from the railing, it was not going to happen. We talked about it in the van and you won. Well, actually, we both lost. We returned there about 4 months later and, of course, it was long gone. Since then, we have seen other, less fancy railings, in smaller sizes, with fewer sections, selling for many times the cost of that one. But I am quick to forgive.

P: If that is the case, how come every time we are in a shop or mall, you mention it to anyone who will listen?

G: Well, now that the secret has gone world-wide on the “web”, I will drop it from my spiel.

P: Now, back to your idea of discussing items we should NOT have purchase. Of course, I personally never made that mistake, but several of your buys come to mind. For example, how about the bunch of bottles you bought. They are still gathering dust in the basement. I believe you are responsible for those.

G: Well, maybe you should ‘fess up’ to the purchasing of numerous framed art prints. They are too large to ship if sold on the Internet, and awkward to carry to the flea markets. They take up a lot of space. But on a lighter note, you do get to change the décor in our home regularly.

P: Yes, I just shop in the basement boutique!

G: Another item that we have WAAAYY to much of is the restaurant ware. For a while it was hot and we’d pick up every piece we could find. While there are still collectors out there, we have nearly cornered the market and soon they’ll have to come to us for examples.

P: But, dear, we never paid much for any of it, and many pieces came in box-lots at auctions. We are getting older and our income has become less ‘expendable.’ We may just be serving guests peanut butter and jelly sandwiches off these restaurant plates some day.

G: Or maybe we could find a sharp-shooter who wants to use them for target practice.

P: Some of those heavy-duty Shenango plates are so tough it would take a 44 magnum!

G: In our defense, many items were bought before we became well-informed, or the market trends did an about face. You’ll note that on the TV antique shows, they often state “If you had sold this 10 years ago, it would have brought $5,000, but today, the market has changed and you’d be lucky to get $500.” That’s not our fault.

P: I hate to admit it, but you are right. We have learned from our mistakes and rarely make the same ones. Having said that, let’s head out, rummage season is starting and I saw a few green signs yesterday.

G: OK, but let’s only buy things that will make us rich.

P: Yes, dear. The kids will like that some day when they view the basement and there are only money-makers down there.

Grinin’s Tip To Collectors: When we started to refurbish our home with antiques, from door knobs to stained glass windows, i always had a clip board in the car with every possible size and item I would need. I also have pictures of antique drawer hardware with the clipboard so I can someday match what i need. If you have a space that needs filling on a wall or shelf, have the size with you where ever you go.

I have seen other collectors with record collections, post cards and bus pass collectors pull out their lists to confirm what they have or need.