Collecting The History Of Silent Film

Ever since I first heard of and then interviewed Mary Ann Cade, I’ve been awestruck. It’s not just that her collection of film memorabilia is incredible (It is — can you even imagine owning the bracelet, belt, and chain that Theda Bara wore in Cleopatra?!) but her utter devotion and dedication to the discovery and preservation of honest-to-goodness silent film footage which amazes and impresses me. I mean this woman actually has found silent film footage previously considered lost. So when she contacted me, asking if I wanted an update on her collecting activities, you know I said, “Yes!”

kellerman-photo-from-october-1909-issue-of-burr-mcintosh-monthlyThe first bit of Cade’s news is regarding some of that previously mentioned presumed-lost silent film footage: Six minutes of Annette Kellerman (also billed as Annette Kellermann, “The Perfect Woman”) in the big budget silent film Neptune’s Daughter (1914).

While researching for a seminar on Annette Kellerman for Australia’s Powerhouse Museum, Einar Docker found Cade’s article on lost film at Silents Are Golden. During conversation about using Cade’s research in his presentation, Docker, the museum, and Australia’s Screensound archive were blown away to discover that the six minutes of film existed let alone that Cade knew where it was and that it could be viewed.

The six minutes of thought-to-be-lost film premiered again — over a century later — on November 4, 2009, at the Powerhouse Museum along with the 19 minutes of known Neptune’s Daughter film. (You can see a clip at the Powerhouse Museum link.)

Along with crediting Cade, Docker will be sending her a copy of the museum event on DVD and he was able to get her a copy of Kellerman’s short, Jephthah’s Daughter (1909) from the BFI archive.

You may not think getting a copy of a film isn’t very exciting, but this isn’t like buying or renting a DVD. This is a whole other animal indeed.

We’re talking about films which have not been commercially re-released, many of them have not been seen by the general public in nearly a century. They reside in film archives, like the BFI or Gosfilmofond of Russia. If you live in a community that doesn’t have silent film screenings, or only has screenings of the more popular silent films (films made more popular because enough people have seen then in the past 100 years to be fans and request them), you have to travel to an archive to see them. (If you think today’s movie theater prices are high, add in international travel, hotel lodgings, meals and suddenly you’re all too happy to buy ticket — and the over-priced popcorn.) Of course, you can try to purchase copies of old films… The prices vary considerably from archive to archive, with some charging minimal amounts for films while others may charge over $1000 for a copy of a film.

So for folks like Mary, who take being a film fan to a whole other level, receiving copies of such rarely viewed old films is a dream come true.

Here’s what Mary herself has to say about her passion and dedication to collecting and preserving silent films:

My feeling is that these films are the only legacy that many of these artists have as their testament to show they were a part of history, part of this planet, and that they made a contribution or a difference in some way while they were here.

It is not fair to the artist when they are held hostage in some archive and should be made available to the public for viewing. Some of these films that are held hostage in archives have been in that state for almost a century, which I think is criminal. It’s like someone who has a precious gemstone or car. What good is it if you can’t show it off to others? What good does it do to hide it away from everyone else? I think this is selfish and serves no real purpose whatsoever.

This is why Mary puts so much effort into tracking down old and even lost silent films. Which brings us to part two of her collecting news…

Through her international network of silent film collectors and archivists, Cade was also able to obtain copies of the following films:

  • Et drama paa Havet (A Drama on the Ocean or Dodsangstens maskespil) (1912) starring Valda Valkyrien
  • Den Staerkeste (Vanquished) (1912) Valda Valkyrien
  • Diana (1916) starring Valda Valkyrien
  • A Dream or Two Ago (1916) starring Mary Miles Minter
  • Silas Marner (1916) starring Valda Valkyrien
  • The Innocence of Lizette (1916) starring Mary Miles Minter
  • Out Yonder (1919) starring Olive Thomas

Jeesh, I have trouble finding just one movie from the 1980s that I want at Blockbuster. No wonder this is one collector who impresses me.

I’d like to think that the only thing holding me back from being as great a collector as she is that my interests are too varied — that if I wouldn’t be so easily distracted and fascinated by every little thing I find, I too could focus and do work as important as she does…

But until that day, Mary Ann Cade remains not only an idol of mine, but a collecting superhero. (I wonder what her cape looks like?)

And this isn’t even all her news! Come back soon for more on Mary Ann Cade’s silent film collecting and movie collectibles.

Photo Credits: Annette Kellermann photo from the October 1909 issue of Burr McIntosh Monthly, courtesy of Cliff Aliperti.

Reproduction Neptune’s Daughter film poster, via MovieGoods.com.

Mary Miles Minter photo on St. Louis Globe – Democrat Water Color Company Premiums (1916), also from Cliff Aliperti.

History through Sales: Trading card of early film star Mary Fuller

I love it when my customers get talking. You never know when it’s going to come, a conversation could break out after a $5 transaction with as much likelihood as it will over a $100 and up piece. My most recent conversation was brief, after sale of this item:

Mary Fuller Kromo Gravure Card

But while brief this exchange of e-mails did inspire me to do a little digging out of which I discovered film star Mary Fuller, shown above on a circa 1917 Kromo Gravure trading card out of Detroit, was more important to film history than I ever supposed.

My buyer, to the best of my knowledge, is not a regular collector of movie cards and ephemera, but had her curiosity aroused through her job at the Congressional Cemetery in Washington DC, where Miss Fuller, who died in 1973, just happens to be buried.

After I replied to her e-mail, my customer suggested I check out a video featuring Mary Fuller if I had the 12 minutes to spare. Well, I did, and I was surprised to find the clip was from the famed 1910 Edison production of Frankenstein starring Charles Ogle as the monster (which I knew) and Mary Fuller as Elizabeth (which I obviously didn’t know).

Here it is:

On a related note, while putting this post together I came across FrankensteinFilms.com, which has to be the most fantastic site about Frankenstein out there! I really risked getting sidetracked when I got bogged down inside their pages!

Anyway, I was curious if there was more to Mary Fuller than Edison’s Frankenstein, which she actually wasn’t even credited in. The IMDb credits her with over 200 film appearances after coming to the screen from the stage, but her career was over by 1917 and other than Frankenstein, I must admit I don’t believe I’ve seen her in anything else.

That’s when common sense took over. Early last year I had the great pleasure of exchanging e-mails with the owner of The Picture Show Man website and I wound up by asking him for some reading recommendations (his movie and book release lists are not to be missed!). I’m about halfway through one of the top titles he’d mentioned, Million and One Nights: A History of the Motion Picture Through 1925 by Terry Ramsaye (affiliate link), originally published in 1926. You want to know how much early film history is packed in this title? Well, I’m on page 440 and the story, which runs chronologically, has only reached 1907.

Mary Fuller on a circa 1916 MJ Moriarty Playing Card
Mary Fuller on a circa 1916 MJ Moriarty Playing Card

I can’t even say I’m surprised but when I checked for “Fuller, Mary” in the index to A Million and One Nights it actually spit back some page numbers at me. I’d expected these entries to be about Frankenstein, but instead I once again learned something new.

Mary Fuller had starred in What Happened to Mary (1912), which holds the honor of being considered the forerunner of the movie serial.

Here’s some of what Ramsaye has to say about it:

Edward A. McManus and Gardner Wood, in the year of 1912, were engaged in promoting circulation for The Ladies World, a McClure publication. Out of the editorial department came a project for a continued feature to be built around a mythical heroine known as Mary, and to be introduced with a cover design by Charles Dana Gibson. There was to be an unfinished story and a prize of $100 for the best answer to What Happened to Mary?

So The Ladies World would publish the story, minus the ending, and Edison would produce a film which included the ending. I wasn’t clear as to whether the film would be inspired by the winning reader entry or if the winning entry would be the one which came closest to a pre-selected ending, but either way, a novel idea.

In noting that Mary Fuller was cast as Mary, Ramsaye writes, “She was now a full fledged Edison star.” Of the stories, the first, The Escape from Bondage, was released July 26, 1912. In mentioning that the second Mary feature was titled Alone in New York, Ramsaye points out that “each installment of the What Happened to Mary? series was independent and complete. It was not a serial. The magazine stories and the screen releases did not synchronize accurately, but it was none the less a successful promotion.”

So while Ramsaye explicitly states “not a serial” he does immediately lead in to the serial it inspired, The Adventures of Kathlyn starring Kathlyn Williams, which most definitely was a serial. As for Mary Fuller, following the 12 chapter What Happened to Mary she’d star in a sequel, the 6 chapter Who Will Marry Mary?

See that, Mary Fuller had previously been just another silent actress to me, but a spark of outside interest and look at all I’ve learned! You can be sure the next time I list an item depicting Miss Fuller there will be a lot of early film history racing through my mind.

Mary Fuller on a 1916 paper supplement issued with the St. Louis Globe-Democrat
Mary Fuller on a 1916 paper premium issued with the St. Louis Globe-Democrat