Movies – Inherited Values

Marilyn Monroe Still Alluring At 90

I continually swear that I’m not going to write, again, about Marilyn; but here I am again…

I may have been able to to get away with a wistful smile & a re-Tweet or two in the honor of her 90th birthday. But then I discovered of the photo show in honor of the icon’s birthday — and from there, a very important fact that I had missed for low these X years.

In 2010, a collection of Marilyn’s personal journals, poems, letters, and the like was published in Fragments: Poems, Intimate Notes, Letters by Marilyn Monroe, edited by Stanley Buchthal and Bernard Comment. (Can you even imagine having access to such intimate ephemera?!)

As Lucy Bolton notes at the BBC, “This shows how the process of writing was integral to Monroe’s self care and well being. She could also be honest here, perhaps in a way that she couldn’t be elsewhere.” Including both the cruel and the kind. It’s the self-talk that fascinates me the most. Again from Bolton:

In her so-called Record notebook from around 1955 she writes that her “first desire was to be an actress” and that she is striving to work fully and sensitively, “without being ashamed of it”. Her drive to work on herself and her craft was merciless: “I can and will help myself and work on things analytically no matter how painful”, and she notes in her notebook a single line, “having a sense of myself” – as if the words ground her in some way and remind her of what she needs to keep in mind.

This is not just to be coveted for the personal diary of a celebrity aspect. This is the self-reflective artist at work.

remember there is nothing you lack – nothing to be self conscious about yourself – you have everything but the discipline and technique which you are learning and seeking on your own

And it’s the documentation of a woman’s life, which I find supremely interesting, most poignant, relateable. How many of us, sadly, can relate to these words of Monroe?

I guess I have always been deeply terrified to really be someone’s wife since I know from life one cannot love another, ever, really… starting tomorrow I will take care of myself for that’s all I really have and as I see it now have ever had

This is the stuff you miss when you swear off your collecting, your obsession. Oh, but how easy it is to be pulled back in! Another book on the wishlist. No; scratch that. I think I’ll buy myself a birthday gift early. I’m convinced it’s what Marilyn would want me to do.

Vintage Warner Brothers Studio Cosmetic Photo Featuring Brenda Marshall

This vintage photograph is pretty enough to display with your vanity collectibles! The 8 X 10 glossy photo features Brenda Marshall wearing a feather-trimmed peignoir sitting at a vanity table applying a powder puff to her bare shoulder.

Circa 1940, the seller of this photograph offers the following details:

Captured by Scotty Welbourne for Warner Bros. Studios, Marshall is seen in a glamorous fur trimmed robe applying soothing lotions and cosmetics to her sunburnt shoulder.

Attached press snipe reads: “DUST YOUR SUNBURN LIGHTLY … Brenda Marshall has discovered that dusting powder can be very soothing to a sunburned skin. After the star of THE SEA HAWK (opposite Errol Flynn) has applied a cooling lotion to her ‘overdone’ skin, she pats on a light bath powder. She finds it relieves her skin of that stretched and hot feeling.”

Measures 8″ x 10″ with margins on a glossy, single weight paper stock. Photographer’s ink stamp on verso.

Amazing Authentic Elvis Items Up For Auction!

The upcoming Auction At Graceland includes a special section of early Elvis merchandising memorabilia from various owners and includes rare items from the collection of Darlene Parker Tafua, daughter of Ed and Leilani Parker. (Ed Parker was a martial artist who ran the Kenpo Karate Studio in Pasadena, California; Parker trained Elvis Presley along with other stunt men and celebrities.)

Among the standout Elvis items are signed items — my favorite is the autographed cocktail napkin from the Thunderbird Hotel.

And how about the original receipt for Elvis and Priscilla’s Wedding at the Aladdin Hotel in Vegas?

It was quite the shindig! More than $10,000 in charges for the chartered flight, the limos, the judge, the champagne, the fruit baskets, the security (of course), the musicians, the gloves and the floral arrangements. No expense was spared by Elvis for his blushing bride Priscilla and their guests, who assumed two suites and 21 rooms at the Aladdin. The bill was sent to the William Morris Agency in Beverly Hills and this copy to Colonel Parker at MGM Studios. We know this because of the included (and formerly paper-clipped) note concerning possibly being double-charged for the private jet flight. It is written in pencil and reads: “Jim: – Is this in order to pay – How about the plane chg [charge]? Remember pmt [payment] to Lear Jet in amt [amount] of 1774.50 – Please call me Pattie.” Accompanied by a letter of authenticity from Graceland Authenticated. Each page measures approximately 10 by 6 1/2 inches (25.4 x 16.51 cm).

But perhaps my absolute favorite is the jacket Elvis Presley wore in Viva Las Vegas in that dance scene with Ann-Margret. Hot!

This Elvis auction is held by Invaluable (formerly Artfact):

Elvis touched the hearts and lives of fans across the globe, and our goal for the Elvis Week 2015 Auction at Graceland was to include artifacts from across the spectrum of collecting, including items owned by Elvis, gifted by Elvis, written by Elvis, used by Elvis and created to promote the king and his career.

This Elvis auction starts at 7:00 PM CST on August 13, 2015; online bidding is available.

Collectible Vintage Rolex Diving Watches On Display

When my parents were working on this latest estate sale, the found this miniature copper diver’s helmet. Attached to it was a note stating it was from a Rolex watch store display. Ever curious, err, obsessive I had to investigate. (Plus, I do so love a great watch.)

It turns out, Rolex did use small metal divers’ helmets in displaying their waterproof watches, including the Submariner the very first wristwatch for divers (1953); the Deep Sea Special, which was attached to the outside of the bathyscaphe the Trieste during its historic dive (1960); and the Sea-Dweller, Compagnie Maritime d’Expertises (COMEX) watches (1963). This is what the metal diver helmet looked like with its original Rolex dealer display stand.

I’ve no idea how many Rolex stores there are now, let alone how many there were in 1970 when this display piece was used… I’d dare say, in the hundreds. Which makes the helmet, even without the sea-green turquoise display stand relatively rare.

However, as Rolex’s divine diving watches debuted before 1970 when this diver helmet display appeared, there were earlier display stands using a nautical theme, if not the “At One With The Sea” slogan. Here are a few of them:

Rolex diving watches also got some promotion out of popular films. Sean Connery wore a Submariner “Big Crown” in 1962’s Dr. No, for example.

But one film watch causes confusion… Jaws.

Despite the Rolex advertising campaign in 1975, neither the Submariner nor any other Rolex was worn in the film. (Likely why the ads focused on author Peter Benchley.)

Further confusion is added by the fact that watch collectors refer to the 1974 Rolex Sea-Dweller as the “Great White.” It’s debut certainly was good timing for the movie. But the “Great White” nickname comes from the fact that this version of the Sea-Dweller is in all “white” steel.

So just what watch did Richard Dreyfuss’ Matt Hooper wear in Jaws?

Equally obsessive collectors, with far more watch knowlege than I, did the research. It was published in the February 2010 issue of WatchTime. The conclusion? Dreyfuss wore an Alsta Nautoscaph. …Though, as the article states, that still leaves lots of room for questions. As for me, I’ve spent enough time submerged in all this watch talk.

If you are interested in the Rolex diving helmet display piece, the Milwaukee estate sale begins today, July 27, 2015, at noon. Details here.

Photo Credits: Copper Rolex display divers helmet via No Egrets Antiques & Estate Sales (aka Antiquips here on IV); Rolex diver helmet on display stand and other vintage Rolex retail displays via Paul Boutros by way of his posts in the Timezone Forum.

Fiddle-Dee-Dee! Frankly, My Dear, We Do Give A Damn!

The biggest sale of Gone With the Wind memorabilia ever is set for next month, with more than 150 lots from the classic film will go under the hammer at Heritage Auctions.

The collection was assembled by Jim Tumblin, who spent 22 years working at the Universal Studios hair and make-up department. The collection began in the 1960s, when Tumblin spotted a dress while doing some research at Western Costume.

“I saw this dress on the floor and a docent told me not to bother to pick it up, because they were throwing it away,” he said.

“I asked if he would sell it to me. I had noticed there was a printed label saying Selznick International Pictures and ‘Scarlett production dress’ was written in ink.”

Tumblin got the dress for $20 — and now bidding for the dress worn by Vivien Leigh as Scarlett O’Hara will start at $60,000.

The entire collection is estimated to go as high as $1 million.

The auction takes place Saturday, April 18, 2015, in Beverly Hills. Online bidding ends April 17th.

History Of The Silver Screen

In the early days of motion pictures, movie theaters were experiencing a number of public attacks as to their safely for patrons. Among the numerous concerns regarding the dangers movies and theaters presented to families there were the fears for women, primarily of the white slave trade, and the usual new media concerns of eye strain. Naturally, the movie industry sought to calm the public down, including offering movie-goers premiums, which were primarily targeted at women. They also sought to approve amenities, including the screens that the movies were shown upon. Of course, this lead to fierce competition between companies who sought to capitalize on all the money to be made in the film industry.

Many of these ground-breaking and creative companies did not last long. But even if they dominated the industry for a time, both the companies themselves and the technology they provided remain but a footnote in books on film history. This is why ephemera, particularly advertisements from the period, remain so important.

At some point in the 1910s, the Wisconsin Theatre Supply Company of Milwaukee, Wisconsin, produced this bulletin solely promoting the Gardiner Velvet Gold-Fibre Screen:

Testimonials on the back page include The Thomas A. Edison Electrical Establishments, the Nicholas Powers Company, Havana’s “The Fausto”, the United States government, John H. Kunsky of Detroit “who probably controls more high class picture houses than any single man in America or probably in the world” and many others.

In the 1920s, the Glifograph Corporation (located at 280 Broadway, New York City) promoted their Glifograph movie screen with this brochure. Glifograph said their screen “makes every seat a good seat”, with “perfect pictures from any angle” due to “stereoscope view”. Promised “no eye strain — no distortion”.

Also, in the 1930s, there was the “Lustro-Pearl” made by Mandalian Manufacturing Co., of North Attleboro, Mass. If that name sounds at all familiar to you, it’s because Mandalain made those metal mesh purses! Well, at least until the company was bought-out by Whiting & Davis. But just imagine, a film screen made of mesh metal!

6 Very Cool Items From The Auction At Graceland

The first-ever Auction at Elvis’ Graceland is taking place August 14, at 7:00 p.m. at the Graceland Archive Studio — and online.

While none of the 72 items are from the official Graceland collection (the collection, Graceland Archives, etc. continue to be owned by Lisa Marie Presley and are not for sale), there are some very cool items.

This auction includes Elvis’ own copy of the original movie script for Love Me Tender. Love Me Tender (with Debra Paget and Richard Egan) was Elvis’ first movie. Originally, the role was a small one; but the part was revised to accommodate the King of Rock ‘n’ Roll’s rabid fan base.

Book lovers as well as Elvis Presley fans will like the library card. This library card from Tupelo has one of the earliest known signatures of Elvis. The signature is so early, that even the Graceland Archives has none pre-dating it — and the auction lot includes a letter from the Graceland Archives stating that the archives has no full Elvis Presley signature pre-dating the one on the library card.

Speaking of kings… This 18-karat gold lion’s head (with two emerald eyes, a ruby mouth, and diamond eyebrows whiskers) was designed specifically for Elvis. It is one of those pendant-brooch jewelry pieces. Elvis wore it as a pendant for his meeting with President Nixon, among other places.

And what king doesn’t need a throne? This “Gold Throne” chair was used by Elvis in his dining room at Graceland. (I am more partial to this chair myself.)

Of course, when it comes to Elvis, it’s mainly about the music. So why not grab his Martin D-28 guitar?

Looking for something bigger? The 1977 burgundy and silver Cadillac Seville V8 automatic being offered was not only the last Cadillac Elvis purchased for his personal use, but the very vehicle driven by Elvis himself on the day prior to his death.

Elvis fans and collectors can register & bid online online here.

Ten Reels Of Explosives

My research regarding this photo probably got me put on a half dozen watch lists, thanks to early film technology. Here’s Kay Johnson to explain, from the September 1930 issue of Screen Romances:

The caption reads:

Do you know what a motion picture is made of? Kay Johnson shows us the actual chemical constituents of gelatine, water, camphor, acid silver and cotton that went into the ten reels of “Madame Satan.”

As best I can read from the captions in the photo, that’s 40lbs of cotton, 3¾ pounds of gelatine, 3½ pounds of camphor, 2½ pounds of water and nitric acid, and ¼ pound of silver. The silver is inconsequential: that was used in the image itself, hence the widespread destruction of films over the years to salvage the precious metals. Madame Satan is partly lost to the sands of time: according to Wikipedia, there’s one lost scene, and all of the original Technicolor prints have been lost.

But, none of those facts are the reason I’ve been making questionable Google queries. In today’s world full of terrorism and violence, Kay Johnson up there might have gotten a visit from the ATF for having so much of those materials together in one place.

Early film stock was made from something called nitrocellulose. It was relatively stable, good enough since they considered films to be temporary, not permanently stored. However, if you compare nitrocellulose’s explosive power, according to Wikipedia, it falls between TNT and Nitroglycerin on the scale. In small doses, magicians use it for fire effects. In large doses, CNN worries about teddy bears stuffed with it taking down airplanes. It’s no wonder movie theaters burned down with such ferocity during the early part of the 20th century: a 10-reel film by Cecil B. Demille had almost 50 pounds of guncotton wrapped into tight spools, so energetic that it can burn underwater. Here’s just one reel of film burning, emphasizing why you wouldn’t want to be around when ten reels catch fire.

Kodak invented their “safety film” in 1908, made from a less-flammable acetate, but as you can see the cheaper cellulose nitrate film was still being used for big-budget films in 1930. Kay Johnson’s first credited film on IMDB may be called Dynamite, but I found no evidence of her ever being closer to explosives than in the picture above. She retired from acting in the forties, just one film in the fifties, and passed away in 1975. Even at the time of Madame Satan, cellulose nitrate film was on its way out, and it was banned entirely in 1951. Nitrocellulose still has a purpose in media, just not film, and you can buy it in bulk from Dow Chemicals. Sorry, Homeland Security, I wasn’t actually looking for explosives, I’m just researching the dangerous history of film.

Lessons From The Maltese Falcon

You may have read the news about the titular movie prop from film noir classic The Maltese Falcon (1941) going up for auction — expected to fetch $1.5 million. The 50 pound falcon statue is valuable not only to those who love film or who are fans of Humphrey Bogart and Mary Astor, but to art lovers as well, for the prop was created by Fred Sexton.

Guernsey’s, the auction house behind the auction at New York City’s Arader Galleries, provides quite a lengthy piece on authentication of the film prop, which begins with this basic story:

The story of the Maltese Falcon statuette begins the same year the movie was filmed – 1941 – when Huston hired Los Angeles-based artist Fred Sexton to sculpt the prop for his directorial debut. Huston and Sexton were high school classmates and close friends, and the film director collected many of Sexton’s paintings.

In an on-camera interview with Vivian Sobchack in August 2013, Sexton’s daughter, Michele Fortier, discussed her father’s distinctive and familiar signature, and described her childhood experiences amongst Hollywood’s early elite and on movie sets.

Hank Risan owns two authenticated Maltese Falcon statuettes from the 1941 film production that bear Fred Sexton’s distinctive “F.S.” markings and they are widely regarded as two of the most valuable film props in the history of cinema. In 2004, UCLA Professor Richard Walter, a court-approved expert appraiser, supported the high valuations in an eloquent comparison to another highly-prized film prop: one of four pairs of ruby red slippers worn by Judy Garland in the iconic Wizard of Oz, which sold for $666,000 in 2001. “But whatever the slippers’ value,” Professor Walter wrote, “it has to be less than that of the falcons because the slippers are merely one prop, albeit an important one in the movie. The falcons on the other hand are the namesake props that define the picture itself. It is significant in the extreme that in addition to being important props they are also the title of the film.”

“Life imitates art,” stated Mr. Risan. “What’s amazing is that in the film Spade and Gutman discuss the value of the falcon in similar terms. The rara avis has a unique backstory as compelling off-screen as in the film. The black birds are truly objects d’art.”

However, in the auction held today, The Maltese Falcon did not fetch the predicted million dollars or more — in fact, it didn’t sell at all.

The official language for that is “passed” and it happens when the reserve price is not met. While the reserve may have been set too high, this can happen simply because everyone thought everyone else would be bidding and so they assumed they wouldn’t get it. Auctions are rather like elections that way; people stay home thinking everyone else is going to take care of business. But, be it auction or election, those who care ought to show up.

It remains to be seen how long it will take for this Maltese Falcon to show up at auction again.

A Keystone Production

We’re here working at Exit 55 Antiques in Fergus Falls, MN, and one of the fun parts of working our required day each month is seeing what other new, interesting things have come in from other dealers since the last time we’ve worked. This time, being the camera fan that I am, I immediately gravitated towards this old movie projector that another dealer was selling for $89.

It’s older than most of the other cameras, movie or otherwise, that I’ve ever owned. This fine example of early film projection technology is a Keystone Moviegraph:

My first assumption was, “oh, like the movie studio!” It could make sense — if you’re making Charlie Chaplin movies, people have to watch them somehow, so why not sell the projectors, too? Edison and Victrola made big bucks being the single source for both the equipment and the media, so why not Keystone Film Company?

Unfortunately, my guess was incorrect. People might have watched Keystone Kops on this projector, but it wasn’t because both parts were made by the same company.

Keystone Manufacturing Company was a toy company based out of Boston, Massachusetts, thousands of miles away from the Keystone movie studios. This projector was designed to occupy the kids for ten to fifteen minutes at a time, each one taking turns cranking the projector at the right speed.

You’ll note that the ad says it includes just an electric cord — “for connecting to any lamp socket your electric bulb will fit”. The interior of the projector is a big open space, to stick a lamp inside.

At least they put vents in it, just in case too much heat built up. But, what could be safer than lettings kids play with an electric lamp, inside a metal box, running flammable nitrate film through a projector by hand? The 1910s were a different time; this tinderbox was probably the safest thing the kids had to play with.

This neat little aspect of the history of movie theatres was also included in some kits, along with tickets and other accoutrements of the theater world. Keystone offered a pin to identify yourself as a licensed Moviegraph projectionist.

In the past — and in some places still today — only properly licensed people are allowed to run movie projectors. Sadly, the several thousand people who carried Moviegraph License No. 79984 were sad to find out their licensing was not transferable to other systems.

As a nerd, of course, I have appreciate the mechanism the camera uses to move the film, a single frame at a time. I’ve taken a number of projectors apart over the years, and all of them have a different and unique way to advance the film. This projector uses the most basic gearing system — the geneva drive:

Originally designed for clockmaking, the early film industry grabbed on to it as a technical solution to stopping the film for the split second that the shutter is open, without having to stop the motor from turning:

Despite the high-tech gearing, this projector is missing something I mentioned earlier: there’s no shutter in it. Watching a movie projected by this Keystone projector would be pretty blurry, despite the momentary gear. Well, what can you expect from a toy?

I did speak a bit too soon: Keystone Manufacturing might not have been the same company as the Keystone movie studio in California, but they did sell film. Although the projector would work with any silent 35mm movie film, Keystone Manufacturing sold their own reels for the projector-owner’s entertainment. Most of their Moviegraph reels were lower-quality duplicates of shorts and small portions of full-length features. So, although they didn’t make movies, they still held on to a large part of the film distribution process as their business model.

Movie Tie-In Paperbacks: Judging A Book With Matt Dillon On The Cover

In a post sure to rile up book lovers, I shall discuss the judgment of books by their covers; namely collecting movie tie-in paperbacks. It may not be big-time Collecting with a capital ‘C’ (at least in terms of dollar value), but copies of these old paperbacks certainly have more appeal to some folks than mass market sized books sans film adaptation covers. (And bonus points for those with photo pages with scenes from the movie.)

In general, such book collecting practices have perks for parents too: A) you can foster interest in reading if you let your kids (during those uninterested in reading years) buy books based on movies or the re-released film versions; and B), kids digging for “Now a Major Motion Picture!” covers remain occupied (with less whining) longer at the thrift store, rummage sale, flea market, etc.

$tex s.e. hinton$

It’s true that I was drawn to this paperback simply because Matt Dillon was on the cover. First, because I had a thing for Dillon back in the day. (I won’t apologize for it — but I will apologize to Jackie Earle Haley for mistakenly remembering Dillon as playing the bad boy Kelly in Bad News Bears.) And second because I figured that if Dillon — and Meg Tilly — were in some early-80’s flick that I don’t recall, it must have been down-right cheesy, and I’m a girl who loves her kitsch.

But, in a surprise left to the temple — which will undoubtedly thrill my fellow bibliophiles — this book wasn’t the breezy-cheesy-chuckle I’d thought.

My first clue came just a few pages into reading, when my 13 year old spotted me nose-deep, and asked if she could read it when I was done. I thought it was for the cover’s hot bad boy on the cycle. But it turns out, she recognized the author from a book she loved, The Outsiders. Apparently, it was read (and the film viewed) in school; but I’ll admit, I know nothing of The Outsiders.

After promising that she could borrow it (if she would write her own review — yup, that’s foreshadowing!), I returned my nose to the book and read.

The short story is that Tex is a pretty good read, which is probably why the ALA gave it the Best Book for Young Adults title. It’s full of that misfit angst, friendship stuff (including a budding romance), with plenty of anger issues forced by a dysfunctional family setting. Focused on the male perspective, boys ought to like this book for sure and there are plenty of things for girls to like too (including horses!) too.

My first thought was to mention that the story isn’t dated; but then I remembered that it isn’t dated based on my perspective… See, I grew up in a world where kids didn’t have cell phones, so maybe the lack of electronic gadgetry will ring of ye olden days to kids today. And back in the day, we kids got to hang-out at carnivals etc., without either parents or the parental fears of the dangers of strangers we have today… So maybe it is dated. I guess we’ll have to wait and see how my 13 year old feels about it. (Though I’ll admit, she doesn’t have a cell phone either; so her perspective might be tainted with our old world ways.)

In any case, I never saw the book’s reveal coming — something I can rarely say about fiction in general, let alone a book intended for teens. So Hinton’s story gets high praise from me.

Reading it brought back all those teenage feelings, a general nostalgia; picturing Matt Dillon doing all those things didn’t hurt either. The cover shot of Dillon on the motorcycle might have been a bit misleading (in true promo-fashion, it captures a dramatic scene depicting the physical action of an epiphany), but that’s the worst thing I can say. And hey, that’s what got me to pick up the book in the first place.

While most used copies of Tex sell for a buck or two (and mine was only 50 cents at a thrift store), used copies of Tex with Matt Dillon on the cover can be quite pricey.

But if you’re a Dillon fan, or a fan of the film, it’s probably worth it to spend more on a collectible copy.

$tex back cover$

Lomasney Pop Film Art Poster Auction

The Lomasney Collection consists of over 800 hand-painted film posters originally displayed in the The Royal Hawaiian Theater in Honolulu. Painted in gouache on 44 by 28-inch artboard by artist John J. Lomasney (many incorporating actual studio film cells) these posters span over 50 years of cinematic history. The collection was acquired by tennis legend John McEnroe and displayed in his Soho, NYC gallery until McEnroe donated the collection to Lifebeat, Music Fights HIV/AIDS. The organization raises funds to support HIV prevention efforts by auctioning-off the pieces. The most recent offering is at Heritage Auctions, where bidding closes August 4, 2013 at 10:00 PM CT. Below are a few of the pieces up in the latest offering; however, the entire collection can be seen at Lomasneymovieart.com.

Collecting Silent Film Stars: Annette Kellerman

Being the fan that I am (both of the collector and silent film), I couldn’t just let Mary Ann Cade go that easily after delivering her recent silent film news — I had to ask her about one of her favorite silent film stars, Annette Kellerman (also billed as Annette Kellermann and called “The Perfect Woman”).

Mary, tell us about Annette Kellerman… How did she catch your collecting fancy?

I got interested in Kellerman when I saw Esther Williams in the fictional biopic Million Dollar Mermaid, which was loosely based on Ms. Kellerman’s life. After viewing it, I started looking around to see if any of her product survived and why she is so forgotten today.

At one time, during her heyday, she was a force to be reckoned with, kind of like Madonna or Oprah Winfrey. She was writing books, making films, doing publicity stunts, designing swimsuits, performing water ballets at the Hippodrome, performing in vaudeville type shows all over the world, making movies, and she even had her own chain of fitness clubs and a health food store.

Sadly, she is all but forgotten today and when one looks at her swimming and diving contributions, including her discovery of what is considered synchronized swimming as well as the one piece bathing suit, it is a real shame.

When I started the quest on Kellerman, the only known film was Venus of the South Seas, but, along with the news mentioned earlier, I have managed to locate Siren of the Sea.

Kellerman is reputed to be in a cameo in the Fatty Arbuckle / Buston Keaton short Coney Island (1917) and a couple of other films that have not been confirmed as of yet. The Australian archives do hold some of her various water ballet footage as well.

Thank you, Mary, for sharing your collecting passion and information with us!

Photo Credits, in order of appearance:

Signed photo of Annette Kellerman and photo of Annette Kellerman’s trunk, from Mary Ann Cade.

Personal Course of Instruction In The Attainment Of Health, Beauty and Perfect Figure, by Annette Kellermann, 1932, via The Land of Pleasant Living;

Annette Kellerman movie photos, on a 1924 set of Henry Clay and Bock Co., Ltd. Cuban tobacco cards, courtesy of Cliff Aliperti.

The Magic Of Polavision

I’ve been shopping for “lots” on eBay lately: sellers box up a bunch of low-end things, like cameras or 8mm movies, and then sells them as a set. I’ve found I can get some pretty cheap fun stuff — plus, the mixed-bags aren’t always described very well, so sometimes you get a surprise. In a lot of three movie cameras, I got this strange little beast:

It looks about the same size and vintage of Super8 cameras, and upon opening it up I can see it required a film cartridge. However, the cartridge is too long and too thin to be Super8, or even a cartridge-loading 8mm roll-film camera. The Polaroid logo on the front should have been my first clue — In the land of Land, Polaroids weren’t the kind of camera that used over-the-counter film formats. This is a Polavision camera: Polaroid’s first and only foray into self-developing movie film.

Yes, that’s the part that blew my mind: the magical Polaroid 600 film that everyone shakes like a Polaroid picture is awe-inspiring enough, so doing that at 20 or 30 frames a second blows my mind. The film was, technically, 8mm film, but it wasn’t the same beast. The film was pre-loaded in a cartridge, along with a reservoir of developing fluid. The movie was filmed in a Polaroid camera, like any other normal home movie. The specialized player did most of the work: the first time a cartridge was played, the player released the developing fluid, and in 20 seconds the whole movie was ready to be watched.

Polaroid devoted enormous amounts of money and resources into producing these instant-watch films — compared to regular 8mm home movies, which could take days to get back — and when they released it to the market they expected these Polavision cameras to take off like hotcakes.

In 1950, maybe: color silent movies were the standard of the day, and quick developing would be a big advantage.

In the 1960s, Super8 film, with a larger frame and better sensitivity, was beginning to take over the market — but Polaroid might have still been able to hold their own.

The Polavision home movie system, unfortunately, debuted in 1977 — the same year the VHS tape broke into the United States market. Betamax had been around since 1975. Even Super8 got sound recording in the early 1970s. The self-developing technology was an enormous breakthrough, but as a personal movie-maker it was about twenty years too late.

The image quality was too poor, even by the low-quality bar that VHS lived with well into the 1990s. It could only shoot for two minutes at a time, and being locked in a cartridge means no splicing film together into longer movies. The Polavision film had a very low ISO, so it only worked well in outdoor bright daylight. The Polavision viewer that was crucial to the development of the film was inadequate for shared viewing, and wasn’t able to project on a large screen. Pretty much the only advantage the Polavision system had was that magical quick developing, which made it only useful for speed, and not for, you know, enjoyment or artistic creativity.

The Polaroid company was already beginning to implode, even without this huge financial failure; Land left the company in 1980, and the business struggled to hold on until 2001 when it was sold off to investors, and stopped producing instant film shortly thereafter. The quick-developing technology didn’t die, though, at least not right away: Polaroid upscaled the process and loaded into standard 35mm rolls, releasing it as the quick-developing Polachrome instant 35mm slide film.

A Vintage Mae West Scrapbook

Today’s scrapbooks are filled with photographs of family & friends, complimented by decorative papers and supplies purchased for the sole act of creating fantastic looking photo albums. But once upon a time, scrapbooks bore more resemblance to their name: they were books full of “scraps” of paper.

Some of these vintage scrapbooks did chronicle personal events or lifetimes, of course; but many were just compilations of neat things people found in newspapers and magazines. Some people were quite dedicated, focusing their efforts on specific themes. At least each scrapbook had its own theme. And some of the most popular themes were scrapbooks dedicated to movie stars. Like this old Mae West scrapbook.

It’s filled with carefully clipped images of the film star from various newspapers and magazines of the time. Looks like there are a few publicity photos sent to fans as well.

I know some people will balk at the seller’s price tag of $450. But when you consider how much it would cost to find and purchase enough vintage publications and the like to attempt to recreate this nearly-antique scrapbook, it seems a pretty small price to pay in comparison. Plus, even if you could manage to locate all the same scraps, would it be the same as knowing someone dedicated themselves to the selection and organization of this old book? I don’t think so.

When you think about it, scrapbooking isn’t much different than blogging is today. But as ephemeral as old paper is, there’s something more lasting about it… Perhaps because none of us knows what will become of blogs and websites in the next 80 years. Even in that unknown future, I can’t imagine someone not enjoying holding an old book like this and carefully turning the pages to see what someone created.

Image Credits: All images from empressjadeoftheuniverse.

Children & Animal Stars Lost To Film Collectors

In the December 1972 issue of Films in Review, in the regular Films on 8 & 16 column, Samuel A. Peeples laments what is available on film.

I am struck by the current lack of public acceptance of certain kinds of screen entertainment, most notably short subjects, newsreels, and child and animal stars. Television is blamed for the decline in the first two, and the greater sophistication of today’s young people for the last two.

Very few of the old films featuring animal stars have survived. The private film collector can purchase a few 8mm prints starring Rin Tin Tin, and a couple of Westerns featuring his marvelous pony, Fritz, and even a complete print of Rex, King of Wild Horses; occasionally the collector can find prints of 16mm sound features starring various cowboys and “their” horse and/or dog co-stars. But that’s about all, and even the currently popular “retrospective” programs of films of the past have yet to bring back any of the fondly remembered great animal stars.

Like every other kid who was around during the last years of the silents, I loved animal pictures.

I think you can see where Peeples is going. Similar feeling film fans can click to read the larger scans.

Images sent in by Jaynie of Here’s Looking Like You, Kid. Jaynie has shared more from this issue; see The Lovely Nazimova.

Elvis Presely Memorabilia & Signature Auction

The Heritige Elvis Memorabilia Signature Auction will be held August 14, 2012, in Memphis — with online bidding ending at 10:00 PM Central Time the night before. Some of the rare items included in this auction are:

A sealed copy of a first pressing of Elvis’ first album (RCA LPM-1254, 1956), which contains Blue Suede Shoes. The auction estimate is $3,000 “and up”.

If you prefer something more intimate, there’s Elvis Presley’s signature on a Humes High School library card from 1948. The card proves then 13-year old boy who would become The King checked out a copy of The Courageous Heart: A Life of Andrew Jackson For Young Readers. The card was discovered years later by a Humes High librarian while clearing some old books from inventory and is offered with the copy of the book along with a COA from Richard Consola. Estimated value is $4,000 — and up.

For your wall, a hand-painted concert poster promoting the December 10th, 1954, performance at the Eagles Nest nightclub (located on Highway 78, outside of Memphis) which was previously owned by Los Angeles KRTH-FM (101.1) disc jockey and Elvis aficionado, Brian Beirne. (The vintage concert poster is also signed by Scotty Moore and D.J. Fontana.) Auction estimate is at least $30,000.

There’s also a 1934 National Style “O” Model Resonator Guitar (Serial Number S5245) played and signed by Elvis Presely:

A 1950s Country & Western band from Harrisville, Rhode Island, named Uncle Jim and the Westones sometimes played gigs at county fairs in Tennessee, appearing on the same bill with a young upstart named Elvis Presley who occasionally sat in with them. After an occasion where Elvis played this very same resonator guitar, he signed it for its owner, Westones leader Jim Riley. The signature is between the slots on the headstock of this beautiful, original instrument. Presley apparently used a blue ballpoint pen and he pressed down hard enough to break though the varnish and leave a deep, permanent impression into the wood. Careful viewing shows much of the blue ink remaining.

Auction estimate on the guitar is $5,000 and up.

If you’re a movie Elvis fan, there’s an early Elvis Presley signed motion picture contract dated March 5, 1956:

Two pages, mimeographed copies of the original typed document, dated “March 5, 1956,” outlining the agreement Hal B. Wallis and Joseph H. Hazen of Paramount Studios made with the then 21 year old Presley as he was embarking on his film career; eleven ‘boiler plate’ points are listed, including salary [“First yearly period $15,000 / Second yearly period $25,000,” etc.], transportation [“You agree to furnish me with round-trip first class transportation to Hollywood and to allow me $50.00 a day expenses…”], and other like terms; signed on the second page in blue ballpoint ink “Elvis Presley” and in blue and black fountain pen ink by the two producers; this document was likely a file copy as it’s mimeographed, though all signatures are actual ink on paper. 11″ x 8.5″. COA from Rich Consola. Estimate: $8,000 – up.

If iconic American moments are your thing, how about the suit Sonny West, Elvis’ friend and personal bodyguard, wore during that historic meeting between Elvis and President Nixon in 1970? It may not be Elvis’, but it was literally darn close! The auction estimate is over $6,000.

Entertainment Memorabilia Auction

On June 24, 2012, Bonham’s will hold an Entertainment Memorabilia including Animation Art auction in Los Angeles, California. Among the items are original promotional paintings for films, movie star portraits, film scripts, and other items from silent and classic film history. Included are many items from the estate of Rock Hudson.

Some of the items up for bid came directly from Rock Hudson’s estate, which were left to one of his caretakers, Martin Flaherty, who runs Rock-Hudson-Estate-Collection.com.

Among the personal and professional items from the actor, there are many documents, including Rock Hudson’s birth certificate:

State of Illinois certificate of registration of birth for Roy Harold Scherer, Jr. born November 17, 1925 in Winnetka, county of Cook in the state of Illinois. The certificate was issued in 1926 and lists the surname of Hudson’s biological father who later abandoned the family during the Great Depression.

For me, the item that most catches my fancy is the red silk-lined, black wool opera cape with black velvet collar which was worn by Hudson in performances at his home theater.

If you are unable to attend the Bonham’s auction, you can register as an absentee bidder.

Items belonging to Flaherty which do not sell at auction will be placed for sale back on his website.

Nothing To Write Home About? Letters From WWII

In my post at Collectors Quest today, I share my disc-overy of WWII voice mail: audio letters sent during the war.

While I encourage you to read that history, I have two other items to share regarding that story.

First, in the January, 1946 issue of Audio Record (published by Audio Devices Inc., a manufacturer of blank discs used by the USO for the voice recordings), there was this cute story:

From a USO club in the South came the story of a man who made a special record for his family. His mother wrote back that when his pet dog heard the boy’s voice he sent up great bays of delight. So the soldier went back to the USO club ad made a whole recording just for his dog, Fido.

Since this is an industry publication, this heartwarming wartime story may be made up, simply propaganda — but it still works!

And that brings me to the very true fact stated by Letters on a Record Home, a documentary directed by John Kurash which focused on these Word War II recordings from the USO, Gem Blades, Pepsi and local radio stations:

At one point, over 25,000 letters on a record were sent home each month. Very few remain but what we have offers us insight into the lives of the soldiers and their families during the second world war. Most soldiers came back home to become part of the Greatest Generation. But not everyone comes home from war, not every soldier was able to keep their promise.

This short film is part of the GI Film Festival, and will be screened on Sunday, May 20, 2012.

This Week’s Antiques & Vintage Collectibles Link Round-Up

1904 donkey pulling fancy woman and belongings on cart — Collecting Stuff

Derek sheds light on a ghost ad for the Harold Lloyd film Grandma’s Boy which was unearthed in Vancouver, BC, Canada.

Our very own Pickin’ of Antiquips, aka Val Ubell, weighs in on the scale and shape of collectibles.

I cover the record number of record collections and obsessively research the history of the Jay Herbert fashion labels.

Cliff reviews The Story of Cigarette Cards (1987) by Martin Murray.

Image via Shorpy.

Prohibition In Film (A Little Help Needed)

I was drawn to this vintage 8 by 10 photograph for the old bar ware featured in it; I love the prohibition era. (And I highly recommend the PBS Prohibition documentary series by Ken Burns.)

But upon a closer look, I’m rather stumped by the actress and the film it’s promoting. The seller’s description simply says it’s “an antique original 1930s posed view of a Hollywood blonde ingenue with a high end cocktail set, typifying the allure that went with drinking during the era of Prohibition, and the fascination with the lives of the rich and famous during the Depression,” but the back has stamps and information from Culver Pictures, Inc., so I feel that both the actress and the film ought to be known… Any one with more vintage film knowledge care to assist?

Images from Grapefruit Moon Gallery.