Strips of wood from an old weathered lattice, twine, and clothespins are used to make this picture frame to display photographs.
Of course, this could be used to display a collection of postcards or other ephemera too. I would heartily advocate placing the photos or ephemera in protective plastic sleeves first.
A few months ago I was driving down I-94, on my way back into town after a work assignment, and I got a call from The Wifey. She had gone to the Fine Arts Club‘s semi-annual rummage sale, and wanted to know when I would be home. She wanted to make sure I’d be back in time to go to the sale before they close, because my expertise and obscure knowledge was required. Never one to back down from a challenge, I knew I had better be back in time.
I made it with plenty of time to spare, and we got to the sale a few minutes before they were about to close. When I arrived, the lovely ladies of the Fine Arts Club, who had already briefed on my talents by my wife, were excited to hear what I could tell them. I was shown this small metal canister:
Everyone was all abuzz about this fabled expert in strangeness, and I wasn’t one to disappoint. I picked up the little container, turned it around in my hands, slid the little door open and closed, and made my assessment.
“I believe it’s a container that held nibs for fountain pens,” I proclaimed. ” See, they eventually wore out — you wanted to keep them sharp — so you had to replace them regularly. You bought a bunch of them at once and these came in this little tin. Usually the tin got tossed out I’ll bet, but this one managed to survive somehow.”
This revelation brought about gasps of “AHA!” and compliments to my wife on the accuracy of her claims of my ability to identify the little box. It had been brought in by a member to be sold, and it had been placed on the antiques table. Many customers had attempted to identify the little canister, but none had reached such a satisfactory description.
Of course, now that I had properly identified the artifact, I was, by their standards, the best possible customer to purchase the tin as well. I could certainly have declined, but I also felt the same curiosity and intrigue that the tin brought everyone else, so I negotiated the price down to $10, and took my new mysterious prize home.
Now, I may have shown an unshakable certainty at the rummage sale, but I wasn’t entirely certain of my answer. Nib packaging is still the best answer I have, but the name of the product made me more interested in the actual origins of the tin.
According to the tin, this belongs to the Atlantic Cable Pen, manufactured by Cutter Tower and Co. of Boston. It was patented in October 1856, and it’s identified as a No. 29 E.F., whatever that might be. It doesn’t give enough information to say whether the pen or just the tin was what the patent was for, and being such an early patent I could find no relevant patent from October 1856 in the online patent records. Cutter Tower and Co was an office supply and stationery distributor, who sold all sorts of writing implements, paper products, and other office equipment, often rebranded as their own. Still, the Atlantic Cable Pen eluded discovery.
The key to the tin came when I connected the 1850s with the atlantic cable — the Trans-Atlantic Cable, that is. Through the 1850s and 1860s several attempts to run a communications cable across the bottom of the Atlantic Ocean were made, with final success arriving in 1867. As a communications revolution, a cable connecting Europe to North America was a big deal, and, well, if I were running a company whose products revolved around interpersonal communication, I’d try to capitalize on it, too.
So, the tin remains a mystery, but here’s what I think it is: With the coming of trans-Atlantic communications, Cutter-Tower Company decided to capitalize on the new technology by branding one of their pens as the “Atlantic Cable” Pen, evoking the future of communications. Just as “HD” is used inappropriately or 7-segment displays were added to analog equipment to call them “digital”, piggybacking your product on the buzzwords of cutting-edge technology is a tried-and-true road to success. Had the 1857 attempt to run a cable succeeded, Cutter-Tower might have had a big-seller on their hands, but it was ten years before a cable made it from one end to the other intact. I’d also guess that the patent is on the unique and charming container design, but was displayed prominently to encourage the idea that somehow the Atlantic Cable Pen was a new technology. In the end, it was an average pen, needing new tips, and the tin, and all it’s fancy design, was to sell a rather commonplace pen to the masses.
As a bonus, here’s what was inside:
This tin one belonged to Bessie Bayless, from Pennsylvania and Ohio. From the Atlantic telegraph lines, to Pennsylvania and Ohio, to the Fine Arts Club in Fargo, North Dakota, and finally into the hands of someone who obsesses over trivial mysteries, this tin is more than just a holder of nibs: it’s a world traveller and a mystery for the ages — and it’s mine.
Have you been collecting long enough and have decided you’re finally ready to make the move to television like everyone else? There’s two casting calls out right now looking for people with a taste for old things.
First is an unusual venue: VH1 wants people who collect pop culture, so you can finally justify to your mom that the 150 boxes of C3PO cereal in your closet are actually going to get you somewhere in life. They’re just looking for people within driving distance of New York, so you’re outta luck, Mama’s Family freak from Sioux Falls.
The other is from the History Channel, looking for “energetic trademen, collectors, and restorers” to appear as guests on American Restoration. They, too, say Las Vegas is the place to be, but they’ll put up with you if you’re willing to travel. By “guests” my guess is they’re looking for people to pose as clients, as other shows by Leftfield may not be completely truthful, but, hey, what do you care – you’ll be on TV!
I explore abandoned houses and such places. The rule is not to take anything (or leave anything, like garbage). I photograph the outside of old farm houses mainly, seldom entering them at all. In more than five years exploring the only thing I have ever taken was a green Pyrex bowl which I found out in the deep grass, full of rotting weeds. It took several bleach washings to get the smell out of the bowl. I kept the bowl and I have no desire to sell it. I kept it for the house, the history of the place.
My Mom and I go to auctions, flea markets and thrift stores. We also pick up stuff from the side of the road if it looks good. But, we don’t sell it. Most of it gets refurbished and then we give it to family members and friends who need it. We repurpose. The odd time something ends up being left at the bottom of our own driveway for another picker to pick it up and see what they do with it.
A few times I tried selling old things we don’t still use or have space to keep around. But, it was annoying to deal with people who wanted to shop, rather than buy.
When does collecting become hoarding? I think a lot of people forget the actual pleasure of having something you enjoy. Instead they just want the hunt, the finding of so-called collectibles and then they just want to own it. Not to enjoy it, but just to own it, like having the right number in their collection. They forget to actually enjoy having it. Someone could move all the items and they could never see them for years and it would make no real difference. They might even prefer to just collect it again rather an feel the loss of it.
I like to watch the shows about antiques, collecting, the storage locker buyers and even (less often) the hoarders. But, I don’t think I will take it on as a business. That would take the fun out of the picking up of junk and turning it into something of value. Plus, I don’t want to take on more stuff. There is only so much space available and only so much time I want to spend on dusting and maintaining stuff.
The above photo is upcycled jewellery from The Key of A.
Recently, a North Sydney (New South Wales, Australia) publication, Northside magazine, asked a “few locals” why they collect the things they do.
Academic and psychologist Mark McKinley, thinks that collectors are actually “supreme consumers”. While being called a “consumer”, supreme or otherwise, in the USA is often akin to an insult (even if my 2008 interview with economics professor Marina Bianchi ought to have cleared that up), I believe McKinley means it in a good way:
“While many persons see shopping as a chore; something to be endured, many collectors are just the opposite,” he says.
“Spending the weekend combing garage sales, antique stores and ‘marts’ provides an escape into another world that is both exciting and pleasurable – it gets the adrenalin flowing when a ‘find’ is made.”
That certainly resonates with me.
Another person, Sonia Sattout, who also sells antiques and vintage collectibles online, said, “Some collectors are quite normal, in that their lives have routines like work, home and so on, and they fit their collecting around those activities. Other collectors prioritise everything in their lives a distant second, after their passion or obsession for collecting whatever it is they collect.” Which is rather a nice way of saying that collectors are unique — but we’re not all hoarders.
Sattout also said she thinks there are four different types of collectors:
* the aesthetic collector, who responds to the way something looks
* the obsessive, who is always looking for something they haven’t got
* the canny investor
* most commonly, the nostalgic collector for whom what they collect is a powerful memory.
While there are probably as many reasons to collect as there are collectors, I think Sattout’s list is probably a pretty good start in terms of general categories them.
But maybe I’m a bit biased because she collects boxes as I do. *wink*
Why do you collect? And is there something you’d add or change about the four categories?
Pickers aren’t the only ones bold enough to invite themselves onto your property, into your homes; Jessica Saia was so charmed by the Painted Ladies (the Victorian houses around Alamo Square park you see in many shots of San Francisco, including TV’s Full House), that she sent letters to the folks living in them so she could get a look inside. One of them said, “Yes!” Here’s the story, complete with photos.
Elyse Luray of History Detectives fame will have her own show on the the Syfy channel. The new series is named Collection Intervention and according to the press release she’ll be helping couples at odds with their overwhelming collections:
Collection Intervention follows Elyse Luray, a sharp and to-the-point collectibles expert as she helps couples who are divided over what to do with an overwhelming collection of memorabilia. Whether it’s a husband’s collection of mint-condition G.I. JOE action figures worth thousands of dollars or a girlfriend’s treasure trove of Star Wars movie posters, Elyse helps couples decide what’s worth keeping and what they can sell. For each couple, their new cash windfall will make their dream come true, whether it’s an engagement ring, a down payment for a home, or the honeymoon they never had. Production company: High Noon Entertainment. Executive producers: Pam Healey, Elizabeth Grizzle Voorhees, Jim Berger.
I’m not sure how I feel about the sound of that… Sounds like another show comparing collectors to hoarders, mocking us… But I’ll have to watch a few episodes when it arrives this fall to be sure.
Syfy has also announced another collecting show to air in 2013. This one, entitled Toy Traveler, features Shane Turgeon and sounds similar to the Travel Channel’s Toy Hunters with Jordan Hembrough, owner of Hollywood Heroes Collectibles.
Shane Turgeon, the Indiana Jones of toy collectors, travels to remote corners of the world to find the rarest and most valuable toys and collectibles. Whether it’s in an old toy warehouse in a remote Guatemalan town or a small swap meet in the Ukraine, Shane will go to all lengths to find the most unique and collectible toys. Production company: Jarrett Creative Group. Executive producers: Seth Jarrett, Julie Insogna Jarrett.
Related Syfy Channel shows: Hollywood Treasure and Haunted Collector.
Image Credits: Elyse Luray with Coca-Cola collector Allan Petretti on a 2006 episode of PBS’ History Detectives.
Also part of the Americana Signature Auction, is an antique photographic case containing a lock of Abraham Lincoln’s hair opposite an albumen portrait of the president.
Upon Lincoln’s death, apparently a number of locks of the President’s hair were removed as mourning keepsakes. This lock of Lincoln’s hair is approximate 3″ long and ranges in width from 1/2 to 1/8 inches. A small black bow has been added and the spine of the embossed leather case has been repaired with black tape. There’s “impressive” provenance for this historical auction offering as well. Heritage Auction’s estimate is $8,000 – $12,000.
The Americana Signature Auction will be held on May 12, 2012, in Dallas; absentee bidding ends May 11, 2012 at 10:00 PM CT.
Spending time with my collectibles is a huge part of why I collect — and I don’t mean the dusting! In fact, one of the reasons I blog is because I love the time to spend examining and researching each object. I truly believe this is a huge part of the value of collecting as a hobby.
Two recent news stories reminded me of this fact.
The first is a matter of maps and historical mysteries… The British Museum’s recent re-examination of a 16th-century coastal map of the Tidewater coast of North Carolina has revealed hidden markings that may show what happened to the so-called American Lost Colony. While this colony was the second English settlement on the North Carolina coast, it was the first settlement to include civilians, including the legendary Virginia Dare, the granddaughter of the colony’s governor, John White. Virginia was born within weeks of their arrival to the settlement in 1587 — making Virginia Dare the first child of English descent born in the Americas.
Now, I’m not saying that all map collectors have a map of this magnitude; but even that vintage shell oil map may lead to a discovery, a road not taken, a connection you’ve not made before. Who knows what mysteries you might solve — or even find?
Speaking of connections, this next news story discusses how genealogy may help provide evidence that proves humans are continuing to evolve. Your family tree alone may not seem like much, but when combined with others, it provides scientific information:
“Studying evolution requires large sample sizes with individual-based data covering the entire lifespan of each born person,” said Dr Lummaa. “We need unbiased datasets that report the life events for everyone born. Because natural and sexual selection acts differently on different classes of individuals and across the life cycle, we needed to study selection with respect to these characteristics in order to understand how our species evolves.”
Doesn’t that all just inspire you to go antiquing, to organize those family records? It certainly makes me want to raise that bidding paddle!
Heritage’s Americana Signature Auction contains over 700 American history and political artifacts, among them a rare political pinback from the 1908 Taft & Sherman political campaign.
Called a jugate for the two side-by-side portraits of William Howard Taft and his running mate James Sherman, and called “Elephant Ears” for the portrait placement, this 1 and 1/4 inch in diameter celluloid pinback packs a visual-punch with its bright red and vivid yellow graphics.
The Taft & Sherman “Elephant Ears” Jugate, is among the most valuable of all the 1908 Taft-Sherman pins — not only due to age but a low production run. With it’s original Whitehead and Hoag back paper, this jugate has an auction estimate of $6,000 – $7,000.
The Americana Signature Auction will be held on May 12, 2012, in Dallas; absentee bidding ends May 11, 2012 at 10:00 PM CT.
My folks, Antiquips, recently listed this antique photograph of two ladies with their backs to the camera.
Aside from just being an odd pose (especially when photography was more of an event than it is today), and so a way to define or refine your photograph collection, does anyone know if the pose has any other significance?
See more antique photos with people posing with their backs to the camera here.
I just love this story of a college student who de-stresses from her college exams by going to antique stores.
I saw a young girl with long, brown hair sitting in a corner with a small teddy bear she had found in the store.
I saw myself in that little girl.
My father collected antiques and collectibles and would always bring my mother and I along on his trips to various antique stores.
For most of my childhood and some of my young adult life, I would spend more time than I would have liked sitting in the corner of big barns on the East Coast filled with antiques.
As a young girl, I couldn’t stand antique stores. Whenever my parents would wake me up to tell me we were going “antiquing,” I would beg them to let me stay at home.
It’s funny how something that I couldn’t stand growing up could now be such a comfort to me.
However aimlessly her shopping trip began, it struck just the right sense of comfort to calm her down enough for her studies. And how much better for her health than indulging in comfort food. *wink*
Here’s a photo of Margaret Baum, the college student, and Spartan Daily features editor, herself.
Most collectors are aware that they are curating their collections — or at least they should be! But now, there’s online curation, or more specifically, online content curation.
Unlike blogging or writing on the web (called “content creation”), content curation is the process of sorting through the created content on the web and presenting it to others. In the most simple terms, it’s rather like being the editor of your own magazine, picking the stories, images, and information you’d like to keep and/or share with others (unless you want to keep it private). Almost all curation sites include standard social networking features (being able to follow members and/or subscribe to curated collections) as well as allow you to connect and even sign-up easily via Facebook and Twitter.
While a lot of attention has been made of using digital curation for businesses and bloggers, collectors of antiques and vintage items will enjoy this as well. It’s a great way to organize information on what you collect, save links to resources, show off what you and your collecting friends have posted of your collections online, do some window shopping… Maybe drop a few hints… *wink*
Here are my favorite three sites for content curation for collectors of antiques & vintage collectibles:
The most well-known content curation site is Pinterest. While Pinterest is not the first of these content curation sites (far from it!), it has managed to capture a lot of media attention and an incredibly high number of users.
Pinterest is primarily image based, which works well for showing off pretty things, such as collectibles and DIY project ideas, but it isn’t necessarily suited well for articles and “how to”s. In fact, many Pinterest members go out of their way not to properly credit what’s shared, like Tumblr folks. This can be quite annoying for both those who have created content as well as those who want the information behind the photograph. Also, such little text also makes searching a bit more difficult.
However, Pinterest is rather easy to use, and allows for a rather unlimited number of collections or “pin boards” and probably has people you know there, making interacting easy. The site currently has you join a wait list rather than begin immediately. Typically, you only wait a day or two, even less if a friend invites you; but it does put a damper on one’s enthusiasm.
If your intent is to drive traffic to your own website, Pinterest leaves a bit to be desired as most people there for the pretty pictures — and once they’ve seen them on Pinterest, they aren’t as inclined to find out more. Pinterest does not show you any statistics on how many people have seen your pins or pinboards.
(This is me at Pinterest.)
Scoop.It has a great name which invokes what you are doing: You “scoop” content off the Internet and create pages which resemble little newspapers or magazines.
Since Scoop.It is focused on articles, you get to include far more text with your “scoop,” yet not give away the whole article, which just makes for better Internet friends. You also can add an image to your “scoop”, which is a nice visual when the article you are using doesn’t have one. And Scoop.It also has a suggestion option which allows you to suggest a link for another member to scoop onto their own topic. If your suggestion is used, you get a little link crediting you. This is a nice community feature that allows you to connect with other members and participate in topics past your own.
At the free level, you may have up to five collections, called “Topics.” Because you only have five free collections, you should think ahead of time and decide just what collections you want to focus on curating. If you collect a lot things, or do a lot of research, you probably want to go make each topic a bit broader, rather than being too specific on each one. Or you can pay to upgrade your service, which includes not only a larger number of topics but the option to use your own domain name. Unlike many other content curation sites, Scoop.It does not have a main page on which you can just watch the action of what other members are doing, so you’ll have to rely on the site’s search function to see what other topics you’ll want to subscribe to. And Scoop.It does not allow for you to have private topics.
Scoop.It is designed to push folks out to the original content sources, so even though finding topics and scoops is a bit more difficult, there is some traffic to be found here. Scoop.It‘s stats take some getting used to; paid members apparently get more information on stats and analytics than free users.
(This is me at Scoop.It.)
Now we get to my favorite content curation site: Snip.It. Like it sounds, you curate by “snipping” content from the web, making your own digital scrapbooks out of the articles and images others have produced — while giving the creators proper credit and encouraging folks to go visit the content creators website, blog, gallery, etc.
Why is Snip.It my favorite? Because it primarily focuses on article curation in ways that suit me best. Along with being able to have a rather unlimited number of collections (including private ones for research I don’t want to share yet), Snip.It highlights or features great collections on the site, making it easier to find collections to subscribe to and collectors to follow.
On the main page, the most recent “snips” from featured collections are shown, with the most recent at the top. And there are also specific categories (such as “Arts & Culture” and “History”) which contain featured collections, also with the most recent “snips” at the top. Since featured collections are selected by the folks working for Snip.It, real people are differentiating good curation from spammers who join and just want to promote junk. Because of this way of showcasing good snipped content and good snippers, I’ve been able to find a number of great resources for reading, researching — and maybe even collecting, who knows? *wink*
This is the site I’ve also had the most conversations with other members, via comments. I like that.
Snip.It is created with readers and snippers in mind, and drives people to the curated content. Even though I’ve been participating in Snip.It the least amount of time, I’ve seen the most about of traffic to my sites from it. Snip.It does offer stats on how often your collections are viewed; additional, more in depth, stats will be available soon.
(This is me at Snip.It.)
Whichever online curation site you choose, I’m sure you’ll quickly find yourself enjoying it — just don’t spend so much time online that you forget to go to garage sales, flea markets and auctions! *wink*
Have you found any good content curation sites? Please do share in the comments!
Bookmark collectors may wish to take note of this list of bookmark collectors who are interested in trading bookmarks — worldwide!
Send an email to mail@miragebookmark.ch to register in the lists below…
To register, we need your full address, your email address and a personal message from you.
Due to security reasons, we’ll publish only the town and country of your residence.
Currently they have 183 collectors from 36 different countries on the list.
Note that you can also look for collectors to trade with by country too.
To see the latest additions to the exchange list, just scroll down past the offer to purchase 50 bookmarks.
Image from The Art of Bookmark Exhibition.
Last month The Milhous Collection went up for auction, with the two days of bidding on the 550 lots coming in just shy of the auction estimate of $40 million, reaching $38.3 million in sales.
The huge custom-build merry-go-round, considered the collection’s center piece, reached the estimated price range of old $1,000,000 – $1,500,000, selling for nearly $1.3 million. I think at that price, the piece deserves to be called a carousel.
While The Milhous Collection was most noted for its world-class vintage and antique instruments — ornately decorated orchestrions, theatre organs, and other mechanical musical instruments, the bids for these pieces came in lower than anticipated. Sadly, of the eight automated musical instruments with estimates of $1 million (or more), only three obtained bids of seven figures.
Lest you think the economics of space was on the minds of bidders, you should note that most of the 30 automobiles in the collection sold at or above their auction estimates. Among the high-horsepower Brass era cars, Indianapolis racing cars, and coachbuilt classics, it was the 1912 Oldsmobile Limited which fetched the highest price; as the only known surviving car of the model, it more than doubled its estimate, selling for $3.3 million.
Perhaps there’s always room for another classic car in the heated garage, but antique mechanical music pieces? Not-so-much.
Images via RM Auctions.
The Wall Street Journal reports on the “attractive proposition” vintage watches hold for investors, especially when compared to other alternative investments.
Wine, for example, needs special care and can spoil. To enjoy it, it must be consumed. Vintage cars need space and maintenance. Real estate fluctuates too wildly. But watches? They take up no space, and servicing—while subject to long waiting times—is less of a problem than, say, restoring a 1930s Delage motor car. In the U.K., investing in antique clocks has been cited as a good way to avoid paying capital-gains tax. Because clocks are deemed a “wasting asset,” they are not taxed on their capital appreciation. But best of all, watch values have been on an upward trajectory for the past 25 years.
Perhaps this is what’s behind the resurgence in independent artisan watchmakers?
However, fine antique watches remained threatened by the high prices for gold, as antique pocket watches and wristwatches continue to be melted down for their weight and value in gold. Those are the grim realities of our times.
The Grimm reality of old timepieces, however, is all about Eddie Monroe. On NBC’s Friday night TV series, Grimm, Silas Weir Mitchell plays Monroe, a Blutbad — a human who can transform into a wolf. He keeps his wolfish nature hidden (and at bay) with his rather nerdy exterior — not just the usual “bookish” sort, Monroe plays chello, performs clock and watch repair, and collects so many antique and vintage things that I often find myself searching the frames of the show to look at all his cool stuff. The home (set?) was even featured in Oregon Home, so I must not be alone in my fascination.
On shows like Oddities there’s much talk about cabinets of curiosities, but you needn’t have a fancy cabinet — or anything morbid, or even Victorian, to display in it — to arouse curiosity. In fact, I consider my entire home a display and I thrill when anyone stops and looks in wonder. It’s like a large, living, scrapbook. My home may not be at the level of Anthony Pisano’s, but whenever friends and family, like my young niece, take the time to look at what I’ve got on my shelves, I’m ecstatic that my objects start the conversations, the stories, the wonder…
Photo Credits: In Awe by Gracie Clark.
PS You really should see Anthony Pisano’s collection and home!
Derek sheds light on a ghost ad for the Harold Lloyd film Grandma’s Boy which was unearthed in Vancouver, BC, Canada.
Our very own Pickin’ of Antiquips, aka Val Ubell, weighs in on the scale and shape of collectibles.
I cover the record number of record collections and obsessively research the history of the Jay Herbert fashion labels.
Cliff reviews The Story of Cigarette Cards (1987) by Martin Murray.
Image via Shorpy.
Frank Fritz of American Pickers calls it “the bundle” when he groups multiple items into a single sale to negotiate for a lower price. I think as collectors we’ve all done that… You spy a few records you want in the box and decide to make an offer on the whole box so you can flip through all the vintage vinyl more comfortably at home. In fact, there are a number of regular picking places hubby and I buy in volume to get a better deal over all and I swear that on more than one occasion we’ve paid less for a van-load of stuff than we would have paid for just one of the larger items.
Of course, there were times we’ve blown our budget on such “deals” too because we miscalculated just what was all in that box…
But Grinin’ — one half of Inherited Values own Antiquips who is otherwise known as The Dean — has tips for you on how to measure up your own deals going by the inch!
Read it and the next time you are faced with a box of records or comic books, a stack of View Master Reels, postcards or other ephemera, you’ll make a wiser decision — leaving you richer for the read.
Fifty years ago last week, John Glenn orbited the Earth three times and splashed down five hours later…which was the signal for the US Post Office to release their commemorative stamp. When the stamp was announced, Will Black got his mom to drive to the post office to get some of his own, and that got him in the newspaper:
Fifty years later, Mr Black still has those stamps…well, four of the block of six he originally got. He parted ways with two of the stamps over the years, but the newspaper shows the proof of his original purchase.
Whether you’re a member of the Hollywood elite with a book addiction or a less notable bibliophile, you’ve probably desired to see the insides of a book up for auction but haven’t had the time or money to fly to the auction location to inspect it. While many auction houses have made it easier for you to bid long distance, with online and phone bidding, getting a good look at the goods (or bads) remains a problem.
This is especially true of books. But Joe Fay, Manager of Rare Books at Heritage Auctions, explains how the auction house is addressing the issue for book collectors:
Books are especially difficult to fully represent with photography, or to completely describe to someone else in words. A 300-page book has about 320 surface areas to show, counting the covers, all sides of the book, any preliminary pages, and so on. So, here in the rare books department, whenever we can, we take advantage of Heritage Auctions’ continued commitment to employ technology to make the auction process easier, faster, and more transparent, and to deliver to bidders as much information as possible in order to help them make an informed decision about a lot. One particular way we do this is through the use of Video Lot Descriptions (VLDs) for premium lots in our auctions.
A Video Lot Description is a two to four minute video presentation of an auction lot, produced entirely by Heritage Auctions, and hosted on a given item’s webpage once online bidding opens.
