Dressing Up The Past: Antique Candy Boxes

Roughly 19 months ago, this vintage papier-mache chocolate gift box was found in the carefully-preserved collection of Swiss chocolatier Frederick Belmont, who founded Bettys Café Tea Rooms in Harrogate in 1919.

Dating to the 1920’s, the figural paper candy box has a little vamp posing in her silk lingerie lounging atop a white bearskin rug.

Sarah Wells looks after the Bettys archives/Frederick Belmont collection, which dates to 1919. In an interview with the Ilkley Gazette, Wells said:

It is part of a selection of bits and pieces kept by Mr Belmont. He kept a scrapbook of adverts and lots of other things from the 1920s and 1930s.

Wells says the company is lucky to be able to draw on inspiration from the collection of original items kept all these years. In the recent past, the chocolate company has used illustrations from the collection on its new tins, such as this Lady Betty tin.

When staff at Betty’s unearthed this vintage papier-mache chocolate gift box with the lovely lady, they were charmed — and a bit shocked!

We hear our founder had an eye for the ladies but even so, our mystery model was leaving very little to the imagination… The sensuous slant of her garment suggests that a fine chocolate or two was simply a prelude to a passionate encounter.

In this article in the Yorkshire Post, Miss Wells had this to say about the risqué candy box:

I am surprised at how daring the original chocolate box is for its time as there is quite a lot of flesh on display. I know there were flappers and jazz bands, but it is still not far from the Victorian period. The fact that it is still a bit risqué even nowadays, shows it must have caused quite a stir.

Yet the charms of the lady were too plentiful to ignore — not only in terms of a new tin, but the chocolates themselves. The Telegraph reports:

Following the discovery of the box, chocolatiers have spent the past 18 months painstakingly recreating and modernising Mr Belmont’s original recipes.

Bettys executive chocolatier Claire Gallagher, who helped develop the new range, said: “The original box was absolutely beautiful.

“Obviously it had to be slightly changed but it is wonderfully nostalgic and helped inspire the chocolates in it.

So, on the new tin, the model has been modified:

The pretty brunette has had buttons added to her clothes, her hair smoothed down and a suggestively arched eyebrow has been lowered to make the box more appropriate to the tea room’s wholesome image.

She still remains lovely…

Though I prefer the antique “risqué” version. But I am American, after all, and our standards are a bit different. *wink*

If you have any information about the model who posed for this vintage box, or the “Betty” for whom the chocolate company was named, please contact Sarah Wells: sarah.wells@bettysandtaylors.co.uk

Image Credits:

Woman with papier-mache 1920’s vintage gift box via Yorkshire Post.

Lady Betty tin via Bettys Café Tea Rooms.

Vintage paper box with new tin photo by Glen Minikin RossParry.co.uk, via The Telegraph.

Auction Hunters On Spike

Spike TV enters the antiques and collectibles television programing fray with Auction Hunters.

Similar to Storage Wars, this show’s action is focused on the bidding, buying and selling of the content of storage units; unlike Storage Wars, the show has a much stronger focus on antiques and collectibles, and only follows two men.

The two men are Clinton “Ton” Jones and Allen Haff, partners in their quest to win auctions.

The fact that these men are partners gives the show a camaraderie — more like the ribbing on American Pickers than the very macho male competition on Storage Wars.

Auction Hunters is also much more frank about educating you, the viewer, on how to evaluate storage units. There are tips on what to bring, how to spot a “good locker,” and they even show you more of the work and expense involved in restoring things before they’re flipped for profit.

The first season’s nearly over for this TV series; the season finale is scheduled for Tuesday, December 21, at 10/9 PM. Initially, I had a very difficult time finding the show on at a time I was able to watch; but when one episode is on, there’s usually a block or marathon of them, so you can likely find some time to watch a few episodes back to back. And I highly recommend that you do.

Putting a Price on Priceless

Anyone who has watched even a little television in the last decade will know the popularity of shows where experts help ‘average people’ look through their possessions in the hope of finding something surprisingly valuable. Except, it shouldn’t really be a surprise because nearly everyone, or so you would be forgiven for thinking, has something worth thousands of pounds sitting around in their house.

Whilst this is perhaps not strictly speaking true, most of us do own items of some considerable value, though whether they’d make their way onto an antiques programme is another matter. Even things we may not consider to be all that valuable can be worth a lot of money, so it’s important to keep their protection in mind.

Home insurance is the first line of defence. Home insurance is a blanket term covering two separate types of insurance: buildings insurance (which covers the fabric of your house) and contents insurance (which covers anything which you would take with you if you were to move). Whilst both forms of insurance are extremely important (and they’re often sold together) it is contents insurance that is really vital when it comes to things like antiques.

The trick with contents insurance is to remember that you are looking for value rather than price. The cheapest deal is not going to be the best one if it doesn’t provide the level of coverage that you are looking for.

But what is the right level? All the advice says the right amount of coverage is the sum you would have to pay if you had to buy everything you own again. Except, sometimes you can’t buy things again, because they are unique and antique, or because they have sentimental value.

Unfortunately, sentimental value doesn’t mean too much to insurers, but the unique and the antique does. Make sure you get an independent valuation and, if something is worth a particularly large amount, get it insured separately, you’ll have to pay a touch more for the privilege but you will guarantee that you’re fully covered for everything.

Another tip is to always keep a comprehensive list of everything particularly valuable that you own, along with (if possible) up to date images of each object to vouch for the condition of the objects. This will make it much easier if you ever have to make an insurance claim.

Finally, don’t be put off by all the competition in the market. Finding an insurance policy can be daunting, so use the competition to your advantage and strike a hard bargain, that’s the best way of getting a good deal. Check out comparison websites, specialist insurers, and even for antiques it’s worth taking a look at the odd mainstream insurer like Legal & General (who offer a wide range of home insurance policies), you may be pleasantly surprised.

Image Credits: Maid Cleaning the Silver Ware Photographic Print by Nina Leen; via AllPosters.com.

Dating Old Newspaper Clippings (And Some Telephone Number History)

As an ephemera collector, I find lots of old clippings inside my vintage magazines, retro catalogs, and even in my antique books. While the acidic old paper may be a threat to already fragile old paper, I am delighted by what I find. It’s somehow comforting to know that we humans have always clipped and tucked away little bits and bobs in publications, either to save them as related materials or as a bookmark in a pinch.

The trouble is trying to discover the age of the clipping itself, because, then as now, we humans don’t exactly tuck only ephemera from the same year as the publication itself.

Now for some, the year of the clipping is irrelevant; but I am an admitted obsessive, remember? So it matters to me.

When I found these old bits of paper in a recently purchased vintage copy of Watkins Household Hints, I wanted to post them to my vintage home ec site, Things Your Grandmother Knew — but I wanted to properly document them as accurately as possible. While the date on the old handwritten partial tip on whitening clothes would be nearly impossible to know, I felt compelled to do better with the newspaper clippings.

Neither vintage newspaper clipping has any masthead or anything to indicate the newspaper name or location, but I figured I could at least get a date or time period for them.

The first one, the larger one with the list of household tips, was easy. There was the complete short story of the resignation of Marvin L. McLain. No, I’m no expert on US assistant secretaries of agriculture; but Google helped nail that date to October 27, 1960. (Give or take a day, I suppose.)

The other clipping however…

The only clue I had to help me with this clipped and saved tip on brightening furniture was the ad on the back. An advertisement with an unusual phone number.

Now I’m familiar with telephone numbers with letters in them; prior to 1958, phone numbers used exchange name dialing or letter prefixes. (And, in fact, it wasn’t until sometime in the mid-1980s that exchange name dialing gave way to all-number calling or ANC.) However, the phone number in this ad, “1597-J,” doesn’t have a letter prefix, it has a letter suffix.

This I was not familiar with.

I knew it was a phone number, not some blind box number; the ad reads “Phone 1597-J.” Was it possible this was just a more fashionable way to write a phone number? It certainly wasn’t a pragmatic or effective way because the exchange would need to be dialed or given to the phone operator first. It just didn’t seem to make sense.

I tried to do some online research, but I didn’t find much to help me. I knew I was putting the wrong words or terms into search engines and data bases. Knowing I was at a wall, I decided to look up the “J” and see where it might least me…

According to the The Telephone EXchange searchable database, the letter — if a telephone exchange, belonged to San Diego. So I contacted the San Diego History Center. While I waited for a response, I also contacted the Library Of Congress, telephone book collector Gwillim Law , and Ammon Shea, author of The Phone Book: The Curious History of the Book That Everyone Uses But No One Reads.

Not content to just sit back and wait for returned calls and emails, I turned to the only other clue I had: the name of the person can business mentioned in the old ad: Arnold Kholmetz, Auctioneer and Realtor. That turned up some old articles in the Milwaukee Journal – Sentinel Archives. This made sense because the first clipping seemed to be from a Wisconsin newspaper and the old household tips book itself was purchased in that state.

So, naturally, I then did what any true obsessive does and called the Journal Sentinel to speak to their archivist. Sadly, Mr. King hadn’t any idea himself regarding the phone number, but he suggested a few other places to try.

The first was AT&T, which does have a telephone history page, has no means of connecting you to anyone but customer service. (I’m not sure you’d call it “irony”: it was simply pure frustration to have their operator inform you that they outside of customer service they only have a list of names and extensions, no departments, etc.) I did manage to get to the voice mail of “Investor Relations” but no one has returned my call and I don’t expect anyone ever will. Note to collectors and historians: Don’t bother contacting AT&T; not by phone anyway.

The second place Mr. King suggested was the Milwaukee Public Library; they couldn’t help me, but stated I was welcome to come in and look through all their old phone books to see if I could find the research I needed.

Well, I wasn’t going to do that — at least not right now; but I wasn’t going to give up either. Like a dog with a bone, and fueled with the rationalization of helping other collectors by writing a great “how to” article, I wasn’t ready to give up. I could call the Watertown Public Library (because that’s where those old Journal Sentinel archive clippings said Mr. Kohlmetz was from) or I could try to research the partial radio show listings showing there at left of the clipping…

But then Jane Kenealy, Archivist at the San Diego History Center, called me back.

I explained to her that I no longer believed I had an old San Diego phone number, but did she have any idea what the “J” could be at the end of a phone number?

She said she didn’t know, but went to get the 1931 San Diego City Directory — the first city directory which listed phone numbers. I listened to her as she read numbers that ended in “J” and a few other letters, but it was clear, she said, that these letters were suffixes; that they were not exchanges because each page or section of the listings began with the exchange, then listed the phone numbers. We were both puzzled…

“All the phone numbers which end in letters end in either a ‘J,’ ‘M,’ ‘R,’ or ‘W’… But no place in the book is there an explanation…” said Kenealy with the excitement of a researcher enjoying her clues. “Let me go look for another book and I’ll call you back.”

Somewhere in the back of my brain those four letters meant something; I just couldn’t access it. Not yet. So I searched for “telephone J M R W” and found this:

A Restored Notchless Dial Plate with the letters J M R W in red, which are explained at that site as follows:

J M R W were suffixes used on the station numbers on certain manual (non-dial) common battery exchanges that had 10000 line switchboards with 4 subscribers on each line. In metropolitan areas where there was a mixture of dial and manual telephones because the transformation from manual to dial service was in progress and still had not been completed, the DIAL phones were provided with dials with these letters so they could call the MANUAL subscribers who did not yet have dial telephones. The conversion from manual to dial often extended over several years. Washington, DC for example started this conversion with its first dial exchange which was cut into service on May 3, 1930. But this conversion did not complete until the last manual exchange was converted to automatic dial operation on April 23, 1949 – some 19 years later. Chicago started its conversion in the early 20s, but it did not complete until 1957.

Upon seeing that vintage telephone dial plate, and this Western Electric Candlestick Telephone, I not only remembered the old party lines but knew that I just should have picked up my modern cell phone and called my parents about this old phone number; they likely would have known all of this and saved me a lot of work.

And then my cell phone rang and Ms. Kenealy was excitedly telling me that the “J” was referencing a party line. She had found this bit of telephone number history:

line numbers could be one to four digits long; multi-party lines had a letter tacked onto each station on parties sharing the line. All parties on the same line shared the same numericals however. 2-party lines differentiated each other with W & J 4-party lines used J, M, R, W

I felt embarrassed that I’d sent her on such a long wild goose chase, but Ms. Kenealy was more than kind — she was excited. “Thank you for helping me find out something I didn’t know! I’ve never had the excuse to look this up,” she said. And then we ended up talking a bit about how this party line information hadn’t been published in any of the directories or phone books because people then “just knew what it was.” Which, leads to a larger issue of why history and indeed collecting with an obsessive streak are so important — including our documentation of it all these years later.

And that brings us back to the date of this old newspaper clipping…

I did contact the Watertown Public Library, but they had no records regarding the end of party lines. But for me, this is where the research ends.

I’m satisfied at this point narrowing it down to somewhere between the 1930s and the early 1950s… Likely the mid 40’s, based on all the little clues, such as dates on the newspaper clippings (and ads without such patyline references), the fact that the clipping mentions using silk (and after WWII, nylon was more in vogue and use than silk).

It’s not pinpoint accuracy, but I think I’ve accomplished helping other collectors learn how to date the clippings they have, assisted in documenting a part of history — and been reminded that one’s own parents are still an excellent resource, no matter what kind of help you need.

Vintage Watches Of The Future

For you watch collectors out there, another scan from that 1954 issue of People Today:

What Time Is It?

Revolutionary Watches of the Future Indicate It’s Later Than You Think

Watch at left shows time, date — and radioactivity level. Elgin watches (l. below) are experiments in plastic. “Capsule watch (r.) switches from finger to pin, pendant or bracelet. Another not-yet-purchasable marvel at Manhattan jewelry show: watch to tell time every 5 seconds — thanks to a tiny built-in FM radio gives weather report too.

While I want to giggle at the old-fashioned notion of a wrist watch to alert you to the dangers or radiation levels, such things are back in fashion again — like this cell phone app which alerts you to the radiation levels from cell phones. Ironic? Hey, some old watches emit radiation too.

And how annoying would anything that talks every five minutes be?

Anyone have any of these now-vintage wrist watches?

A Tip On Dating Your Vintage Television Set

In the September 22, 1954 issue of People Today magazine (which has some additionally fascinating television history), a clue for those who collect vintage TV sets. According to this snippet from the vintage magazine’s “The Goldmine”,” this bit of news on TV set changes:

Many manufacturers are locating control knobs at the top or high on the side of new models. They found that viewers don’t like bending over to reach low-level knobs.

This may not only help you date your vintage television set, but is also proof of the laziness of Americans — and the need for the ultimate invention of the remote control. *wink*

Are You Ready For New Episodes Of American Pickers?

Mike Wolfe and Frank Fritz are once again searching the back roads, junkyards, and filled-to-the-brim barns in America for “rusty gold” with all new episodes of American Pickers, the #1 new cable series of 2010.

I also confess loving the White Stripes in the latest TV American Pickers commercial; the song is Rag & Bone.

The new episodes of the show begin Monday, December 6, at 9pm ET on History.

Anyone else looking forward to this as much as I am?

PS American Pickers DVDs are also available, if you’re still looking for holiday gift ideas.

Storage Wars

A&E enters, sort of, the growing number of collecting shows with Storage Wars.

Billed as “the new original real-life series” (apparently so as not to be confused with “reality shows”), the show follows four professionals who attend auctions to bid on and buy the contents of repossessed storage units auctioned off by Dan and Laura Dotson.

In some ways, it’s not fair to call it a television show for collectors. The four main cast members lead their teams to buy, and then later sell, the contents of storage units; the buyers are simply there for the profits, whether the storage unit contains antiques and collectibles or not. But, like many of the other shows I’ve been reviewing here at Inherited Values, there’s something for many collectors to identify with. …And that thing is the addictive gambling part of it all.

Darrell Sheets, “The Gambler,” talks about this, naturally enough. He talks about the The Wow Factor. The big scores. Like the four Picassos and the world’s most lucrative comic book collection that he’s scored through storage auctions. And how those finds keep him coming back for more.

Even if you’re a collector who’s not planning on selling, you have to admit you know the thrills of finding something in a stack of what others might call nothing. And how you’re rather addicted to it too.

Only on Storage Wars, it’s not only finding an antique needle in a haystack of used stuff — it’s far more of an intense rush.

In these storage units here are some collectibles (modern space-age furniture, baseball cards, German Micro-cars), but really, no body knows what they will find… Used clothes (awesome when they were the personal property of Suge Knight; not so much when it’s the average non-storage-unit-rent-paying Joe), restaurant equipment, knock-off jewelry — endless, really. And, again, no one knows what they’ll all get.

Because there’s something unique to this sort of auction: there’s no preview time.

Buyers are limited to only looking through the doorway of the storage locker to spot and guess at the contents. They may not open any boxes until/unless they have won the auction. But once the auction ends, another is about to start, so the winner doesn’t waste time looking at what he’s won; he puts his own lock on the unit and moves onto the next storage unit up for auction. He takes another gamble.

This limited ability to see inside, amazingly, prompts Barry Weiss, “The Collector,” to show up at the next auction with stilts (to see what may be hiding in the back of the storage locker), night-vision goggles (to see in the darkness), and his “secret weapon,” a little person named Jay, to assist with spotting.

I don’t know whether to applaud or cringe at the levels lengths Weiss will go to.

This not-knowing alone amps up the auction adrenaline of the show. And then Storage Wars builds on it. Unlike other shows which start with the objects and reveal the price, on Storage Wars the action starts with the nearly blind auction action, moves towards the reveal of the items themselves, then their values — including the obligatory meetings with experts to help appraise (and I think we can assume those experts might handle some of the resale transactions too).

Somewhat misleading is the evaluation of the episode’s Winner. The price of the unit is compared to the resale value of the items inside (or at least the biggest ticket items). However, some of the teams clearly have a much higher over-head; more trucks, more employees, etc. So without an accounting of actual profits, I don’t know how far that final evaluation is.

Dave Hester, “The Mogul,” has the largest overhead. He also has the deepest pockets — but that doesn’t make him magic. He, like everyone else, is still at the mercy of what he sees, what he knows, and what he can sell for profit. We witness him get burned on an organ; but he redeems himself with profits on the rest of the unit’s contents.

The guys may not always seem so likable; they are profiting off of the repossessed belongings of others and they are often impatient, if not rude, even when they are dealing with experts who are not their competition. But this isn’t a Miss Congeniality competition; this is business. Something that’s made quite explicit when we meet Jarrod Schulz, “The Young Gun.”

Schulz isn’t only the buyer with the least experience; he’s the more intuitive and/or impulsive buyer. He says he needs to find a storage unit “that feels good to me.” So far, he hasn’t won a lot “storage wars,” something that worries Brandi, his wife and co-owner of his shop, the Now & Then Second Hand Store. Even if he doesn’t win the “wars,” he’s supposed to be out finding inventory to turn for a profit at the shop; but, well, sometimes what he buys are flops.

This prompts Brandi to join her husband at an auction where she sees first-hand his spontaneous and even sentimental bidding. Most of the other buyers eschew this particular unit because it’s just a bunch of boxes, but “The Young Gun” has to bid. “I see mystyery in there; I’ve got to see what’s in the rest of the unit.” He places the winning bid, much to the chagrin of Brandi. Did I say chagrin? She’s actually furious.

And she’s right; the highlight of this storage unit is a fake designer watch.

I don’t mention this to pick on Jarrod — or even to defend Brandi from those, like A&E, who call her “hard-nosed, sharp-tongued.” (Why is the wife always to blame?) I mention this because he, Brandi, and the rest of the cast are characters. Not only characters on Storage Wars, but the kind of folks you’ll find at any auction or flea market. Or family dinner, for that matter. *wink*

Storage Wars can be seen Wednesdays, 10/9C, on A&E.

Mortuary Blood Jars and Other Collectibles To Die For.

Pick & Grin from Antiquips brings you bizarre finds.

Part of the joy in collecting or selling antiques and collectibles is the people you meet. Sharing the stories of the hunt, the success in finding a super item at a great price or selling one for a king’s ransom. Mistakes are forgotten, and the next great find is only a matter of time.

“What do you collect?”, can start an hour of conversation. So it is when we stop at a consignment shop called DJ’s Antique’s in Greenfield, Wisconsin and engage in a bit of chit-chat with Don the owner and Trisha, whose claim to fame is properly displaying the latest “must haves”. Her own passion in collecting is rather unusual, funeral or death related items. Now any old collector/seller has something in that category or at least Pick had some large ornate casket handles, a casket plate and some cabinet photos of funerals.

Pick: I purchased the handles in the last century to be used as a towel bar, but!!!

Grin: I know that “but”, I just never got around to getting them up.

Pick: That better be the only thing you don’t get up.

Grin: I know!!

Pick: I decided to offer that stuff to Trisha for her collection. That’s why your recent purchase of blood jars came as a surprise. I couldn’t tell if you were a serious bidder when the pair of red amber mortuary bleeding jars came up for auction at our last visit to Bailey’s Honor Auctions held in Wisconsin.

Grin: I had looked at them during preview when auctioneer Carol Miller was explaining that they came from an estate and were called “mortuary bleeding jars.” Their cone shape, and old rusty wire hangers drew my attention. I spotted the pair and considered the shape to be unusual even without the provenance. The color was also unique. They first appeared amber, but holding them up, the color looked redder. The only markings are on the rim and it reads “Klip Kup, Patn. Applied For.” And on the flattened bottom end, it has the initials MP.

Pick: I can’t find one single item or any reference to these two glass containers on line or in books.

Grin: Nor can I. But when the bidding was still within reason and the other bidder dropped out I was the owner of two used blood bowls.

We had discussed our strategy before the auction trying to curb our enthusiasm for only the most unusual items to fill our antique mall case and on-line stores. Now what could be more interesting than mortuary jars?

Pick: The Jaguar Hearse used in the movie Harold & Maude.

Grin: You’ve got me there.

Vintage Fan Collection Is Really Cool

When I saw this photograph of Wink, the vintage fashion collector and seller, the first thing I thought was, “Wow, vintage fans really blow her skirts up!” The second thing I thought was, “What a ‘cool’ thing to collect!”

And then, nearly out of puns (“She has created her own ‘Fan Club!'”), I realized I wanted to be a bit more serious and talk to her about her collection of vintage fans.

Wink, describe your fan collection. What do you look for in a fan? Is there a time period, manufacturer, size, color or other specific thing you look for?

My “fan club” consists of seven electric fans of varying vintage. I’m a graphic designer by trade, so I tend to notice the brand badges in addition to the industrial design of the fan.

For collecting purposes, I don’t pay much attention to the brand, or color, or period… I just go for whatever catches my eye. That being said, I’ve been a fan of the “atomic future” shapes of the 1950s for about as long as I can remember, and I suspect that most of my fans date to that general time frame.

Do the fans have to work? Do you repair them? If so, do you do it yourself, or pay a professional? (Or, option three, make a spouse do it lol)

Six of the fans work, although the oscillating fan no longer oscillates. One that had been a catalog stylist’s prop and was gifted to me has a cut cord, and I’ve never bothered to splice a new plug on. I could, though! If the motor is blown, though, that’s beyond my own skill set. I might pass it off to a mechanically-inclined friend and bat my eyelashes, but it’s really not important to me that one isn’t working.

When buying, though, I’ll do a function test on-site if it’s possible. Which is kind of funny, really, because I never use any of them for their intended purpose!

Aside from your personal budget, do you pay attention to the monetary or book value of fans?

None whatsoever.

I buy what I like, and the most I’ve spent is $20 so I decided that was my personal, if random, limit. I could easily go higher, and I know that I’ve been very lucky both with my own finds and with the friends who have given me a few as gifts.

When my collection was younger and smaller I tried looking up the value of what I then had, but it was a cursory search and really. I just buy them because they look cool. It’s not an investment thing, like clocks or rugs would be.

What made you become a fan of fans — decide to collect fans?

I bought my first fan for $1 at a garage sale. (Well, the seller was asking 75¢ and tried to give me 25¢ change but I told her to keep it.) That was a blue Coronado, and I bought it because I loved the shape.

Then I bought a second at an antiques mall, and my third (the non-oscillating one) at a flea market. That was when I came up with, “Two is a coincidence. Three is a collection.” Talk about a rationalization!

How many fans are in your collection?

A mere seven, but they take up space!

How do you display your fan collection?

I used to have them up on wall-mounted shelves in the living room, but a few years ago I bought an “entertainment center” that has six cubbies which are perfect for displaying items approximately fan-sized. The seventh fan sits on top of the TV. If/when I get more, there’s a shelf that’s supposed to go along the top which can hold perhaps five or six similarly-sized fans.

Fans are larger and their shape makes them less efficiently organized than say books or some other collectible… Does their size limit your collection?

Most definitely. I had to set an artificially low budget for myself so that I won’t obsess over searching for them, or my house would fill up. They’re definitely out there if you’re looking!

Instead, I made an Etsy treasury of electric fans for other people, and tried for a while to replace listings as they sold. As the treasury got older, it wasn’t getting new views so I stopped updating it. I can’t bear to take it down, though, so perhaps it’s time to refresh it!

Do fans have many fans? lol In other words, when you are at auctions, flea markets, do you find yourself competing with many other collectors for the fans?

There do seem to be a few collectors out there, but since I go for looks/price and not book value, I don’t know if we’re hunting for the same things. Shipping expenses will often blow my budget out of the water, so I tend to look locally. I’ve never had anyone try to pry a fan out of my hands at the antiques mall! LOL!

How do people react to your collection of vintage fans?

The fans are clearly on display in my living room, which is the first room in the house. People who know me are used to seeing them (the collection started somewhere around 10 years ago), but new friends notice them right away and usually let out with a “Oooh, I like your fans!” They’re like sculptures for the common man!

Do you collect brochures, advertisements, packaging etc., or just the fans themselves?

Just the fans, although I wouldn’t be opposed to buying printed ephemera if the price was right and it had some display value.

Do you collect anything that you’d consider related to fans — other small appliances or some such?

I’m a clutterbug. Is that a word? It is now. I collect, actively or passively, a lot of things. Fans are the only electric appliances, though!

Given your youthful appearance, I gather the fans are much older than you are and so they do not carry a sense of real life nostalgia for you… Is there anything you’d like to say about your affection for their “atomic” appeal?

Why, thank you! Yes, I imagine all of the fans are older than I am. However, I grew up in a family of thrifty folks who typically didn’t throw away or replace anything that was still useful, so this is the kind of fan that my grandmother or great aunt would have had in their houses.

My dad had an industrial-strength window fan in his home office that was probably similar in style, although I don’t quite remember its looks as much as I remember its ability to wreak havoc with his paperwork if we accidentally shut his office door! As a family, we spent many weekends watching ’50s sci-fi and film noir flicks on the television, so I’m sure I grew accustomed to this style in that way as well.

Then again, I’m still grumpy that the Dodgers moved to L.A., even though Ebbets Field was torn down before I was ever born! It’s difficult to explain some of the things I’m sentimental about.

Isn’t that true for some many of us.

You can keep up with Wink at her blog, Shoes and Pie, and become a “fan” of her Etsy store at FaceBook.

Photographs of Wink with her Fan Club taken by Candy Apple Photography. (Caution: Candy Apple Photography website plays music — so don’t try to sneak in at work, unless you’ve got your sound off!)

The Discovery Channel’s Collecting Show Auction Kings

Another entry in the slew of antiques and collectibles television programming is the Discovery Channel’s Auction Kings, airing Tuesday nights.

This collecting reality show focuses on the world of auctions via the activities of Gallery 63, a consignment auction house in Atlanta, Georgia, owned by Paul Brown.

As far as the personality aspect of the show, the cast of Auction Kings, aka the crew of Gallery 63, is amiable enough. Unlike some shows where part of the appeal is the characters and how they interact, the folks on Auction Kings may be a bit too affable… They do joke around and challenge one another, so it seems like a nice place to work; but they lack the edge of say Pawn Stars or the chemistry of the American Pickers. (Cindy Shook, the manager, is probably my favorite because she’s a racy lady!)

A show strength lies in the usual collecting show format: the brief educational segments on history and identification, often comprising of those appearances by experts in specific areas of collectibles.

Additionally, segments on Auction Kings often show some of the necessary behind the scenes work that many collectors and bidders forget about when they include Delfino Ramos, the handyman, tackling repairs — including on items he’s never seen before. While this isn’t a detailed “how to” segment, viewers get an idea of how easy or complicated repairs are, and therefore can consider that effort (or the charge by a professional) when evaluating antiques and collectibles. This is helpful for collectors at every level.

However, the best part of Auction Kings is the fact that this show is focused on auctions themselves. Because auctions are spontaneous, surprising things!

While Hollywood Treasure is also focused on auctions, movie memorabilia and collectibles is a very specific niche — and those auctions are for icons of film, which means higher prices. Auction Kings, on the other hand, shows general auctions. There are rare gems, but there’s also a lot of “everything else.”

From a rather unremarkable pair of cheetah print chairs (which may or may not have once been in a brothel) to a book authenticated as previously owned — and signed — by John Hancock; from a case of Billy Beer to an antique Venetian mirror; from retro arcade games to an ancient hand canon; Gallery 63 gets it all.

And viewers can learn about it.

As every fan of auctions knows and the show says, over and over again, “you never know what will show up at an auction,” or what it will go for at an auction. This is shown via the end of the show recaps, in which you are shown the item, its appraised value or auction estimate, what the owner/seller hopes to get for the item, and the final value at the end of the auction.

Sometimes the seller is happily shocked, sometimes the bidder gets a steal, sometimes both the buyer and the seller are thrilled — it all comes down to their expectations. And the climate on the auction floor, of course.

In a recent episode, a man brought in a case of Billy Beer. The breweriana expert said it had no value because a lot was sold and everyone saved it thinking it would be valuable one day. But they were going to auctioned it off anyway because the beer is no longer tasty (If it ever was?) and the owner didn’t care what it sold for. This prompted a bet between Shook, the manager, and new employee Jon Hammond, “The Picker.”

Hammond thought the case of Billy Beer would sell for $100 or more, even after Shook told him what the expert had said. They wagered a six-pack of fresh beer on the auction results — and Shook lost when it sold for $100. So you could say that the newbie knew more than the more experienced folks. Or he just got lucky. In any case, he got the free six-pack of beer. *wink*

Just another case of “You never know what will happen at an auction.” And why I like to watch Auction Kings.

A Guide To Collecting Vintage Fashions & Lingerie

Four collectors of vintage fashions and lingerie share their tips on what to look for when collecting vintage fashions.

The experts are:

Vintage lingerie collector Layla L’obatti, who is the designer behind Between The Sheets Lingerie.

Theda Bara of Theda Bara’s Vintage Lingerie, a shop that specializes in selling vintage lingerie from the 30’s, 40’s, 50’s, 60’s and 70’s. (She also has a blog, Theda Bara Vintage.)

Wink of Tiddleywink Vintage, a shop which contains mostly clothing focused on the late ’40s through early ’60s, but also dabbles in the occasional later-era clothing. (She also blogs at Shoes and Pie.)

The conversation is led by Slip of a Girl, a self-described “lingerie nut,” who runs, A Slip Of A Girl, a blog devoted to all things lingerie, especially vintage lingerie.

Slip: Collecting means different things to different people… Not only does everyone have a unique reason for collecting, a different aesthetic, and, therefore, a collection specialized to their own tastes, but when it comes to vintage garments, many of us also wear what we collect — or, in cases of the talented, like Layla, use the pieces as inspiration for our fashion designs.

In fact, many of us do not even call ourselves “collectors” — we’re just vintage fashion lovers!

Layla: What you are looking for in vintage clothing depends on your purpose. If you are a crafter or designer who loves to take inspiration from sewing techniques, vintage pieces are a wealth of knowledge… But if you’re a model, photographer, or vintage lover who wishes to wear these pieces, you’re looking for wearable conditions.

Slip: In any case, you’re going to want to know it’s authentic vintage; so, let’s start there.

Theda: When shopping for vintage lingerie, make sure it is genuinely vintage by following some of these tips:

Fabrics. Rayon satins and silks where mainly used before 1941; after-wards, the use of nylon and nylon blends became very popular.

Registered Number (RN). Starting in 1959 and still currently in use. If your garment has no RN number, it most likely is made before 1959.

Care of garment labels. In 1971, the FTC required that textile manufacturers list the garment care instructions on labels. The labels must have washing, drying, bleaching, ironing, and/or dry cleaning instructions. If your garment has care instructions it is most likely created after 1971.

Placement of the label. Most labels will be on the side seam. During the 80’s, they started placing the labels on the inside of the neckline.

Union label. Union labels are often datable by union history. Among the many different unions, ILGWU, the International Ladies’ Garment Workers’ Union, was one of the most prevalent and powerful, and the first major union to have mostly women members. Here’s an excellent guide to union labels, with photos of the labels.

Layla: Look for labels. When there’s a label, a label tells you where and very often when a piece is from. Be careful of fraudulent vintage with labels that look too new — unless it’s new old stock, but even then if its “designer” be careful.

However, if you are in the Midwest don’t be surprised by the prevalence of designer labels! Often times these pieces stay hidden in thrift shops and second hand stores in the Midwest, whereas on the west and east coasts these stores are a lot more picked through and finding these pieces at reasonable prices is rare.

Wink: Of course, not everything has a label, so…

Study. If you’re willing to spend the money regardless of the era, that’s fine. But if you’re going to be embarrassed when you show off your “bombshell vintage 40s/50s” swimsuit to your gal pals and one whispers to you that it’s actually more likely from the late ’60s, you have only yourself (and a mistaken or unscrupulous vendor) to blame.

Read. While this can fall under the category of Study, it can be a lot more fun! I have a large stash of vintage magazines that I love to reference, for the period photography, the articles, and the ads. You can learn not only what fashions were in style precisely when, but also how to set your hair, what nail polish colors were popular, and amusing dating tips! Which Hollywood star was dating who? How can you use up leftover luncheon loaf? How can you wash your gloves to get them sparkling white? Some tips are still relevant, and some are just fun to look at from a modern perspective.

Slip: Let’s talk about some of the flaws to look for…

Layla: Look for New Old Stock (NOS). These are pieces that for some reason were not sold, or hid in the back of a store or closet, and are in unused and unworn condition.

Slip: These often have paper sales tags still attached. But if there are no tags, if the item is not in the original sales package, what flaws should you be looking for? Which ones can be fixed?

Layla: I’d say that if you are buying for inspiration then the flaws are part of the detail; they show you how a piece has worn and how durable certain details are in the wear and tear of life. (Good to know when figuring out what will wear &/or age well.)

If you are buying to wear, show, exhibit then know that rips in fabric or lace are not easily repaired without revealing the patchwork.

If it were denim or tweed you could use iron on interfacing to keep the tear from opening more and, in some cases, this can completely hide behind the fabric (like the time I accidentally merrowed a hole in my finished term garment at the Fashion Institute of Technology… horror, then solution!) But this technique would not work on a sheer or lightweight fabric as well because the interfacing could be seen.

Lace can be hand stitched into place, but thread color, lighting, and quality of stitching could stand out — so the success of this technique depends on your ability to find a matching color, stitch properly so that it blends in, and the integrity of the remaining fabric you are reapplying the lace to.

If the fabric is shredded and fibers worn away too much the thread will not hold for long, and it will really not be suitable for wearing.

Popped seams can be mended from the inside pretty easily, but again if you are looking to “blend” the fix with the original piece you’ll need to have the proper machinery and thread; but these would be the easiest to fix barring major fabric ripping around the affected area.

Slip: This is why so many vintage fashion collectors also collect vintage sewing notions, thread, bits of lace etc. *wink* What else should we be looking for?

Layla: This is a good time to mention that when buying online you can never know things such as smell, flaws, discoloration, even odors such as smoke from the seller’s home. Make sure to look at seller’s ratings, the price, and ask for additional information or images if you are not sure.

Slip: And what things should we be looking for and asking about?

Silk and cotton are natural fibers and so they are more susceptible to absorbing our natural odors; you would be surprised how much you sweat while you sleep! That sweat and shedding of skin cells accumulates heavily in these two natural fibers, so worn items are very difficult to recover to like new condition.

Dry cleaning can help but also jeopardizes the integrity of the garment, as natural fibers deteriorate quickly when these methods of cleaning are employed. (If you do need to clean something take it to a cleaner you trust and who uses “green” cleaning methods, these tend to be less harsh and stringent on the fibers.)

Slip: You don’t have to watch Mad Men to know that people used to do a lot of smoking in the past; so look items over for cigarette burns and holes. Oh, the number of vintage chiffon gowns and peignoirs which have been ruined by pinkie-tip sized holes with charred edges! Look carefully in the voluminous folds and use your fingers to feel for blemishes.

If there’s a flaw or two, and this is for your own personal use, I recommend using appliques &/or dying the garment to disguise them. If you are intending to resell vintage or invest in the garment, do not do this; pass on the item. If you are a crafty person who likes to save such things and sell them, clearly state how the vintage garment has been upcycled.

Layla: Vintage furs are generally quite valuable; people would rather buy vintage fur than new fur (my personal feelings on this are quite mixed).

If you do decide to buy a vintage fur piece, peel back the fur to see the condition of the skin beneath. This is really important because real fur dries, and when it is compromised it will deteriorate quickly and begin to shed.

Another issue is mold and smell, but this you should avoid in all purchases — it’s more work than it is worth.

Slip: Now for the matter of fit…

Wink: Size. This seems obvious, but I became a reseller in part because I had a closet full of beautiful vintage that was too big, and that I realized I’d never “get around” to having taken in!

(Secret: I still have at least two dresses that I will make fit, one way or another. Someday.)

Layla: A skirt can be shortened, a jacket fitted, and small issues repaired; however…

If you are looking to wear bias pieces the fit cannot be altered easily; this is very difficult to do without creating puckering and killing a garments original drape and beauty. I would actually highly discourage trying to alter a piece on the bias.

I would also discourage fitting any shapewear, girdle, brassiere, or corset pieces — again the seaming can be complicated and the surface detail can be distorted when taking seams in. Unless you are a seamstress and are not concerned about the original integrity of the piece, then I’d say leave it be.

Slip: Any parting thoughts?

Theda: Vintage lingerie is something that is desired by many women today. Today’s lingerie can’t hold a candle to the soft and subtle materials of the eras gone by. Try to find soft nylon satins and rayon in your local store — they aren’t there!

Wink: Look for flattering cuts. “Just because it zips, doesn’t mean it fits.” Know your figure, and know what works for you. Women have come in all shapes and sizes for all time, and you can find “your” best look within any era. Really!

Layla: Trust your instinct, buy what you think is beautiful! In giving these pieces a second life you will be bringing back a little piece of history!

Slip: I couldn’t agree more!

Thanks to all for participating!

This post is © Slip of a Girl.

Image Credits (in order of appearance):

Vintage peach silk full slip dress, circa 1920s, from Theda Bara Vintage.

Vintage Union Label, 1955-1963, from poprocksnsodapopvintage; via the Union Label History Guide.

Vintage blue and white swimsuit by Robby Len Swimfashions, circa 1960’s, from TiddleyWink Vintage.

Vintage nightgown and bed jacket from the vintage lingerie collector Layla L’obatti, the designer behind Between The Sheets Lingerie.

Close-up of delicate chiffon and stitching on Between The Sheets lingerie to illustrate fine details in stitches and delicate fabrics, courtesy of designer Layla L’obatti.

Upcycled hand-dyed pink vintage Vanity Fair nylon full-slip via Theda Bara Vintage.

Vintage princess pink silk party dress from the 1950’s via TiddleyWink Vintage.

How eBay Is Helping Collectors Get What They Want For The Holidays

In this economy, finding the perfect gift may be easier than affording it; but eBay has good news for those who collect antiques and vintage collectibles — and those who buy antiques and vintage collectibles as holiday gifts.

Ebay now has two new announcements to help making afford gifts more possible.

The first is eBay Group Gifts (Beta). This new program allows you, your friends, your family, &/or your coworkers, to “chip-in” on gifts. To set up a Group Gift, all you need is an eBay and PayPal account -– then anyone with a credit card can chip in. You can even use FaceBook to coordinate the group gift.

If group purchases aren’t your thing (or at least not for every gift), eBay now offers Bill Me Later through PayPal — which, if used between now and November 30, 2010, will get you n$10 back on your first Bill Me Later purchase on eBay.

You can even combine the two, participating in Group Gift and using Bill Me Later for your part of the gift payment!

News For Silent Film Fans & Collectors

Silent film collector Mary Ann Cade has been contacted by a researcher who is working on a BBC documentary for UK television about Hollywood Photography:

As part of the programme, we are recreating 7 important images that tell the history of Movie star photography in Hollywood.

Our first image is the above still of Theda Bara.

After googling around on line, I came across some information that said you have some of the items Theda wore in the photo. Is that so? I’d love to hear more about it. We’re right at the start so I am trying to gather as much information about each of the images. I’d love to hear about your research.

The program is tentatively titled Shooting the Stars: Hollywood Photography; I’m very eager to see what the other six images will be selected and to see the documentary!

Also, because of my 2008 interview with Cade about Annette Kellermann, Cade was contacted by glass lantern slide collector Rob, who shared not only this glass lantern slide promoting Queen of the Sea…

But this bit of news too:

I am currently researching a book on the subject of lantern slides and their use as an advertising medium for motion pictures, and in conjunction with that I am developing a web site (www.starts-thursday.com).

So there’s a new site to keep an eye on — and, hopefully, a new book!

Vintage Paper Dollhouses

My parents will correct me if I’m wrong, but I didn’t have a doll house when I was little.

At my grandma’s house, there was my aunt’s old metal dollhouse… And I had Barbie houses and the like. But I never had a real dollhouse, a real miniature world of my own… Until now.

At an recent auction, there were a number of vintage and antique toys, including two vintage paper dollhouses. I was fascinated because, frankly, I’d never seen a paper doll house.

But I figured both old dollhouses would go for more than I had to spend in total that day, and so the auction viewing was as close as I would get.

However, when the first vintage dollhouse (the one made of pressed paper board, shown on the left in the photo) went cheap, I was hopeful — and managed to win the other!

While I don’t have any dolls or furnishings for my new-to-me old toy, I now had the opportunity to learn more about the history of paper dollhouses.

As you can see, my vintage dollhouse is made of paper — a thick paper, thicker than the usual business card, but thinner than the standard cardboard; as opposed to the thicker pressed paper or fiberboard of the larger house at the auction.

Neither dollhouse had any obvious marking for maker, etc., and as I’m reluctant to handle such fragile things (especially when I can’t imagine I’ll be able to bid on them), I didn’t dare hoist them in the air for a closer inspection. (And so I know nothing about the larger house.) But when I got mine home…

Well, closer inspection brought no further help in terms of maker; so it was research time.

Grasping at straws, I searched for paper dollhouses, Tudor paper dollhouses, etc., and eventually got lucky, finding this 1947 advertisement from the December issue of Children’s Activities for a fiberboard house by Built-Rite of Indiana.

Now that I knew the name of the manufacturer of the vintage chromolithographed cardboard dollhouse, I could really find out more.

The Built-Rite name belongs to Warren Paper Products Company, a company founded in 1921 by Donald M. Warren as a manufacturer of paper boxes for makers of candy, apparel, jewelry, and other items.

By the 1930s, The Great Depression meant the need for cheap toys in the United States and Canada. Not only did paper mean a less expensive toy, but toys made by North American companies would be cheaper than toys shipped from Germany. This created a demand for toys that Warren Paper Products and other companies were happy to fill.

The advances made in color printing in the late 19th century, meant that elaborate architectural details could be depicted on flat surfaces. According to Gunn Historical Musem, “This offered an ideal medium for toy villages. Individual buildings were printed on heavy paper or cardboard that could then be compactly folded for shipping, then assembled by a child.”

As you can see from my vintage paper dollhouse, and the following photos of another vintage Built-Rite dollhouse (sold as a “toy house play set”), assembly was a simply a matter of unfolding the structure, popping out pieces along their perforated edges (mine even has several types of bushes, a cat and a dog!), placing the tabs into the slots, and setting the house up on the bottom of the box it came in.

Warren Paper Products was the leader in this market, presumably, at least in part, due to its patented in 1932. But there were competitors, such as Andrews, Durrel Co., Gables House & Carton Co., Grimm & Leeds Co., Jayline Toys Inc., Marx Toys, McLoughlin Brothers, Sutherland Paper Company, Transogram, and Wayne Paper Products.

By the time World War II began, disrupting the flow of toys from Germany, plastics was becoming the word — but toys made of paper, and toys made of wood, cloth, etc., jazzed-up with colorful printed papers, were still very popular too.

Not only did the demand for paper dollhouses increase, but during the 1940s and 1950s Warren Paper Products began manufacturing paper towns, forts, farms, airports, bridges, trees for toy trains as well as forts, railroads stations, farms and airports

Many of these paper dollhouses by Warren Paper were built as replicas of actual homes and they were marketed though Life Magazine and Time/Life, Inc. as a selling tool for the magazine’s house plans after the war (to house the baby boom). Which rather inspires a whole other bit of investigation.

And here I thought I’d just have to invest in some vintage dolls and dollhouse furniture, etc.; turns out, I’m right back to my vintage magazines again!

Image credits:

All images are my own (and may be used if properly credited), except for the vintage ad, which was via Jennifer McKendry’s antique dollhouse site, and the Vintage Built-Rite Toy House Play Set No 34 photos are via Nine Caroline Antiques.

Practical, Yet Thoughtful, Gifts & Stocking Stuffers For Collectors

It’s that time of the year again, when people ask me, “What gifts can I get the collectors in my life?”

Some say it’s easier to buy gifts for those who collect modern collectibles; you simply run out and purchase the latest release — and boast to everyone else that you got it, they’ll have to come up with something else! For those who weren’t quick enough on the draw of their credit cards to get the latest issue in a collectible series, for those of you who have collectors of antiques and vintage collectibles in your circle, for those of you who know you have collectors to buy holiday gifts for — but you really have no idea what they collect, here are some practical but thoughtful ideas.

Some of these items are inexpensive stocking stuffers, but they certainly can be grouped together to form a larger gift too.

If you know what they collect, the general category of collectibles, or if they have a specific heirloom they cherish…

For collectibles display, storage, cleaning, & protection:

For those who collect small things, such as buttons, beads, pinbacks, sewing notions — and vintage fishing lures, of course — there’s tackle boxes, plastic hardware cabinets and craft containers to store collectibles in. (Tool boxes also work well for over-sized ephemera.)

For the collector of glass, pottery, figurines, plates and other breakables, Quakehold makes Museum Putty and Museum Wax. (These and similar products hold fragile pieces in place even when angry teens and other careless folk slam doors, etc.)

Vintage jewelry collectors have jewelry that needs polishing and cleaning, but the polishing cloths used by most fine jewelers will be too strong or abrasive for vintage costume jewelery — including the metal parts. Sunshine Cloths, however, clean and polish vintage costume jewelery without removing platings, washes, and most coatings. (For those who collect fine vintage and antique jewelry, there’s Sunshine® Polishing Cloth for Sterling Silver, Gold, Brass and Copper Jewelry.)

For collectors of silver, who are not fans of the patina, there’s Hagerty 10120 Silversmiths’ Silver Polishes.

For collectors of Bakelite radios, Lucite purses, buttons & costume jewelry, and other things made of vintage plastics, there’s the Novus Polish Kit, which contains both a scratch remover and a polish.

For ephemera collectors (antique photographs, postcards, vintage trade cards, old documents, etc.), there are supplies to organize, label and store , including archival sleeves and bags.

For collectors of books and bound ephemera, there are materials for archival book & pamphlet collection maintenance.

For those who collect vintage and antique textiles, linens, and fashions, there are specific archival materials too.

And of course there are a wide array of books and guides from publishers who specialize in the needs and interests of collectors (and dealers!), such as Krause Books and Schiffer Books. And don’t forget there are many magazine subscriptions too.

If you know they love to hunt for vintage and antiques, but you don’t know what…

My standard gift suggestions for collectors who enjoy the thrill of the hunt include the basic gear collectors need. If you want to make it look more “gifty,” pack up the gear for a collector in a new purse or tackle box! Even if the collector already has some (or even all) of these items, they won’t mind a spare set.

Publications such as Antique Week, show upcoming auctions and flea markets in your collector’s neck of the woods.

Perhaps your collector doesn’t have cable TV — or is too busy hunting to see the current spade of television shows about collecting; many of them have DVDs available. And if the collector on your list is a fan, perhaps they’d like the DVDs or some merchandise which they can sport while out hunting for their latest find.

Many collectors and dealers enjoy the latest releases from Kovels’, Warman’s, and Schroeder’s which cover general antiques.

American Restoration

The collectibles spin-off show I’ve been waiting for is here: American Restoration.

You may have heard about it, sometimes promoted or promised under other names such as Rick’s Restorations and Rusty Nuts (I prefer the title Rusty Nuts, but with the success of American Pickers, I guess the corporate guys figured American Restoration was more bankable). This latest show to join the History Channel’s Monday night lineup for collectors follows the work of Rick’s Restorations, the Las Vegas business owned by Rick Dale.

You’ll remember Dale’s appearances on Pawn Stars; he’s the guy who’s restored such things as old gas pumps and soda machines.

Dale and his staff focus mainly on the classic restoration of vintage and antique mechanical Americana. I think I may have just made that category of collectibles up, so if you don’t know what I mean, it’s vintage appliances, motorcycles, radios, pedal cars, railroad memorabilia, candy dispensers, pinball machines, jukeboxes, barber chairs, bicycles, and all sorts of things made in the American Rust Belt — you know, back when we made stuff in the USA.

(Not that their work is limited to made in the USA only; but you will see a lot of what America once manufactured, both for retail as well as to sell items at retail, i.e. advertising, service tools, and salesmen’s stuff.)

Rick and his staff are a colorful bunch of personalities (something I’ve admitted I love about Pawn Stars), however it’s clear that they not only know what they are doing, technically speaking, but they know the importance of what they do: they are reclaiming the history of objects, both in terms of an owner’s personal nostalgia and the workmanship of yesteryear.

While it is made quite clear that what Dale and his team mainly do is classic restorations, restoring antique and vintage items to their former glory keeping the item’s integrity by keeping the item as original as possible using parts specific to the object, viewers of Pawn Stars will recall that Dale himself has pointed out that some items can and should be modified or customized to make them more usable.

The example that leaps most vividly to my mind was a Coke machine which Dale made more useful by modifying the old machine to dispense modern bottles. I recall being surprised because I’m so used to being told not to ruin a patina, let alone update such vintage things, especially if you want to resell the item. But when Dale explained, I totally understood it. This is exactly the sort of thing I want to learn more about, and why I’ve been looking forward to the show!

Along with seeing so many old things once made by hand &/or manufactured with pride, Dale does a nice job of informing us about the item, its purpose, and who made it. (You know I’m a sucker for such context!)

Dale also tells you the cost of what he and his team have done, as well as the retail value it now has; especially useful if you are considering or justifying the restoration of something you own.

But perhaps the biggest thrills (and bulk of the show) revolve around the actual restoration process of antiques and vintage collectibles.

If you aren’t the handy DIY restorative type, you’ll gain a better understanding of just how much work and man hours go into classic restoration. Because the majority of the items are metal, there’s the removal of rust and old paint (do you use sand blasting, walnut blasting or sodium pressure washing?), general body work, painting, recreating or replacing graphics and logos — and that’s not even getting to the mechanical parts!

This is what Rick Dale calls the “grunt work.” But there’s still the time and money spent searching for authentic missing parts. (And what can’t be found might have to be recreated too.) Whew!

The amount of work shown in American Restoration may not inspire you to restore your own antiques and collectibles, but it will help you as a collector of mechanical Americana. You’ll learn more about the collectibles you covet and how to appraise their condition; you learn to understand the price tags on restored collectibles and antiques as well as appreciate the fees charged by professional restoration companies.

If nothing else, collectors will enjoy seeing such classic and iconic Americana.

New Collecting Show: Hollywood Treasure

In what may seem like an unlikely match, the SyFy channel enters into collectibles infotainment with Hollywood Treasure; yet given the nature of the show, it may not seem such a strange match…

Hollywood Treasure follows the activities of Joe Maddalena, the owner of Profiles in History, the world’s largest auctioneer of movie and television props and memorabilia. Since science fiction has given us some of the most iconic films, TV shows, and pop culture reference points, a show about such significant relics is rather suited to the channel. And we certainly can’t ignore that sci-fi has some of the most devoted fans and obsessive collectors!

Hollywood Treasure sure does show incredible pieces of film history — the sort of things that most of us are even afraid to dream about having. For example, on the premiere episodes last night, we saw the Wicked Witch of the West’s hat from The Wizard of Oz. It sold for $200,000 — if I’m recalling correctly; it rather blew my mind!

In this way, Hollywood Treasure is rather like the Lifestyles of the Rich and Famous of the collecting shows; it showcases some of the most rare keepsakes of our culture, with auction prices to match, that end up in private collections. It’s eye candy most of us will never have. Maybe never even see (outside of the show).

But that’s not the only reason the show is worth watching.

As an obsessive collector who dreams of the ability (and staff!) to find and research objects until the answers are found — or at least all options are exhausted, I enjoy watching the means and methods Maddalena and his staff use to authenticate items.

In fact, I wish a bit more time was spent showing the details of such pursuits.

The brief consolidated findings of motion picture and television historian Marc Wanamaker, who stated the suit was indeed worn by Bela Lugosi in White Zombie is authentic even though the jacket had been modified by the studio (he even got a certificate of authenticity from Warner Brothers to prove it!) left me wanting to know more.

And the steps in identifying the old carpet bag found in a Chicago basement as the one used by Julie Andrews in Mary Poppins were so fascinating that the frames seemed to fly by too quickly.

But maybe that’s the sort of hunger that’s never really satiated for the obsessive. *wink* (And I can get that sort of info from History Detectives too.)

Then too there are the moments we collectors can bond over, no matter how deep our pockets, or how rare our collectibles.

The ambiguous anxiety of Sue Palmer, the owner of the Wicked Witch’s hat, as she pondered whether or not to sell was something most of us know (even if our decision to sell doesn’t bring such big bucks). It’s that personal connection to the tangible object versus money; it’s where “Mine!” meets “Maybe it belongs somewhere else — to someone else…” We’ve all been there and wrestled with those decisions.

And my heart broke when horror collector Ron Magid had to stop the bidding on Lugosi’s suit at $95,000 and lose what he coveted… Haven’t we all had to bail on bidding or just walk away and leave what we love behind? Oh, the agony of wallet’s defeat!

But I was nodding and grinning again when Magid explained his reason for putting down his paddle: “I’d spend the rest of the life on the front porch if my wife knew I’d spent $100,000 on a suit.”

So while the collectibles shown in SyFy’s Hollywood Treasure are completely out of my reach, the fundamental aspects of collecting are here: the passion for hunting, preserving, owning, research, buying and selling exist in all levels of collecting.

However, part of the charm of shows like Pawn Stars and American Pickers is the chemistry between the cast (or, if you prefer, the professionals). Since only two episodes of Hollywood Treasure have aired, it’s difficult to say if this sort of fun will emerge on thhe show. Right now, the tone is far more “business professional” which, while perhaps more appropriate for the caliber of collectibles, rather removes that sense of personality. But as I said, time will tell.

Personally, I’m looking forward to more episodes of Hollywood Treasure.

And if the beyond-my-grasp level of grand collectibles makes this show more of a guilty pleasure than an actual informative show, I can live with that.

Learning From Vintage Ephemera About The Condition Of Collectibles

I know folks like to think I rationalize my compulsion for vintage booklets and magazines, but I think there’s gold in them-there old pages!

Today’s example comes from 367 Prize Winning Household Hints From The Armour Radio Show Hint Hunt, circa 1940s, a booklet from the daily CBS radio show. Included in this vintage booklet are some tips on books, magazines and phonograph records which might just be of use to the collector.

The advice regarding magazines is “to have each member of the family initial the cover of a magazine as they finish reading it so you will know when the magazine may be discarded.”

This, my fellow ephemera collectors, might explain the seemingly random multiple initials on vintage magazine covers.

Now for you book collectors; the tip for preventing “library mold” is to sprinkle oil of lavender, sparingly, throughout the book case.

While I doubt the scent would last very long, if persons practiced such things, it might account for oil spots on vintage book covers and pages.

The last tip is regarding records: “Warped phonograph records can be straightened for playing by placing the records on any flat surface in a warm room and weighing them down with heavy books.”

Given the temperature it takes to melt vinyl records — and that this advice was given in the 40s, when records certainly weren’t made of that flimsy vinyl of the 70′ or 80s, I imagine that everyone in the house sat around in their undies sweating while mom or dad un-warped the family’s records. But that’s just me romanticizing the past *wink*

THE UNEXPECTED COLLECTIONS: PICK & GRIN FIND AT HOME

Grin: I decided to clean out some desk drawers and filing cabinets. Trash collection is tomorrow and I can’t seem to close some of my drawers anymore.

Pick: You never could keep your drawers closed.

Grin: I resemble that remark, and blame you for my condition. But to the point, I have trashed some stuff I know should have gone to recycle years ago, mostly paper receipts, bills, catalogs and correspondence. Lots of old price lists, that makes me cringe when I think of the great stuff I should have bought at those prices.

Pick: Was that back when you were making two bucks an hour, and all the fries you could eat?

Grin: OK!! Ruin a dream, but you were the one that married me for my money.

Pick: I married you because your mother promised to pay off your bar tab.

Grin: And your father offered me fifty bucks and a tank of gas if I wanted to escape.

Pick: So, what’s the problem, do you need help carrying your junk to the curb?

Grin: What I really need is a sanity check, I have found stuff. Things that have accumulated into what can only be described as unexpected collections. And since you are an expert on collections, I need your advice on whether to toss them out, or save them with the intent of someday offering them for sale.

Pick: Well, if they’re your collections, some items are probably antique already.

Grin: I should have taken the fifty bucks.

Pick: So let’s see what can be tossed or saved.

The collection of business cards, mostly industrial companies from the upper mid west, lots of big name companies, many manufacturers now gone or moved.

Our old expired credit cards.

Plastic and heavy paper faux credit cards pasted on letters telling me my credit was so good I needed another card.

Pick: Goes to show, you can fool some of the banks all the time and all of the banks some of the time.

Rubber stampers, mostly shipping room types, some are address or date stamps.

Old industrial catalogs, some dating back to the 1920s.

Connection cables from computers and electronic devices.

Pick: Well, let’s analyze each to see their potential for a future sale, with the understanding you’re going to toss out the useless collections. First, your collection of fake credit cards, that’s an easy toss. You have so many the same and all from big companies, the collection will never be sellable in your lifetime. I’ll bet these were send out by the billions.

On the expired credit cards, I just don’t like having our name out there on old cards. This one is a tough decision as I have sold old credit cards before, but like the fake ones, none of yours are from old, out of business companies like Gimbels Department Store, a bank or an oil company thats no longer in business. Those would be worth hanging on to.

As for old electrical cables, why not save one of each style and recycle any duplication of the ones that are from old technology.

The rubber stampers, ink and pads are strictly useable, none are old enough to call collectable but still useable. Keep any that can be used for our antique business and sell or donate the rest. I would think with the stamping craze still strong, some might be sellable, like the fragile or first class stamps.

I have been surprised at the number of ephemera collectors we have encountered, look at our recent sales on Ebay, especially luggage labels, industrial catalogs, industrial employee magazines and bus passes. I would suggest any of those items are worth saving, as long as they’re older than 1980..

Grin: That’s pretty new. I have socks older than that.

Pick: 1980 is thirty years ago. That’s not the only thing in your drawers that’s old.

ANTIQUIPS GETS A REPLY TO OUR BLOG

Our last article mentioned our frustration trying to find good antique shops while on the Carolinas’ coastal area. We drove down to Charleston, SC from North Carolina for sightseeing with our traveling companions with no time left that day for antique shopping. Our first break came in finding the Cottage Antiques in North Myrtle Beach and with the owner Malinda’s directions to other shops, we filled our day with antique shopping and suitcases with collectibles and antiques.

In a response to our article, Clyde from Charleston wrote to explain our great loss by not antiquing in his area. His website is dedicated to the wonderful experience of exploring the shops nearby. We wrote to ask for an interview and here is our correspondence.

Clyde’s inspiration for developing a website dedicated to Charleston’s antique shops was simply a lifelong passion for antiques, his knowledge of shops in the area and the great people involved in the antique business. He decided to become his own web designer, and learn the tricks of design from the bottom up. Clyde is at that point where he has designed for others as well. He also writes for Examiner.com on the topic of antique shopping in Charleston. All the the time and energy needed to publish his website on Charleston’s shops, is his own. From the time it takes to visit each place and photograph the antiques, to rewriting with the latest info, Clyde does it all.

Pick: “When did you start collecting?”

Clyde: “When I was 12, My great aunt took me antiques shopping.”

Grin: “ What’s your major collection?”

Clyde: “I collect mostly furniture. I like old book cases that I can restore and sell.”

Pick: “Where do you find your items?”

Clyde: “ Antique shops, newspaper ads, yard sales, thrift stores, antique shows and garbage piles.”

Grin: Well that sure runs the gambit. Can we come along to your next visit to our favorite, the garbage pile?”

Pick: “Leave me out.”

Grin: “Are there items you wish you had bought, but passed up?

Clyde: “That is a long list. The odd thing about antique shows, if you do not buy it, you can’t go back to get it. It’s just gone.”

Pick: And if you do buy it, odds are you’ll see a cheaper, better example next week.

Grin: Any words of wisdom for our readers?

Clyde: “You often have to have the time and resources to do the research to be sure the item is what you believe it to be.”

Pick: Thanks Clyde for visiting with us. And readers if you have suggestions on great shoppes in your area for antiques, crafts or collectibles, add a reply so others can share your good fortune in hunting while traveling on the road.