Author: Deanna

Deanna is the founder of Inherited Values, among other sites. She is also an antique dealer.

News For Silent Film Fans & Collectors

Silent film collector Mary Ann Cade has been contacted by a researcher who is working on a BBC documentary for UK television about Hollywood Photography:

As part of the programme, we are recreating 7 important images that tell the history of Movie star photography in Hollywood.

Our first image is the above still of Theda Bara.

After googling around on line, I came across some information that said you have some of the items Theda wore in the photo. Is that so? I’d love to hear more about it. We’re right at the start so I am trying to gather as much information about each of the images. I’d love to hear about your research.

The program is tentatively titled Shooting the Stars: Hollywood Photography; I’m very eager to see what the other six images will be selected and to see the documentary!

Also, because of my 2008 interview with Cade about Annette Kellermann, Cade was contacted by glass lantern slide collector Rob, who shared not only this glass lantern slide promoting Queen of the Sea…

But this bit of news too:

I am currently researching a book on the subject of lantern slides and their use as an advertising medium for motion pictures, and in conjunction with that I am developing a web site (www.starts-thursday.com).

So there’s a new site to keep an eye on — and, hopefully, a new book!

Vintage Paper Dollhouses

My parents will correct me if I’m wrong, but I didn’t have a doll house when I was little.

At my grandma’s house, there was my aunt’s old metal dollhouse… And I had Barbie houses and the like. But I never had a real dollhouse, a real miniature world of my own… Until now.

At an recent auction, there were a number of vintage and antique toys, including two vintage paper dollhouses. I was fascinated because, frankly, I’d never seen a paper doll house.

But I figured both old dollhouses would go for more than I had to spend in total that day, and so the auction viewing was as close as I would get.

However, when the first vintage dollhouse (the one made of pressed paper board, shown on the left in the photo) went cheap, I was hopeful — and managed to win the other!

While I don’t have any dolls or furnishings for my new-to-me old toy, I now had the opportunity to learn more about the history of paper dollhouses.

As you can see, my vintage dollhouse is made of paper — a thick paper, thicker than the usual business card, but thinner than the standard cardboard; as opposed to the thicker pressed paper or fiberboard of the larger house at the auction.

Neither dollhouse had any obvious marking for maker, etc., and as I’m reluctant to handle such fragile things (especially when I can’t imagine I’ll be able to bid on them), I didn’t dare hoist them in the air for a closer inspection.  (And so I know nothing about the larger house.)  But when I got mine home…

Well, closer inspection brought no further help in terms of maker; so it was research time.

Grasping at straws, I searched for paper dollhouses, Tudor paper dollhouses, etc., and eventually got lucky, finding this 1947 advertisement from the December issue of Children’s Activities for a fiberboard house by Built-Rite of Indiana.

Now that I knew the name of the manufacturer of the vintage chromolithographed cardboard dollhouse, I could really find out more.

The Built-Rite name belongs to Warren Paper Products Company, a company founded in 1921 by Donald M. Warren as a manufacturer of paper boxes for makers of candy, apparel, jewelry, and other items.

By the 1930s, The Great Depression meant the need for cheap toys in the United States and Canada. Not only did paper mean a less expensive toy, but toys made by North American companies would be cheaper than toys shipped from Germany. This created a demand for toys that Warren Paper Products and other companies were happy to fill.

The advances made in color printing in the late 19th century, meant that elaborate architectural details could be depicted on flat surfaces. According to Gunn Historical Musem, “This offered an ideal medium for toy villages. Individual buildings were printed on heavy paper or cardboard that could then be compactly folded for shipping, then assembled by a child.”

As you can see from my vintage paper dollhouse, and the following photos of another vintage Built-Rite dollhouse (sold as a “toy house play set”), assembly was a simply a matter of unfolding the structure, popping out pieces along their perforated edges (mine even has several types of bushes, a cat and a dog!), placing the tabs into the slots, and setting the house up on the bottom of the box it came in.

Warren Paper Products was the leader in this market, presumably, at least in part, due to its patented in 1932. But there were competitors, such as Andrews, Durrel Co., Gables House & Carton Co., Grimm & Leeds Co., Jayline Toys Inc., Marx Toys, McLoughlin Brothers, Sutherland Paper Company, Transogram, and Wayne Paper Products.

By the time World War II began, disrupting the flow of toys from Germany, plastics was becoming the word — but toys made of paper, and toys made of wood, cloth, etc., jazzed-up with colorful printed papers, were still very popular too.

Not only did the demand for paper dollhouses increase, but during the 1940s and 1950s Warren Paper Products began manufacturing paper towns, forts, farms, airports, bridges, trees for toy trains as well as forts, railroads stations, farms and airports

Many of these paper dollhouses by Warren Paper were built as replicas of actual homes and they were marketed though Life Magazine and Time/Life, Inc. as a selling tool for the magazine’s house plans after the war (to house the baby boom). Which rather inspires a whole other bit of investigation.

And here I thought I’d just have to invest in some vintage dolls and dollhouse furniture, etc.; turns out, I’m right back to my vintage magazines again!

Image credits:

All images are my own (and may be used if properly credited), except for the vintage ad, which was via Jennifer McKendry’s antique dollhouse site, and the Vintage Built-Rite Toy House Play Set No 34 photos are via Nine Caroline Antiques.

Practical, Yet Thoughtful, Gifts & Stocking Stuffers For Collectors

It’s that time of the year again, when people ask me, “What gifts can I get the collectors in my life?”

Some say it’s easier to buy gifts for those who collect modern collectibles; you simply run out and purchase the latest release — and boast to everyone else that you got it, they’ll have to come up with something else!  For those who weren’t quick enough on the draw of their credit cards to get the latest issue in a collectible series, for those of you who have collectors of antiques and vintage collectibles in your circle, for those of you who know you have collectors to buy holiday gifts for — but you really have no idea what they collect, here are some practical but thoughtful ideas.

Some of these items are inexpensive stocking stuffers, but they certainly can be grouped together to form a larger gift too.

If you know what they collect, the general category of collectibles, or if they have a specific heirloom they cherish…

For collectibles display, storage, cleaning, & protection:

For those who collect small things, such as buttons, beads, pinbacks, sewing notions — and vintage fishing lures, of course — there’s tackle boxes, plastic hardware cabinets and craft containers to store collectibles in. (Tool boxes also work well for over-sized ephemera.)

For the collector of glass, pottery, figurines, plates and other breakables, Quakehold makes Museum Putty and Museum Wax. (These and similar products hold fragile pieces in place even when angry teens and other careless folk slam doors, etc.)

Vintage jewelry collectors have jewelry that needs polishing and cleaning, but the polishing cloths used by most fine jewelers will be too strong or abrasive for vintage costume jewelery — including the metal parts. Sunshine Cloths, however, clean and polish vintage costume jewelery without removing platings, washes, and most coatings. (For those who collect fine vintage and antique jewelry, there’s Sunshine® Polishing Cloth for Sterling Silver, Gold, Brass and Copper Jewelry.)

For collectors of silver, who are not fans of the patina, there’s Hagerty 10120 Silversmiths’ Silver Polishes.

For collectors of Bakelite radios, Lucite purses, buttons & costume jewelry, and other things made of vintage plastics, there’s the Novus Polish Kit, which contains both a scratch remover and a polish.

For ephemera collectors (antique photographs, postcards, vintage trade cards, old documents, etc.), there are supplies to organize, label and store , including archival sleeves and bags.

For collectors of books and bound ephemera, there are materials for archival book & pamphlet collection maintenance.

For those who collect vintage and antique textiles, linens, and fashions, there are specific archival materials too.

And of course there are a wide array of books and guides from publishers who specialize in the needs and interests of collectors (and dealers!), such as Krause Books and Schiffer Books. And don’t forget there are many magazine subscriptions too.

If you know they love to hunt for vintage and antiques, but you don’t know what…

My standard gift suggestions for collectors who enjoy the thrill of the hunt include the basic gear collectors need. If you want to make it look more “gifty,” pack up the gear for a collector in a new purse or tackle box! Even if the collector already has some (or even all) of these items, they won’t mind a spare set.

Publications such as Antique Week, show upcoming auctions and flea markets in your collector’s neck of the woods.

Perhaps your collector doesn’t have cable TV — or is too busy hunting to see the current spade of television shows about collecting; many of them have DVDs available. And if the collector on your list is a fan, perhaps they’d like the DVDs or some merchandise which they can sport while out hunting for their latest find.

Many collectors and dealers enjoy the latest releases from Kovels’, Warman’s, and Schroeder’s which cover general antiques.

Vintage Figural 8-Ball Lighter

I’m a sucker for kitsch, so when I spotted this plastic 8-ball on a green stand, I had to pick it up. The top lifts off, showing a lighter inside it, making it a rockin’ display piece for the rec room or bar, even if you don’t have a pool table or don’t collect tobacciana; so I put it up for sale in my case at the Moorhead Antique Mall.

These vintage 8-ball lighters can be refilled; the flints and wicks likely are replaceable too.

This this one has “Don’t Get Behind Me!” stamped onto the green base.

Others are clearly more commercial, with promotional tag lines advertising companies and products.

This one has a faux marble base with “Keep Out From Behind With Wabeno Bottling Works, Beer and Soda, Phone Wabeno 55 — Clarence G. Adams” printed on it.

This one has printing on both sides of the base: “You’ll never be behind the 8-Ball when you buy your advertising” on one side, “1929 20th Business Anniversary 1949 Representing” on the other.

(Given that the printed text is so poorly positioned right under the plastic pool ball and nearly nonsensical, I suspect it’s a vintage display piece or salesman’s tool for selling the printed novelty items.)

None of these vintage 8-ball lighters seem to have maker marks or marks for where they were made; the rumor is they were made in Japan.

But in any case, they are cool!

Additional Image Credits:

Wabena Bottling Words (Wabena, Wisconsin) lighter photo via Whatnot Collectibles.

Vintage 8-ball lighter with printing on both sides of the base from Gathered Goods and Curiosities.

Collecting Children’s Spoons

While interviewing the charming and delightful artisan behind I Sew Cute and As Luck Would Have It, I naturally had to ask her if she was a collector too…

Someone told me that if you have three of anything, then you have a collection. If that’s true, then I have dozens of collections!

I guess if there’s one thing I collect — by seeking it out & keeping track of the items I already have, it would be my collection of vintage and antique children’s spoons.

Some of the pieces I have are from my own childhood & the collection just grew over the years. I love that they’re a warm fuzzy reminder of the joy of childhood, as well as being functional for every day use. My kids use them, so they don’t just sit in a drawer getting dusty. I keep them in a jelly jar right in the kitchen where we can grab one in a pinch.

When did you start collecting them – or admit to yourself you were collecting them?

During my college years I started really seeking out new old spoons. I’m still a big kid at heart & don’t have fine china. We have Warner Brother’s Fiesta ware that I pull out for really special occasions & holidays. Good thing I married a guy who’s young at heart too!

You said you track them… How so?

I have a list in a moleskine sketchbook which I keep in my bag, just in case I stumble upon some at a flea market or online.

How many do you have in total?

Gosh, I’ve never counted them! Ballpark guesstimate? Around 20-25 and growing, of course.

Are they silver, or “just” metal?

I believe most of the larger ones are just silver plate or stainless steel, but a few of the wee baby spoons I have are silver.

Do you look for certain makers, characters? What makes you add a spoon to your collection — what must a spoon do to charm you?

I am not concerned at all about the manufacturers. If a spoon has a fun, whimsical, cartoony character and is in relatively decent condition, I’m going to pull out the list. The most recent ones I added were a Donald Duck and a Mickey Mouse found in a vintage shop on Etsy.

Aside from the “Can I afford this?” do you pay any attention to the monetary value of spoons?

No, I’m not collecting them because of their monetary value.

Do you have a favorite spoon?

My Snoopy and SpaghettiOs spoons are my two favorites because I’ve had them since I was a child — and I still remember how special I felt to have them. I knew someone bought them for me because they loved me. Kind of silly or sappy isn’t it? But it’s how I felt and still feel when I look at those two spoons!

It doesn’t sound silly at all — and I think “sappy” is one of the best reasons to collect.

You can keep up with June the spoon collector at her blogs: I Sew Cute and As Luck Would Have It.

American Restoration

The collectibles spin-off show I’ve been waiting for is here: American Restoration.

You may have heard about it, sometimes promoted or promised under other names such as Rick’s Restorations and Rusty Nuts (I prefer the title Rusty Nuts, but with the success of American Pickers, I guess the corporate guys figured American Restoration was more bankable).  This latest show to join the History Channel’s Monday night lineup for collectors follows the work of Rick’s Restorations, the Las Vegas business owned by Rick Dale.

You’ll remember Dale’s appearances on Pawn Stars; he’s the guy who’s restored such things as old gas pumps and soda machines.

Dale and his staff focus mainly on the classic restoration of vintage and antique mechanical Americana. I think I may have just made that category of collectibles up, so if you don’t know what I mean, it’s vintage appliances, motorcycles, radios, pedal cars, railroad memorabilia, candy dispensers, pinball machines, jukeboxes, barber chairs, bicycles, and all sorts of things made in the American Rust Belt — you know, back when we made stuff in the USA.

(Not that their work is limited to made in the USA only; but you will see a lot of what America once manufactured, both for retail as well as to sell items at retail, i.e. advertising, service tools, and salesmen’s stuff.)

Rick and his staff are a colorful bunch of personalities (something I’ve admitted I love about Pawn Stars), however it’s clear that they not only know what they are doing, technically speaking, but they know the importance of what they do: they are reclaiming the history of objects, both in terms of an owner’s personal nostalgia and the workmanship of yesteryear.

While it is made quite clear that what Dale and his team mainly do is classic restorations, restoring antique and vintage items to their former glory keeping the item’s integrity by keeping the item as original as possible using parts specific to the object, viewers of Pawn Stars will recall that Dale himself has pointed out that some items can and should be modified or customized to make them more usable.

The example that leaps most vividly to my mind was a Coke machine which Dale made more useful by modifying the old machine to dispense modern bottles. I recall being surprised because I’m so used to being told not to ruin a patina, let alone update such vintage things, especially if you want to resell the item. But when Dale explained, I totally understood it. This is exactly the sort of thing I want to learn more about, and why I’ve been looking forward to the show!

Along with seeing so many old things once made by hand &/or manufactured with pride, Dale does a nice job of informing us about the item, its purpose, and who made it. (You know I’m a sucker for such context!)

Dale also tells you the cost of what he and his team have done, as well as the retail value it now has; especially useful if you are considering or justifying the restoration of something you own.

But perhaps the biggest thrills (and bulk of the show) revolve around the actual restoration process of antiques and vintage collectibles.

If you aren’t the handy DIY restorative type, you’ll gain a better understanding of just how much work and man hours go into classic restoration.  Because the majority of the items are metal, there’s the removal of rust and old paint (do you use  sand blasting, walnut blasting or sodium pressure washing?), general body work, painting, recreating or replacing graphics and logos — and that’s not even getting to the mechanical parts!

This is what Rick Dale calls the “grunt work.” But there’s still the time and money spent searching for authentic missing parts. (And what can’t be found might have to be recreated too.)  Whew!

The amount of work shown in American Restoration may not inspire you to restore your own antiques and collectibles, but it will help you as a collector of mechanical Americana.  You’ll learn more about the collectibles you covet and how to appraise their condition; you learn to understand the price tags on restored collectibles and antiques as well as appreciate the fees charged by professional restoration companies.

If nothing else, collectors will enjoy seeing such classic and iconic Americana.

From Bull Cook To Bull Crap With George Leonard Herter

At an estate sale on Friday I grabbed this book, thinking it would have some interesting recipes and tips for my vintage home ec blog. It was $5, which I’ll admit is a bit more than I typically pay for a book I know nothing about… Oddly, there was no table of contents to assist me in my evaluation, but the title was intriguing: Bull Cook and Authentic Historical Recipes and Practices.

Turns out, it was a fabulous find!

Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter, is the first of a number of books by Geoerge Leonard Herter (some available as modern reprints). In fact, Bull Cook and Authentic Historical Recipes and Practices itself would later have three volumes; something I discovered via a trip later that day to a local antique mall, where all three volumes could be found (even later editions, in golden boards; each at $19.95).

While I haven’t tested any of the recipes (and there’s more than a few I will probably never ever try!), I can personally attest to the incredible array of topics covered in this vintage book.

Along with recipes for corning liquid, Norwegian Fried Ham, and Fish Tongues Scandinavian, Herter gives you the real history of the Martini, informs you which foods the Virgin Mary was fond of (creamed spinach), instructs you on how to dress a turtle and broil tiger’s feet, and tells you what you must know in case of a hydrogen bomb attack. It’s rather as the author promises right on the first page:

I will start with meats, fish, eggs, soups and sauces, sandwiches, vegetables, the art of French frying, desserts, how to dress game, how to properly sharpen a knife, how to make wines and beer, how to make French soap and also what to do in case of hydrogen or cobalt bomb attack, keeping as much in alphabetical order as possible.

But what makes this book so engaging — or, as Paul Collins calls it in The New York Times, “one of the greatest oddball masterpieces in this or any other language” — is its author. Collins describes George Leonard Herter as “a  surly sage, gun-toting Minnesotan and All-American crank” –which translates easily enough to “old coot,” a breed I am particularly fond of.

Herter was the heir to Herter’s, Inc., an outdoor sporting goods business founded in 1893 located in Waseca, Minnesota. (The company closed decades ago; but the brand lives on via Cabela’s — and hunters and sportsmen are avoid collectors of vintage Herter’s items.)

It’s not quite clear if Herter’s authorship was simply a genius marketing move, or if he just had more he was desperate to say — even after writing thousands of product descriptions and essays for the company’s catalogs, like this 1974 “How to Buy an Outdoor Knife” essay, whi to promote Herter’s Improved Bowie Knife:

An outdoor knife must be made for service–not show. Your life may depend on it. Real outdoor people realize that so-called sportsmen or outdoor knives have long been made for sale, not for use. The movies and television show their characters wearing fancy sheath knives. Knife makers advertised them and drugstore outdoorsmen bought them. [insert a picture that looks something like a Marble Woodcraft or an old Western fixed blade here] Nothing marks a man to be a tenderfoot more than these showy useless knives.

Ahh, classic Herter.

But whatever the case, savvy marketing or the need to “talk,” Herter was prolific and opinionated in his writings.

Most of Herter’s books were, at least in title, based upon the sporting goods business and the outdoorsman’s life — even with a few giant steps into the domestic world.  However, his book How To Live With A Bitch is not — I repeat NOT, about a female hunting dog. (If you cannot find a copy listed among Herter’s works at eBay, check Amazon for this elusive gem.)

So, what begins with a $5 bargain (for a hardcover copy of a 1961 third printing), leads to more fascinating fun than I can barely stand — but wait! There’s more!

I found this book on Friday morning at an estate sale, spotted the three volumes at an antique mall later that afternoon,  and then I even managed to snatch another copy (1963, sixth printing) for $6 at an auction on Saturday! This makes me very hopeful that more Herter books will fall into my hands — and I’m thrilled to do more of the collector’s kind of hunting.

Further reading:

A review of Bull Cook and Authentic Historical Recipes and Practices, by George Leonard Herter and Berthe E. Herter at Neglected Books.

Reminiscing about Herter’s at Topix.

Image credits:

Photo of George Herter, by Peter Marcus (1966) via the NY Times article by Paul Collins.

Vintage photo of Herter’s Inc. via Waseca Alums.

New Collecting Show: Hollywood Treasure

In what may seem like an unlikely match, the SyFy channel enters into collectibles infotainment with Hollywood Treasure; yet given the nature of the show, it may not seem such a strange match…

Hollywood Treasure follows the activities of Joe Maddalena, the owner of Profiles in History, the world’s largest auctioneer of movie and television props and memorabilia. Since science fiction has given us some of the most iconic films, TV shows, and pop culture reference points, a show about such significant relics is rather suited to the channel.  And we certainly can’t ignore that sci-fi has some of the most devoted fans and obsessive collectors!

Hollywood Treasure sure does show incredible pieces of film history — the sort of things that most of us are even afraid to dream about having. For example, on the premiere episodes last night, we saw the Wicked Witch of the West’s hat from The Wizard of Oz. It sold for $200,000 —  if I’m recalling correctly; it rather blew my mind!

In this way, Hollywood Treasure is rather like the Lifestyles of the Rich and Famous of the collecting shows; it showcases some of the most rare keepsakes of our culture, with auction prices to match, that end up in private collections. It’s eye candy most of us will never have. Maybe never even see (outside of the show).

But that’s not the only reason the show is worth watching.

As an obsessive collector who dreams of the ability (and staff!) to find and research objects until the answers are found — or at least all options are exhausted, I enjoy watching the means and methods Maddalena and his staff use to authenticate items.

In fact, I wish a bit more time was spent showing the details of such pursuits.

The brief consolidated findings of motion picture and television historian Marc Wanamaker, who stated the suit was indeed worn by Bela Lugosi in White Zombie is authentic even though the jacket had been modified by the studio (he even got a certificate of authenticity from Warner Brothers to prove it!) left me wanting to know more.

And the steps in identifying the old carpet bag found in a Chicago basement as the one used by Julie Andrews in Mary Poppins were so fascinating that the frames seemed to fly by too quickly.

But maybe that’s the sort of hunger that’s never really satiated for the obsessive. *wink* (And I can get that sort of info from History Detectives too.)

Then too there are the moments we collectors can bond over, no matter how deep our pockets, or how rare our collectibles.

The ambiguous anxiety of Sue Palmer, the owner of the Wicked Witch’s hat, as she pondered whether or not to sell was something most of us know (even if our decision to sell doesn’t bring such big bucks).  It’s that personal connection to the tangible object versus money; it’s where “Mine!” meets “Maybe it belongs somewhere else — to someone else…”  We’ve all been there and wrestled with those decisions.

And my heart broke when horror collector Ron Magid had to stop the bidding on Lugosi’s suit at $95,000 and lose what he coveted… Haven’t we all had to bail on bidding or just walk away and leave what we love behind? Oh, the agony of wallet’s defeat!

But I was nodding and grinning again when Magid explained his reason for putting down his paddle: “I’d spend the rest of the life on the front porch if my wife knew I’d spent $100,000 on a suit.”

So while the collectibles shown in SyFy’s Hollywood Treasure are completely out of my reach, the fundamental aspects of collecting are here: the passion for hunting, preserving, owning, research, buying and selling exist in all levels of collecting.

However, part of the charm of shows like Pawn Stars and American Pickers is the chemistry between the cast (or, if you prefer, the professionals). Since only two episodes of Hollywood Treasure have aired, it’s difficult to say if this sort of fun will emerge on thhe show. Right now, the tone is far more “business professional” which, while perhaps more appropriate for the caliber of collectibles, rather removes that sense of personality. But as I said, time will tell.

Personally, I’m looking forward to more episodes of Hollywood Treasure.

And if the beyond-my-grasp level of grand collectibles makes this show more of a guilty pleasure than an actual informative show, I can live with that.

Learning From Vintage Ephemera About The Condition Of Collectibles

I know folks like to think I rationalize my compulsion for vintage booklets and magazines, but I think there’s gold in them-there old pages!

Today’s example comes from 367 Prize Winning Household Hints From The Armour Radio Show Hint Hunt, circa 1940s, a booklet from the daily CBS radio show. Included in this vintage booklet are some tips on books, magazines and phonograph records which might just be of use to the collector.

The advice regarding magazines is “to have each member of the family initial the cover of a magazine as they finish reading it so you will know when the magazine may be discarded.”

This, my fellow ephemera collectors, might explain the seemingly random multiple initials on vintage magazine covers.

Now for you book collectors; the tip for preventing “library mold” is to sprinkle oil of lavender, sparingly, throughout the book case.

While I doubt the scent would last very long, if persons practiced such things, it might account for oil spots on vintage book covers and pages.

The last tip is regarding records: “Warped phonograph records can be straightened for playing by placing the records on any flat surface in a warm room and weighing them down with heavy books.”

Given the temperature it takes to melt vinyl records — and that this advice was given in the 40s, when records certainly weren’t made of that flimsy vinyl of the 70′ or 80s, I imagine that everyone in the house sat around in their undies sweating while mom or dad un-warped the family’s records.  But that’s just me romanticizing the past *wink*

Lingerie Collecting: No Drawers For Your Vintage Drawers

Often when a new collector finds unworn lingerie in a box clearly not its original, they shy away from the purchase, concerned the lingerie is not authentic vintage. While there are unscrupulous sellers, finding panties in a slip box is not uncommon; on the contrary, it is quite common.

Those who collect vintage lingerie — and who do so not only bidding at online auctions, but by attending estate sales — know that ladies used to store their delicates in boxes. Lingerie boxes, pretty satin and other fabric covered boxes to fit inside drawers or be displayed on top of dressers and vanities as well as cardboard boxes from maker or retailer (as well as lingerie bags), were used to spare delicate garments from potential snags from wooden drawers and their metal hardware. But more than this, the original cardboard boxes the lingerie itself came in were used for storage.

Ladies didn’t put all their lingerie pieces in one place and paw through it for their daily selection; several pieces, enough for a week or so, would be in the rotation, with the rest waiting their tour of duty. New purchases and gifts of lingerie would be kept in their original sales box, or placed in one of the emptied and saved boxes, and then taken to closets, where they’d sit on the shelves, waiting their turn to be unpackaged and sent to the lingerie boxes and drawers.

Since boxes from previous lingerie purchases and gifts would be saved to store future under garments, panties would be placed in slip boxes, bras would be found in girdle boxes, etc., and even girdles found in girdle boxes may not be the same brand, size, etc..

Stocking boxes are the most commonly found of the vintage lingerie boxes. This is due in part to the fact that stockings continued to be sold in boxes (usually as sets of multiple pairs) far longer than other forms of lingerie; slips, nightgowns, and foundation garments were displayed on hangers in stores, and packaged at the retail wrap desk in paper and ribbons at the time of purchase.

While stockings can often be found still in their original boxes, they may not be in unworn condition. Once one stocking was too worn to be of good service, that stocking would be removed from the stocking rotation (either tossed out, put in the old scraps bag for crafts, or otherwise recycled) — but its still-serviceable mate would continue on. It might be removed temporarily from circulation, placed into a box and put back into the closet again, but a satisfactory used mate would arrive soon enough as ladies often purchased stockings in multiple pairs of the same maker, shade, and size.

Perhaps the most delightful part of all this, is the plethora of pretty vintage and even antique lingerie boxes left for collectors.

Like any other are of collecting, vintage lingerie boxes are collected for nearly as many reasons as there are collectors.

Some collect for the pretty illustrations and stunning graphics; others for the historical preservation of a particular brands logos and marketing over time. There are the cross-collectible cases of advertising collectors, pinup collectors, collectors of individual artists, etc. And I know one collector who just collects blondes — a vintage blonde printed on an old lingerie box will sit pretty with her collection of blonde figurines, dolls, postcards, etc.

Sometimes the boxes are deceptive… Plain outsides often hide their goodies inside, like this beautiful antique bloomer box.



Sometimes the insides of plain boxes are just as plain as the outsides, but you never know just what you might find inside… Lingerie, lovely vintage tissue paper, old store tags &/or receipts, love letters — who knows?  Always inspect the insides of the boxes — and the folds of any lingerie contents — for such goodies.

However, there are times the box itself is far more amusing than what you find inside. *wink*


The saddest thing about collecting vintage lingerie and boxes, though, is to find the most beautiful lingerie that was set aside and never worn…

It’s difficult not to imagine that like too many women today, yesteryear’s woman set such lovely pieces aside for a “some day” that never came — or worse, she just didn’t think she was worthy of such fragile, delicate beauty.

…Then again, maybe she just intended to re-gift?

In any case, such finds are a collector’s dream. But it’s also a reminder that we can’t take it with us, so we should enjoy what we have today.

Or, at the very least, save it for someone who will — no matter how many decades later they find it.

Image credits, in order they appear:

Vintage days of the week Super Fit Garment panties in a Honey Girl Slip box, via designofthetime.

Vintage Berkshire Stockings box with embossed paper lining, via mountaincoveantiques.

Vintage Munsing Wear hosiery box, via VanityTreasures.com.

Antique box for Blossom Bloomers, Worn the World Over, Pat. Nov 15, 1927, box, via JRs Estate and Antique Gallery.

Vintage novelty joke, Quickies: The Panty For Busy Women, via roseyreddog boutique.

Vintage Vanity Fair lingerie box with original slip, label and price tag, via unbuttoned4u.

DIY Display For Vintage Buttons, Ribbons & Other Sewing Notions Collections

At Design Sponge, Haylie Waring shows us how to make sewing notions displays. Waring’s examples use ribbons and buttons, but this project could also be done with beads, lace, fabric swatches, etc. — as well as jewelry, shoe clips, pinbacks, and other bits and bobs.

Beautiful to look at and, as Waring says, this offers practical organization too:

Due to the lack of space in my studio, I am constantly forgetting what notions I have packed away in my organizer containers that I keep hidden in a storage closet, or up on my highest shelf. When you don’t know what is in those containers, it is hard to know where to begin, and I am often tempted to just go out and buy more supplies. This DIY project is the solution to that problem, and it seconds as art work on my work-space walls.

…Also, I like to tag each board with a number that will match up with the storage container where you keep your coordinating back-stock, so things are easily located.

Included in the step-by-step project instructions are two of her original 8×10 design templates.

EBay’s Comic Book Superhero Auction Event

EBay’s Comic Book Superhero Auction Event event, timed to run alongside the box office premiere of Iron Man 2 starring Robert Downey Jr., runs through Sunday May 9th, 2010.

During this event several rare and collectible comic related items — many never before offered for sale on eBay — will be featured. Along with vintage comic books (single issues and complete runs), the auctions include original art, signed prints, memorabilia, and specially designed artwork such as an Iron Man drawing rendered specifically for this promotional eBay event by comics artist Joe Linsner.

Bidding starts at $0.99 for most items; for items valued over $1,000, the bidding starts at $99.99. All items are available as auctions with free shipping and no reserve.

The Charming Face & Feet Of An Antique Horsman Doll

This charming antique composition baby doll has a sawdust stuffed cloth body beneath the original stripped cloth outfit.

This 12 inch tall antique doll is identified by the EIH © 1911 mark on the  back of the neck.

One of the Horsman Can’t Break ‘Em character dolls, the head and face of this sweet antique baby doll was sculpted by Helen Fox Trowbridge in 1911 using her own one-year-old son, Mason Jr., as the model.

The first doll in the Horsman Gold Medal Baby series, this doll marks the first time that this mold was used.

Considering that this is a 100 year old doll, there are few condition issues.  The jointed legs are still flexible and move nicely, there’s some wear to the head.  On the right hand, a few of the fingertips are damaged. All signs that this baby was played with, but gently.  And that’s part of the charm.

What charms me the most this doll is that the sawdust-stuffed fabric covered feet show discoloration and some fraying — probably where a young child sucked the toes to comfort him or herself to sleep.  Literal sweet feet!

Vintage China Nightlights

At a local antique mall, the Moorhead Antique Mall, I spotted another idea for salvaging vintage china pieces: turning tea cup saucers into nightlights.

I’ve also seen old cups (with and without saucers) turned into night lights (or night lamps), like this one by micah7:

But I think that since the vertical saucers are flatter and nearer to the wall, they are less likely to be damaged by an inattentive person vacuuming. (But maybe that’s just a problem at my house?)

I’ve never tried making night lights from china pieces, but if you want to give it a try, here are a few helpful “how to” links:

Cutting ceramics with a wet saw

How To Cut Plates Using Two Wheeled Cutters

How to cut a plate using Leponitt Cutters

Wielding your wheeled cutters

Also, your local hardware store may offer cutting services for a fee.

Recycling Props? “Parrish” The Thought!

Whether you like to collect television and movie props or just like to spot and collect them in your mind, it’s fun to notice when props are reused in other productions. Today’s example comes from television: The harem dress worn by Leslie Parrish in the Star Trek episode Who Mourns For Anonais?

It appears the same ensemble was again worn by Parrish in The Girl In The Frame, the last episode in the the first season of Mannix which aired roughly six months later.

Who Do You Think You Are? Televised Celebrity Genealogy Hopes To Illuminate History

Lisa Kudrow was on ABC’s The View Wednesday, promoting her new show, Who Do You Think You Are?, an adaptation of the award-winning hit BBC television documentary series of the same name. Kudrow is executive producer of the show which leads celebrities on genealogical journeys to discover the genetic answer to “who they are” — at least as best genealogy can.

Rumors about the debut of this show have been swirling for well over a year, and those of us who enjoy the personal side of history (if not the celebrity-side of the production), have been stymied as to why we’ve had to (impatiently) wait. But it’s finally here!

The show debuts this Friday, 3/10/10, with Sarah Jessica Parker. Other celebrities include Susan Sarandon, Emmitt Smith, Spike Lee, Brooke Shields, and Matthew Broderick.

Kudrow puts herself in front of the cameras for this series too, sharing a particularly poignant story discovered in her family tree. Her family’s personal tragedy not only chronicles WWII history, but pierces the intellectual shield most of us have in processing and recalling such horrors… Something that only increases as witnesses to those dark moments in history leave us.

If you’re tempted to dismiss this as more celebrity adoration, or pure dramatic sentimentality, Kudrow and I want to assure you that genealogy may be personal, but it’s also much larger than that — it’s about the historical context.

Personal stories always illuminate the dry facts and dates of history into reality, celebrity or not. Heck,  even the reasons why you hit a wall or can’t fill in the blank in your family’s story is illuminating.  For example, in this clip, in which Kudrow shares what she found out about the family history of the ladies on The View, the matter of why it’s so much harder to find out family tree information for African-Americans is discussed.

As for the series, well, I haven’t seen it yet; but April MacIntyre has, and she’s interviewed Kudrow too:

One of the things that I did like about your particular series was the interspersed history lessons. Will that continue throughout into the next season?

Lisa Kudrow: Oh boy. It will continue and hopefully there can be more of it because the BBC version has a lot of that. The thing is that it’s not just dry history, it’s back story that’s essential once you’re invested in these characters like Sarah Jessica, (John Hodge) or (Esther Elwell) and you need to know the back story which is history.

Dan Bucatinsky: It’s context.

Lisa Kudrow: And that’s what I mean by because there’s an intimacy to it now that it’s not just dry history that happened to strangers. It has more impact and that’s – we’re supposed to study history. We’re supposed to know what we’ve done before, how did we do things? How did it work? How didn’t it work to learn from it and hopefully this makes it worth knowing.

Most promising.

Who Do You Think You Are? airs Friday night on NBC at 7 PM, Central time (check local listings). I know what I’ll be watching!

*****

I’m a Brand Ambassador for The View. As a participant in a Mom Central campaign for ABC Daytime, I will receive a tote bag or other The View branded item to facilitate my reviews; as you can tell from my long-winded posts about The View, the tote or whatever I may get is not my priority, but I mention it to be ethical.

Caring For Your Vintage Lingerie

Where else can you find the best tips about caring for your vintage fashions and foundation garments then from vintage women’s publications? Then, as now, magazines shared tips for female readers interested in stretching their fashion dollars by not stretching their garments out of shape.

Inside a 1941 issue of Modern Woman Magazine, tips on how to launder your girdles:

And in another issue of that magazine, circa 19445, tips on caring for foundation garments for New Look fashions to preserve the their fit:

(Cookie) Cuttin’ It Up With Tom & Jerry

Seventy years ago — long before Itchy & Scratchy appeared on the Krusty the Clown Show on The Simpsons — there was Tom & Jerry.

The series of animated theatrical shorts was created for Metro-Goldwyn-Mayer by Hanna and Barbera. William Hanna and Joseph Barbera ultimately wrote and directed one hundred and fourteen Tom and Jerry cartoons (and earned seven Academy Awards for Best Short Subject, Cartoons) for the MGM cartoon studio in Hollywood between 1940 and 1959, when the animation unit was closed. Tom & Jerry would live on, however, with different animators and studios before returning home to Hanna & Barbera.

The incredible popularity of the never-ending cat and mouse games between Tom the cat and Jerry the mouse produced these red plastic cookie cutters by Lowe.

Along with the heads of Tom and Jerry, I also have Barney Bear, Droopy Dog, and a full body cookie cutter of Jerry.

These particular cookie cutters, , marked with a copyright date of 1956, are made of a sheer red hard plastic — but the series was also available in green.

Vintage “Match Lips”

This is so ephemeral that I can barely stand it! It’s a paper matchbook…

With matchheads of “Stay-Tru” Almay lipstick!

I’m not sure why you’d want to sell beauty on the idea of putting a match to your lips, or how these survived (mostly intact; one ‘strike’ is missing), but I love it!