This vintage ceramic ashtray is kinda kitschy-cool; when you place the light cigarette in its place, the smoke comes out of the cannon!
I just priced it and put in in the case at Fargo’s Antiques On Broadway.
This vintage ceramic ashtray is kinda kitschy-cool; when you place the light cigarette in its place, the smoke comes out of the cannon!
I just priced it and put in in the case at Fargo’s Antiques On Broadway.
Most collectors are aware that they are curating their collections — or at least they should be! But now, there’s online curation, or more specifically, online content curation.
Unlike blogging or writing on the web (called “content creation”), content curation is the process of sorting through the created content on the web and presenting it to others. In the most simple terms, it’s rather like being the editor of your own magazine, picking the stories, images, and information you’d like to keep and/or share with others (unless you want to keep it private). Almost all curation sites include standard social networking features (being able to follow members and/or subscribe to curated collections) as well as allow you to connect and even sign-up easily via Facebook and Twitter.
While a lot of attention has been made of using digital curation for businesses and bloggers, collectors of antiques and vintage items will enjoy this as well. It’s a great way to organize information on what you collect, save links to resources, show off what you and your collecting friends have posted of your collections online, do some window shopping… Maybe drop a few hints… *wink*
Here are my favorite three sites for content curation for collectors of antiques & vintage collectibles:
The most well-known content curation site is Pinterest. While Pinterest is not the first of these content curation sites (far from it!), it has managed to capture a lot of media attention and an incredibly high number of users.
Pinterest is primarily image based, which works well for showing off pretty things, such as collectibles and DIY project ideas, but it isn’t necessarily suited well for articles and “how to”s. In fact, many Pinterest members go out of their way not to properly credit what’s shared, like Tumblr folks. This can be quite annoying for both those who have created content as well as those who want the information behind the photograph. Also, such little text also makes searching a bit more difficult.
However, Pinterest is rather easy to use, and allows for a rather unlimited number of collections or “pin boards” and probably has people you know there, making interacting easy. The site currently has you join a wait list rather than begin immediately. Typically, you only wait a day or two, even less if a friend invites you; but it does put a damper on one’s enthusiasm.
If your intent is to drive traffic to your own website, Pinterest leaves a bit to be desired as most people there for the pretty pictures — and once they’ve seen them on Pinterest, they aren’t as inclined to find out more. Pinterest does not show you any statistics on how many people have seen your pins or pinboards.
(This is me at Pinterest.)
Scoop.It has a great name which invokes what you are doing: You “scoop” content off the Internet and create pages which resemble little newspapers or magazines.
Since Scoop.It is focused on articles, you get to include far more text with your “scoop,” yet not give away the whole article, which just makes for better Internet friends. You also can add an image to your “scoop”, which is a nice visual when the article you are using doesn’t have one. And Scoop.It also has a suggestion option which allows you to suggest a link for another member to scoop onto their own topic. If your suggestion is used, you get a little link crediting you. This is a nice community feature that allows you to connect with other members and participate in topics past your own.
At the free level, you may have up to five collections, called “Topics.” Because you only have five free collections, you should think ahead of time and decide just what collections you want to focus on curating. If you collect a lot things, or do a lot of research, you probably want to go make each topic a bit broader, rather than being too specific on each one. Or you can pay to upgrade your service, which includes not only a larger number of topics but the option to use your own domain name. Unlike many other content curation sites, Scoop.It does not have a main page on which you can just watch the action of what other members are doing, so you’ll have to rely on the site’s search function to see what other topics you’ll want to subscribe to. And Scoop.It does not allow for you to have private topics.
Scoop.It is designed to push folks out to the original content sources, so even though finding topics and scoops is a bit more difficult, there is some traffic to be found here. Scoop.It‘s stats take some getting used to; paid members apparently get more information on stats and analytics than free users.
(This is me at Scoop.It.)
Now we get to my favorite content curation site: Snip.It. Like it sounds, you curate by “snipping” content from the web, making your own digital scrapbooks out of the articles and images others have produced — while giving the creators proper credit and encouraging folks to go visit the content creators website, blog, gallery, etc.
Why is Snip.It my favorite? Because it primarily focuses on article curation in ways that suit me best. Along with being able to have a rather unlimited number of collections (including private ones for research I don’t want to share yet), Snip.It highlights or features great collections on the site, making it easier to find collections to subscribe to and collectors to follow.
On the main page, the most recent “snips” from featured collections are shown, with the most recent at the top. And there are also specific categories (such as “Arts & Culture” and “History”) which contain featured collections, also with the most recent “snips” at the top. Since featured collections are selected by the folks working for Snip.It, real people are differentiating good curation from spammers who join and just want to promote junk. Because of this way of showcasing good snipped content and good snippers, I’ve been able to find a number of great resources for reading, researching — and maybe even collecting, who knows? *wink*
This is the site I’ve also had the most conversations with other members, via comments. I like that.
Snip.It is created with readers and snippers in mind, and drives people to the curated content. Even though I’ve been participating in Snip.It the least amount of time, I’ve seen the most about of traffic to my sites from it. Snip.It does offer stats on how often your collections are viewed; additional, more in depth, stats will be available soon.
(This is me at Snip.It.)
Whichever online curation site you choose, I’m sure you’ll quickly find yourself enjoying it — just don’t spend so much time online that you forget to go to garage sales, flea markets and auctions! *wink*
Have you found any good content curation sites? Please do share in the comments!
Bookmark collectors may wish to take note of this list of bookmark collectors who are interested in trading bookmarks — worldwide!
Send an email to mail@miragebookmark.ch to register in the lists below…
To register, we need your full address, your email address and a personal message from you.
Due to security reasons, we’ll publish only the town and country of your residence.
Currently they have 183 collectors from 36 different countries on the list.
Note that you can also look for collectors to trade with by country too.
To see the latest additions to the exchange list, just scroll down past the offer to purchase 50 bookmarks.
Image from The Art of Bookmark Exhibition.
Last month The Milhous Collection went up for auction, with the two days of bidding on the 550 lots coming in just shy of the auction estimate of $40 million, reaching $38.3 million in sales.
The huge custom-build merry-go-round, considered the collection’s center piece, reached the estimated price range of old $1,000,000 – $1,500,000, selling for nearly $1.3 million. I think at that price, the piece deserves to be called a carousel.
While The Milhous Collection was most noted for its world-class vintage and antique instruments — ornately decorated orchestrions, theatre organs, and other mechanical musical instruments, the bids for these pieces came in lower than anticipated. Sadly, of the eight automated musical instruments with estimates of $1 million (or more), only three obtained bids of seven figures.
Lest you think the economics of space was on the minds of bidders, you should note that most of the 30 automobiles in the collection sold at or above their auction estimates. Among the high-horsepower Brass era cars, Indianapolis racing cars, and coachbuilt classics, it was the 1912 Oldsmobile Limited which fetched the highest price; as the only known surviving car of the model, it more than doubled its estimate, selling for $3.3 million.
Perhaps there’s always room for another classic car in the heated garage, but antique mechanical music pieces? Not-so-much.
Images via RM Auctions.
The Wall Street Journal reports on the “attractive proposition” vintage watches hold for investors, especially when compared to other alternative investments.
Wine, for example, needs special care and can spoil. To enjoy it, it must be consumed. Vintage cars need space and maintenance. Real estate fluctuates too wildly. But watches? They take up no space, and servicing—while subject to long waiting times—is less of a problem than, say, restoring a 1930s Delage motor car. In the U.K., investing in antique clocks has been cited as a good way to avoid paying capital-gains tax. Because clocks are deemed a “wasting asset,” they are not taxed on their capital appreciation. But best of all, watch values have been on an upward trajectory for the past 25 years.
Perhaps this is what’s behind the resurgence in independent artisan watchmakers?
However, fine antique watches remained threatened by the high prices for gold, as antique pocket watches and wristwatches continue to be melted down for their weight and value in gold. Those are the grim realities of our times.
The Grimm reality of old timepieces, however, is all about Eddie Monroe. On NBC’s Friday night TV series, Grimm, Silas Weir Mitchell plays Monroe, a Blutbad — a human who can transform into a wolf. He keeps his wolfish nature hidden (and at bay) with his rather nerdy exterior — not just the usual “bookish” sort, Monroe plays chello, performs clock and watch repair, and collects so many antique and vintage things that I often find myself searching the frames of the show to look at all his cool stuff. The home (set?) was even featured in Oregon Home, so I must not be alone in my fascination.
A packet of vintage St. Patrick seals by Dennison Mfg. Co., Framingham, Mass., U.S.A., No. 80-924.
The cover boasts of 36 seals in six different designs, but some are missing from my thrift store find. In fact, the missing ones are what charm me…
It’s the plain old shamrock seals or stickers which are missing. Was this owned by a teacher or parent who wanted to be fair by giving each child the same seal? Were the shamrock’s just the right size for the project or envelope or whatnot? Wondering is part of the charm for me.
Personally, I find the pretty pinup woman like a figurehead on the Eire harp the coolest seal. …Maybe the original owner was saving those for him or herself. *wink*
This vintage chalkware piece isn’t as creepy (or racist) as these vintage chalkware babies, but there’s still something creepy about the “hair” spray-painted on it… It reminds me of the old bowl-haircuts mom used to give us. *wink*
The baby’s diaper is cloth and even has old (rusty) safety pins holding them up. This I found surprising as, even though I collect old chalkware pieces, it is the first time I’ve seen clothing or fabric attached to a piece of chalkware that wasn’t of the erotic varieties. (I’ve seen a few female nudes in chalkware or plaster which have little fabric or fringed skirts of sorts.) Have any of you seen old chalkware items with which have anything removable like that?
On shows like Oddities there’s much talk about cabinets of curiosities, but you needn’t have a fancy cabinet — or anything morbid, or even Victorian, to display in it — to arouse curiosity. In fact, I consider my entire home a display and I thrill when anyone stops and looks in wonder. It’s like a large, living, scrapbook. My home may not be at the level of Anthony Pisano’s, but whenever friends and family, like my young niece, take the time to look at what I’ve got on my shelves, I’m ecstatic that my objects start the conversations, the stories, the wonder…
Photo Credits: In Awe by Gracie Clark.
PS You really should see Anthony Pisano’s collection and home!
Derek sheds light on a ghost ad for the Harold Lloyd film Grandma’s Boy which was unearthed in Vancouver, BC, Canada.
Our very own Pickin’ of Antiquips, aka Val Ubell, weighs in on the scale and shape of collectibles.
I cover the record number of record collections and obsessively research the history of the Jay Herbert fashion labels.
Cliff reviews The Story of Cigarette Cards (1987) by Martin Murray.
Image via Shorpy.
Whether or not you an add another camera to your collection, you may want to consider this Vintage Camera Garland from Christine of Flapper Girl:
This garland celebrates the beauty of vintage cameras with a Wardette, Starflash, Brownie Hawkeye, a handful of retro lightfilter boxes, and two photos documenting what fun can be had with a camera in tow!
All components of this garland were hand-cut by me. The vintage cameras and lightfilters depicted in this garland are from my personal collection, and were photographed and edited by me.
Garland measures approx. 48″ long.
I love how everything looks like prints drying on the wires in a darkroom.
Flappergirl offers other paper garlands, in varying themes, in her Etsy shop — and I find them very inspiring:
These garland designs are the result of my endless fascination with, research into, and love of their subjects. Countless hours are spent collecting and assembling the perfect elements for each piece.
Each garland design is uniquely considered, elegant, and beautiful. Everything is hand-cut, hand-folded, and hand-glued. My passion and dedication is evident in their small, unexpected details and craftsmanship, making them unique and delicate treasures.
I was drawn to this vintage 8 by 10 photograph for the old bar ware featured in it; I love the prohibition era. (And I highly recommend the PBS Prohibition documentary series by Ken Burns.)
But upon a closer look, I’m rather stumped by the actress and the film it’s promoting. The seller’s description simply says it’s “an antique original 1930s posed view of a Hollywood blonde ingenue with a high end cocktail set, typifying the allure that went with drinking during the era of Prohibition, and the fascination with the lives of the rich and famous during the Depression,” but the back has stamps and information from Culver Pictures, Inc., so I feel that both the actress and the film ought to be known… Any one with more vintage film knowledge care to assist?
Images from Grapefruit Moon Gallery.
Frank Fritz of American Pickers calls it “the bundle” when he groups multiple items into a single sale to negotiate for a lower price. I think as collectors we’ve all done that… You spy a few records you want in the box and decide to make an offer on the whole box so you can flip through all the vintage vinyl more comfortably at home. In fact, there are a number of regular picking places hubby and I buy in volume to get a better deal over all and I swear that on more than one occasion we’ve paid less for a van-load of stuff than we would have paid for just one of the larger items.
Of course, there were times we’ve blown our budget on such “deals” too because we miscalculated just what was all in that box…
But Grinin’ — one half of Inherited Values own Antiquips who is otherwise known as The Dean — has tips for you on how to measure up your own deals going by the inch!
Read it and the next time you are faced with a box of records or comic books, a stack of View Master Reels, postcards or other ephemera, you’ll make a wiser decision — leaving you richer for the read.
Whether you’re a member of the Hollywood elite with a book addiction or a less notable bibliophile, you’ve probably desired to see the insides of a book up for auction but haven’t had the time or money to fly to the auction location to inspect it. While many auction houses have made it easier for you to bid long distance, with online and phone bidding, getting a good look at the goods (or bads) remains a problem.
This is especially true of books. But Joe Fay, Manager of Rare Books at Heritage Auctions, explains how the auction house is addressing the issue for book collectors:
Books are especially difficult to fully represent with photography, or to completely describe to someone else in words. A 300-page book has about 320 surface areas to show, counting the covers, all sides of the book, any preliminary pages, and so on. So, here in the rare books department, whenever we can, we take advantage of Heritage Auctions’ continued commitment to employ technology to make the auction process easier, faster, and more transparent, and to deliver to bidders as much information as possible in order to help them make an informed decision about a lot. One particular way we do this is through the use of Video Lot Descriptions (VLDs) for premium lots in our auctions.
A Video Lot Description is a two to four minute video presentation of an auction lot, produced entirely by Heritage Auctions, and hosted on a given item’s webpage once online bidding opens.
The Girl Scouts were founded on March 12, 1912, so this year marks the 100th Anniversary of the Girl Scouts. (Yes, there’s a Girl Scout patch for that!)
Along with a national event to be held March 10-11 at the Mall of America, many troops are planning celebrations. For example, Girl Scouts from across southeast Louisiana will be celebrating with an Extravaganza on Saturday, March 17 in Gonzales. Part of this event will include a historic exhibit showcasing Girl Scouting over its 100 years — and volunteers are seeking memorabilia to include in this display. “Vintage Girl Scout uniforms, photos, books, newspaper articles, or any other Girl Scout-related items are welcome,” said Kevin Shipp, event coordinator.
If you’re a collector of Girl Scout items, or a former Girl Scout with goodies saved, contact your local Girl Scout troop or council to see how you can add to the celebration near you. You may also want to participate in their Oral History Project.
As a feminist, I have a complicated, conflicted, relationship with beauty pageants. But this vintage booklet from the 1923 Mineralava Beauty Pageant fascinates me because of the man involved: Rudolph Valentino.
Not just some master of ceremonies, Valentino was both the star and the prize of this contest: “The Most Beautiful Woman In America May be the Leading Lady of Valentino’s Next Picture.”
When the silent film star walked out of his Famous Players-Lasky (FP-L) contract in 1923, the studio suspended him without pay and won an injunction that prevented him from working for another studio, leaving the decadent dandy desperate for money. In Rudolph Valentino & the Mineralava Tour of 1923, Edward Lorusso explains:
Desperate for money, Valentino and Rambova decided to create a dance act and tour the country for Mineralava Beauty Clay cosmetics. Starting in New York City’s Century Theatre at a benefit for the Actors Fund on a bill with Will Rogers and Jeanne Eagels, the couple caused a sensation and received 20 curtain calls. Valentino was stampeded by 300 fans as he left the theater. A Boston headline claimed “10,000 Girls Mob World’s Greatest Kisser.” The mobs became so predictable that Valentino and Rambova often escaped theaters over rooftops. The couple performed in 88 cities in the United States and Canada during a grueling 17-week tour. The hysteria followed them wherever they performed.
The dance tour garnered a tremendous amount of publicity and earned the couple a big weekly salary plus a percentage of the gate. They broke house records in several theaters. But while Valentino was mobbed by hordes of fans in every city, local newspaper coverage often sniped at his romantic movie image and professional dancing as being “unmanly.” Plus, Valentino was hawking beauty products that he claimed to use himself.
Following the example of dance idols Ted Shawn and Ruth St. Denis, the Valentinos created exotic dances and sumptuous costumes to the accompaniment of their own traveling orchestra. They performed a number of dances, but the tango routines were the ones that always brought down the house.
The beauty contest (the Miss America contest started in 1921) was another publicity angle of the tour. Mineralava sponsored a contest in each of the tour’s 88 cities and Valentino “judged” all the contestants. Then all 88 beauties descended on New York City, where they were paraded up Fifth Avenue to the Madison Square Garden. A young David O. Selznick made a short film of the contest called Rudolph Valentino and His 88 American Beauties; the film survives and is a fascinating glimpse at a “natural” Rudolph Valentino as well as the beauty contest styles of the day. Selznick shows the terrifying hordes of people who mobbed the streets outside Madison Square Garden, hoping for a glimpse of Valentino. Inside the Garden, the 88 girls come out onto a stage that is surrounded by crowds. Each girl (most with bobbed hair and bee-stung lips) parades in a gown and sash proclaiming her city and carrying (for some unknown reason) a ribboned Bo-Peep staff.
More details on the tour here, including a list of the tour stops.
Along with being a great advertising piece, I find this vintage booklet to be a lovely little piece of women’s history, combining the power of the women as consumers with their status as prey for marketers. Along with the testimonials from “women in American Homes,” collectors of silent film will also enjoy all the celebrity endorsements from silent film stars such as Nazimova, Mae Murray, Marion Davies, and Marie Prevost.
Other items from this beauty pageant tour can be found too. Donna L. Hill, author of Rudolph Valentino The Silent Idol: His Life in Photographs (who also runs Rudolph-Valentino.com, owns this original trophy from the Mineral Lava Beauty Contest in Baltimore. (The Baltimore contestant came in third overall in the national contest.)
Along with trophies, Mineralava gave out boudoir dolls of Rudolph Valentino and Natacha Rambova to contest winners.
As fabulous as this pageant was for Valentino (it did get him a better contract — if also assisting in the “Pink Powder Puff” slur) and, one presumes, Scott’s Mineralava Beauty Clay, at the time, the story doesn’t really end well… Valentino’s life lasted just a few more years and Mineralava seems only a footnote in the life of Valentino.
Image Credits:
Images of the 1923 Mineralava Beauty Pageant booklet, measuring 5 1/2 by 8 inches, via Grapefruit Moon Gallery.
Photo of the Mineralava trophy belongs to Donna L. Hill; found via Cinema OCD.
Old newspaper archive photo of Rudolph Valentino and Natacha Rambova boudoir dolls found in The Doll of Choice by Movie Stars & Naughty Girls, by Linda Wulfestieg (published in Contemporary Doll Collector, March 2009).
I love board games, especially vintage ones. Bonus points for awesome graphics on game boards and boxes. And this unused, like new straight out of the 1930s, board game sure gets the bonus points!
Made by American Toy Works (ATWO) Products, this vintage game box contains two games: Checkers and Avion, and aviation themed game. Again, unused and complete with all accessories. The box measures 9 1/4 by 11 1/4 inches.
Photo and listing via Grapefruit Moon Gallery.
While some folks (who, themselves, live in glass houses) cry, “Beyond Tacky!”, Julien’s Auctions is going ahead with plans to auction off Whitney Houston items at their 2012 Hollywood Legends auction to be held on Saturday, March 31 and Sunday, April 1 in Beverly Hills, California.
Among the over 800 items of Hollywood memorabilia and historic Americana, the Houston tems up for sale include a pair of earrings and a brown satin vest worn by Whitney in The Bodyguard (1992) as well as a black velvet dress owned by the legendary performer.
Celebrity auctioneer Darren Julien said Sunday the pieces and other Houston items became available after the singer’s unexpected death on Feb. 11 and will be included among a long-planned sale of Hollywood memorabilia such as Charlie Chaplin’s cane, Clark Gable’s jacket from “Gone With the Wind” and Charlton Heston’s staff from “The Ten Commandments.”
Julien said celebrity collectibles often become available after their namesakes die.
“It proves a point that these items, they’re an investment,” Julien said. “You buy items just like a stock. Buy at the right time and sell at the right time, and they just increase in value.”
But could it be too soon to profit from Houston’s passing? She was just buried on Saturday.
“It’s a celebration of her life,” Julien said. “If you hide these things in fear that you’re going to offend someone — her life is to be celebrated. These items are historic now that she passed. They become a part of history. They should be in museums. She’s lived a life and had a career that nobody else has ever had.”
Houston is “someone who’s going to maintain a collectability,” he said. “For people who are fans of Whitney Houston and never would have had a chance to meet her and never got to talk to her, these are items that literally touched a part of her life. They are a way to relate to her or be a part of her life without having known her.”
Whatever you think of profiting off celebrity, in life or after death, this isn’t anything new. Julien’s, naturally, takes the rather pragmatic position of collecting entertainment memorabilia as investment:
Accumulating these coveted treasures is often a twofold endeavor; obtaining tangible nostalgia and making a sound investment choice. Acquiring such a collection gives buyers the opportunity to gain intimacy with fond memories anchored in the property. The other reason is based on the steadily increasing prices, which has been recently noted as a solid asset for Wall Street investment bankers and executives around the globe.
And why shouldn’t they? As a culture, we stalk celebrities by collecting, alive or dead.
If there is any such thing as a cultural rule about the length of time which ought to pass before we profit by selling off items connected to a recently deceased celebrity, it is far less a matter of morbidity and more a matter of our capitalistic nature. The market dictates that we bid as high as our emotions run; and emotions run pretty high when there’s a death.
As my friend and fellow columnist at Collectors Quest said upon the passing of Michael Jackson, “One’s fame is directly proportional to how fast people will learn the intimate details of your life, or death, as the case may be… Where celebrity meets mortality, there is eBay.”
Celebrities thrive by this very rule — they use our emotions to sell us less than proper things while alive, such as Michael Jackson “Thriller” panties. So why wouldn’t we buy-buy-buy when they die?
Etiquette rarely, if ever, applies to celebrity.
And how can Perez, of all people, complain about this when he’s “beyond tacky” and a “bloodthirsty” parasite living off celebrities himself?
I’m not sure there’s anything inherently wrong with buying Whitney Houston’s movie-worn clothing weeks after her death than there is buying Clark Gable’s jacket from Gone With the Wind decades later. Do you?
Related: See my article at Collectors Quest on the dangers of Certificates Of Authenticity (COAs).
These little button easels are a great way to display your vintage and antique buttons on shelves, in shadowboxes and antique printer’s trays, you vanity — anyplace, really! Each is hand made by happyhoarder66, who says that each little wire easel is made of “very workable metal so if you need to bend one slightly to accommodate an unusual shape there should be no problem.”
A slightly lager size, measuring just over an inch tall, is available for displaying jewelry and ephemera, such as on postcards, matchbooks and photographs. I bet they’d work for displaying pinbacks too.
Both sizes of the little collectible display easels are sold in lots of one dozen — bur larger order amounts and custom sizes are welcome.
The first scene filmed for Gone With The Wind (1939) was the burning of the Atlanta Depot. And it remains some of the most iconic film images of all time.
Shot on December 10, 1938, using some nine cameras — including all seven of Hollywood’s then-existing Technicolor cameras, the 40 acre set was actually many old MGM sets that needed to be cleared from the studio backlot. Flames 500 feet high leaped from old sets, including the “Great Skull Island Wall” set from King Kong. The fire was so intense, Culver City residents, thinking MGM was burning down, jammed the telephones lines with their frantic calls. Ten pieces of fire equipment from the Los Angeles Fire Department, 50 studio firemen, and 200 other studio help stood by throughout the filming; three 5,000-gallon water tanks were used to put out the flames after shooting. This and other costs put the bill for this famous film fire at over $25,000 for a yield of 113 minutes of footage (some of which was later used in other films; for more on this and the special effects in Gone With The Wind, see Matte Shot).
Now it seems fire plays another role in Gone With The Wind; on February 10, 2012, a fire spread through Hudson Self-Storage in Stockbridge, Georgia. Though firefighters extinguished the fire, all 400 storage units and their contents were damaged, sustaining some degree of fire, smoke, or water damage. Among the storage units, was one leased by the Road to Tara Museum, containing rare memorabilia from Gone With The Wind.
While many items remain safe in the museum, such as the priceless signed first editions of the movie script, Frenda Turner of the Road to Tara Museum fears much of the $300,000 collection in storage was lost. Turner said that among the items not currently on display at the Jonesboro museum and stored in the unit included the large oval paintings of Clark Gable and Vivien Leigh seen hanging prominently from the front of the Loew’s Grand Theatre during the movie premier — Loew’s itself caught fire on January 30, 1978, the damage led to the demolition of the historic venue.
Frankly, my dear, we do give a damn.
The Bureau of Alcohol, Tobacco and Firearms and local authorities are investigating for signs of arson.
If you collect vintage fashions, you tend to end up with a lot of heartbreakers — not only items which won’t fit, but garments which are in such poor shape, all you can do is salvage pieces of fabric, buttons and other trims. And if you collect vintage sewing items and notions, you typically end up with a lot of vintage buttons too. You can certainly collect buttons. But if you’re looking for another way to enjoy them, get creative!
Dream Merchants II has taken old fabric-covered buttons and combined them with beads to make a one of a kind bracelet!
The buttons and beads are woven onto heavy duty beading wire, with the last button going through a loop at the end to fasten it. (She also takes custom orders, if you are all thumbs working with suck little bits and bobs.)
ThatOldBlueHouse2 takes old buttons and adds them to charm bracelets for extra charm, color and texture.
Vintage buttons can even be given the spotlight and be placed in settings, like the jewels they are. This green one is from 2fillesdunord.
At CountryCoveCreations, old buttons are used to create pins or brooches — like this colorful mod one where the retro buttons are layered on a retro plastic belt buckle.
All great ideas to preserve something from vintage fashions, a special occasion dress, or even a favorite shirt that no longer fits.
Another one of those vintage valentines with the circled numbers on them, this one has three angelic baby cupids with a large harp. The hot pink is quite vibrant!
There are no marks for maker or anything — but like this vintage valentine with soda pop bottles, this one has red printing or stamps on the back too. There’s another baby cupid and hearts with arrows through them and the words or names “Bud” and “Dick” too. You can make of all that what you will. *wink*
PS I just realized in the scan of the front of this valentine one one cupid’s foot was bent back. It’s there, just creased.